气味景观感知对乡村地方依恋的影响机制研究——兼论怀旧的中介作用

气味的作用是潜移默化的，本文在乡村旅游情境下，运用结构方程研究了气味景观感知对于地方依恋的影响作用。研究发现：①乡村气味景观感知显著地正向影响旅游者地方依恋；②乡村气味景观感知对于怀旧有显著的正向影响；③历史怀旧对地方依赖有显著正向影响，个人怀旧对于地方依赖和地方认同均有显著正向影响；④怀旧在气味景观感知和地方依恋之间的中介效应得到验证。研究证实了气味景观的重要作用，明晰了怀旧在乡村旅游体验中的核心地位，对丰富旅游体验和打造乡村旅游景观具有一定的启示意义。     

‘That Gleaming Sword of Satire’1: Power,Passion and Parliament in the Mid-Victorian City

Political print satire, construed as an articulation of sedition and dissent, is most commonly associated in Britain with its 18th-century ‘Golden Age’. Beyond Victorian fiction, the go-to 19th-century source tends to be the hegemonic, London-centric Punch. It is not widely known that, as Punch mellowed and popularised in the 1860s and 1870s, England's booming urban centres gave rise to a distinct form of citizen journalism which used boisterous satire as an effective vehicle for sociopolitical comment, evidence-based analysis and civic activism. Not only did the provincial satirical periodical filter parliamentary affairs through a critical provincial lens but at a time when politics were largely local, it engaged with the extra-parliamentary power vested in civic and municipal governance. It aspired to much more than diversion through witty posturing. Morally and ideologically inspired, fuelled by righteous indignation, it successfully used the protest of the pen to agitate in the cause of social and political reform, demonstrating the ‘everyday’ resistance and common sense essential to liberal governmentality. Referencing some of the most enduring and respected examples of the genre – the Porcupine in Liverpool, the Town Crier in Birmingham and the Free Lance in Manchester – this article casts light upon this poorly understood journalism of conviction. A cause and effect of both emotional and intellectual release, it serves as an excellent example of citizenship as performed political passion, in an age of public conformity and restraint.