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11.
Methods of designing the bottom of ship's hulls were only a small part of the process of building a frame-based ship in Portugal in the 16th and early 17th centuries, but they deserve a careful look. Using a number of geometric algorithms that were already well-known to Italian shipwrights of the 15th century, Portuguese shipwrights obtained the co-ordinates of the turn of the bilge points of the central, pre-designed, frames without the need for making drawings.
© 2006 The Author  相似文献   
12.
《永恒的文明──洛阳文物精品陈列》是洛阳博物馆新近推出的又一精品力作,并喜获殊荣。本文从内容的构思、艺术形式的设计等方面,对该陈列进行较为全面的分析和论述。  相似文献   
13.
“形式渗透”是指在展示形式设计中通过几种或多种、同类或异类形式间的相互吸收、相互影响、相互融合,而形成总体形式的独有的特质。而本文主要介绍了在博物馆展示设计艺术中的“形式渗透”。  相似文献   
14.
ABSTRACT

Tourism destination planning and marketing are fundamentally place making actions intended to shape the image and imageability of a place. Place making is an innate human behavior, ranging from the organic and unplanned actions of individuals, defined here as ‘place-making,’ to planned and intentional global theming by governments and tourism authorities, defined here as ‘placemaking.’ Place-making and placemaking are ends on a continuum of options, with most places have a mix of local and global elements. These elements also range from the tangible (base in urban design) to the intangible (peoplescapes and imaginations). The tools of place making are essentially the same for both organic place-making and planned placemaking, but the intentions and outcomes can vary enormously. Tourism development, as an economic activity, almost always has a neoliberal planned placemaking agenda. Organic place-making emerges through individual agency, which if allowed to proceed, will make its imprint even in a heavily master planned tourism landscape. An understanding of place-making and placemaking gives insight into research questions on the political economy of tourism and the roles of hosts and guest in co-producing tourism places. Examining the elements of place making in a tourism landscape can more clearly identify how different worldview perspectives have contribute over time to the making of tourism places, and thereby assist in planning for the future development of destination communities.  相似文献   
15.
ABSTRACT

My focus in this article is on a small group of German theorists, designers and patrons who thought extensively about the relationship between national identity and garden design: Christian Hirschfeld, Prince Franz von Anhalt-Dessau and his wife Luise, Johann Wolfgang von Goethe, and Prince Pückler. These garden enthusiasts knew one another through personal contact or their writings, and they responded to and developed their ideas in relation to the newly framed creative enterprise in German lands of “garden-landscape-art”. What they shared was a conviction that garden forms affect feelings, with the role of the garden artist to determine paths that would alter and diversify the visitor’s experience of place. This essay explores how spontaneous emotions, elicited by movement through the garden, were linked with a growing sense of patriotism that contrasted with cosmopolitan judgments in the writings of Hirschfeld, Pückler, and Goethe.  相似文献   
16.
Ancient places of performance are often considered for reuse as a means of promoting archaeological sites. Therefore, local authorities and decision makers have a difficult task of balancing the conservation and management of the sites with the carrying capacity. In this paper, the bouleuterion, a ‘rediscovered’ structure, at the Teos archaeological site, in Turkey is evaluated and presented as a preliminary case study with the hopes that these issues will be taken into consideration by the managing body in the creation of a management plan for the site. The evaluation is made by assessing socio-economic and intangible heritage significance, policies guiding changes at the site, a qualitative survey at the site and by defining the structure’s carrying capacity. The site’s strengths, weaknesses, opportunities, and threats are used to create criteria and make proposals for its reuse. The study concludes that the bouleuterion cannot be reused as a venue in its present condition and makes recommendations for future use.  相似文献   
17.
Innovative curriculum frameworks that support children as active researchers and designers in everyday learning contexts remain unprioritized in school settings. Design literacies challenge and expand existing curriculum structures at a time when state and national curriculum privilege literacy and numeracy testing. Drawing on a broader ethnographic study that examined children's inhabitation of school food gardens through pedagogies of food production, ecology and design in three Australian primary schools [Green, M. 2011 Green, M. 2011. “Place Matters: Pedagogies of Food, Ecology and Design.” Unpublished PhD, Monash University Churchill Victoria [Google Scholar]. “Place Matters: Pedagogies of Food, Ecology and Design.” Unpublished PhD, Monash University Churchill Victoria], this paper focuses on the design literacies or ‘design-centered pedagogy’ [McLaren, S. 2008 McLaren, S. 2008. “Learning for Engagement: Lose the Ring-Fencing.” Paper presented at the Technology Education Research Conference: Exploring Technology Education: Solutions to Issues in a Globalised World, Gold Coast, Queensland. [Google Scholar]. “Learning for Engagement: Lose the Ring-Fencing.” Paper presented at the Technology Education Research Conference: Exploring Technology Education: Solutions to Issues in a Globalised World, Gold Coast, Queensland] that supported children's engagement with everyday learning in one school community. Semi-structured and ‘walking interviews’ provide rich data for understanding the contributions of design and design processes in a garden-based curriculum. When linked to a framework of sustainability, design literacies can expand learning opportunities that deepen their connection to everyday places.  相似文献   
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19.
吐鲁番是一个多民族聚居、多种文化交汇的地区。本文根据《吐鲁番出土文书》和山田信夫刊布的回鹘文文书的记载,从容量单位的角度探讨汉文化对该地区少数民族经济生活的深远影响。  相似文献   
20.
钧窑瓷     
张琪 《东南文化》2002,(1):75-76
乳光釉和窑变是钧窑的两大特点,蓝、红是钧窑瓷的两大瓷色,胎体不净、胎色不纯是钩窑资的两大缺憾。  相似文献   
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