排序方式: 共有175条查询结果,搜索用时 15 毫秒
31.
32.
Rachel Colls 《Social & Cultural Geography》2013,14(4):583-596
Recent work within geographies of consumption has focused on the practices of consumption as a means to find out ‘what people do when they go shopping’. This paper argues that few of these accounts of consumption have considered the significance of emotions in understanding the intricacies of consumer experience. Drawing on material from research about women's experiences of clothes shopping this paper, therefore, utilizes recent work in the social sciences which understands emotions not as inherent or as induced by practices or commodities and instead emphasizes the intersubjective nature of emotions whereby emotions ‘are self‐reflective, involving active perception, identification and management on the part of individuals’ (Lupton : 16). In short, this view posits that the consumer has the capacity to ‘manage’ or to experience and re‐experience emotions in particular consumption moments. Such an understanding offers a conceptualization which does not conceive of women's engagements with consumer culture within a victim/resistance dichotomy, instead uncovering geographies of consumption in which women may feel uncomfortable or depressed in a particular moment but then engage in practices through which they experience that moment differently. These emotional experiences are explored through considering the significance of the spatialities of the changing room, shop floor and the corporeal space of the ‘sized’ body, and the consumption practices of cheating, coping and connecting. 相似文献
33.
Kersty Hobson 《Social & Cultural Geography》2013,14(2):283-298
Human geographers have explored at some length the discourses and subject positions implicated in the recent rise of ‘environmental responsibility’. Assigning it either as an individual disposition enacted in various spaces, a performative ‘othering’ tool, and/or a form of ecological governmentality, these debates have said little about the role of research and researchers in encouraging environmental responsibility. Utilising arguments from William James’ ‘radical empiricism’, I argue that exploring practices through a pragmatist lens enables a tentative re-envisioning of environmental responsibility. Re-visiting my doctoral research into the household-level adoption of sustainable consumption practices, I claim environmental responsibility as an ethical experience felt at the moments when practices are reconsidered. Here, my presence played a vital role in this social experimentation, which, as pragmatists argue, is the fundamental basis of positive social change. 相似文献
34.
《Eurasian Geography and Economics》2013,54(6):688-701
An American specialist on the economy of China assesses the options and obstacles the country's new leadership will face as it attempts to sustain the current economic growth trajectory in the future. Putting the current situation in historical context, the author first reviews the reforms leading up to the agenda advanced by the previous leadership team (led by Hu Jintao) and then examines the health of China's economy in late 2012 (a situation she argues is characterized by the exhaustion of three key drivers of growth). The paper advances the thesis that further reforms and improvements in technology will be essential to sustained growth, and that additional reforms will be necessary before sustained innovation can take root. As signs of successful further reform going forward, readers are advised to look to increased private-sector legitimacy, a decline in state-sector monopoly power, and strengthening of legal foundations for reform policies. 相似文献
35.
Jonathan Everts 《Social & Cultural Geography》2013,14(8):847-863
This paper presents findings from an ethnographic case study in Germany investigating the relationship between shopkeepers and customers of small grocery stores owned by immigrants. The focus is on social practices within the shops and how those engaged in these activities make sense of them. Shops become meaningful through shared practices that revolve around selling and buying. However, this process is complex and not without conflict. Moving through the themes of belonging, remembering and socialising, I will show how the everyday lifeworlds of customers and shopkeepers, including their aspirations, expectations and uncertainties, intersect and how the shop emerges as a meaningful space through negotiation. Rather than looking at cultural differences alone, it is concluded that there can be significant other ways to understand multicultural places by focusing on the multiple ways that consumers engage with so-called ‘ethnic’ enterprises. 相似文献
36.
在后现代消费时代,文化逐渐成为城市消费空间建构的重要手段。其中亚文化以其有别于主流文化的文化特质,引导人们在消费空间中有着别样的空间实践,进而传递给人们独特的空间感知。本文借助场所依赖理论,以大连市 5 家泡泡玛特门店为例,通过开放式深入访谈和参与式观察等形式的实地调查收集资料,运用扎根理论对资料进行三级编码分析,获得一个由亚文化风格、文化审美、消费空间、休闲时间、社会交往五个维度组成的亚文化消费空间场所依赖理论模型。以期帮助人们更清晰的了解,具有不同身份认同的亚文化群体,在多样的文化消费模式下开展的空间实践过程,以及随之产生的空间情感联系。 相似文献
37.
Joseph L. Scarpaci 《Journal of Cultural Geography》2013,30(3):257-279
Reference groups serve as markers for citizen-consumers to determine tastes and preferences about work and material and cultural consumption. These groups have evolved slowly in socialist Cuba, mostly during the post-Soviet era. This paper examines the symbolism, roles, and meanings of three such groups: the Cuban Diaspora, Cuban Gen-Yers or Millennials (survivors), and entrepreneurs. A combination of these groups is changing values about a new consumption taking hold across the island and offers insight into material and cultural consumption. 相似文献
38.
39.
Carlotta Sorba 《Journal of Modern Italian Studies》2013,18(3):282-302
Abstract How does a new successful musical genre impose itself, define its audiences and repertoires and eventually replace older genres? The essay examines the case of operetta from its French origins to the specific diffusion in the Italian entertainment system. Here the popularity of the ‘little opera’ coming from France and later from Vienna grew along with a new system of theaters, politeama and café chantants. They were run by a new generation of entrepreneurs and publishers such as Sonzogno, interested in diffuse new forms of musical leisure. The rising of the Italian operetta found strong resistance from the traditional opera world at the turn of the nineteenth century, when the distinction between artistic music and music as entertainment was being consolidated and we can find a sort of passing of the baton between opera and operetta as the major popular musical genre. 相似文献
40.