试析河南汉墓出土陶仓楼的分期及区域特征

本文在陶仓楼类型划分基础上,认为河南汉墓出土的陶仓楼至西汉晚期在豫中地区首先出现,为二层带腰檐建筑.西汉末至东汉早期此型陶仓楼向高层发展,区域由豫中扩展到豫北地区.东汉早期豫西、豫西南地区出现二层无腰檐陶仓楼.这时期河南陶仓楼数量和式样增多,分布范围广泛.东汉中期为陶仓楼繁荣期,豫北地区出现带附楼的院落式陶仓楼.东汉晚期各区域陶仓楼走向衰落.     

深圳大鹏所城将军府第建筑群体特征分析

深圳大鹏所城较完整的保存了清晚期及民国时期的不同建筑群体,其中将军府第建筑具有很高的历史文化、科学艺术等多方面的价值。其建筑形制、结构、装饰装修方面颇具特点:1.平面结合紧凑,类型丰富,组合较灵活,结合了中原地区四合院落殿堂式结构的组合特色,也反映了岭南山地建筑特点;2.多采用密集、方形的平面和空间布局;3.厅堂与天井结合紧密,室内外连通,形成了外封闭、内开敞的建筑空间;4.具有多样的建筑梁架结构,集中了北方建筑的抬梁式构架、南方的穿斗式及岭南建筑常见的梁架做法,表现了南北建筑文化的大融合;5.外观朴实又有岭南地方特色的精细灵巧的内部装修。     

新密新砦城址中心区大型浅穴式建筑的性质再思考

河南省新密市新砦城址中心区大型浅穴式建筑并不具有古籍文献所栽"坛"、"墠"的特征,似并非当时人们用来祭祀祖先的"坛"、"墠"的遗迹.它是夏代初年夏人自然崇拜的遗迹,其具有"高而入于下"的特征,更为接近文献中所栽古人祭祀川谷泉泽之神灵的"坎".具体而论,它可能是夏代初年人们祭祀洧水之神的场所.     

The Kulbulak Bladelet Tradition in The Upper Paleolithic of Central Asia

The article describes lithic industries of the Upper Paleolithic levels of Kulbulak, Uzbekistan, a key site in southwestern Central Asia based on materials from excavations at several sites in the western and northwestern Pamir– Tien Shan region (Kulbulak, Kyzyl-Alma-2, Dodekatym-2, and Shugnou). A new cultural and technological tradition is introduced, for which the authors suggest the name Kulbulakian. Its distinctive features are the bladelet technique and a microlithic set including backed pieces and triangular microliths. Stages in the evolution of the Kulbulakian tradition are reconstructed: origins, development, peak, and disappearance of the carinated technology. Industries belonging to this tradition have shaped the general appearance of the Upper Paleolithic in the area in question.     

The role of museums of contemporary art in the re‐telling of historical accounts in Lithuania and Latvia

Museums of History and Art provide accounts of the past and the transition of nations into their current situation. They follow a certain line of interpretation of past events which reflect the dominant belief system in a nation. These narratives told in this process leave room for interpretation. Which particular string of the available narratives is followed while neglecting the others, and is influenced by the current self‐understanding of a nation and its political considerations. Latvia and Lithuania, two Baltic Nations, were planning to set up museums of contemporary art in 2009 and in 2011, respectively. Due to the financial crisis at this time, however, both projects have been put on hold. Based on interviews with key personnel and experts, the paper shows how the museums in both countries interpret their Soviet past and align it with the new European master narratives.     

The Threefold Logic of Papua‐Melanesia: Constitution‐writing in the Margins of the Indonesian Nation‐State

Clashes over the status of West Papua and the political future of the territory proliferated markedly following the end of Indonesia's New Order regime in 1998. Amid a wide variety of demands for justice and independence, and a series of demonstrations, mass gatherings and prayers, only a few Papuans mused on how Papua could become a state and what would constitute its nature as being distinctly Papuan and/or Melanesian. One exception is the work put into the Constitution for West Papua entitled Basic Guidelines, State of West Papua, a document edited by Don A.L. Flassy, a bureaucrat, writer and thinker, with a preface by late Theys H. Eluay, then chairman of the Papuan Council. In this article I analyse this Constitution to show how a combination of Christianity and local customs, and a mimicry of elements of Indonesian nation building and symbols of the Indonesian nation‐state are reshaped to oppose Indonesian nation‐building agendas. The Constitution shows that when Papuans imagine an independent state, forms of vernacular legality play a central role. ‘The state’ has journeyed to Papua and encouraged faith in ‘the law,’ and Basic Guidelines is partly the effect of this growing vernacular legality. My analysis shows that it is essential to see how legal mobilisations and imaginations of the state articulate with other normative systems and practices – in particular Christianity and custom (adat) – and how they mutually allow for and invite strategies.     

Building Monks Mound,Cahokia, Illinois,a.d. 800–1400

Abstract

Cahokia (a.d. 800–1400), located near the confluence of the Mississippi and Missouri rivers, was the largest settlement in ancient North America. Monks Mound occupies the center of Cahokia and provides both a modern and ancient focal point for the site. Past investigations of Monks Mound explored issues of mound chronology and use. Recent soil coring around the perimeter clarifies the geological context and degree of preparation necessary before the mound was built. The results suggest that the mound is not optimally positioned for stability and its location may ultimately accelerate deterioration. Moreover, evaluation of the mound features and fill indicates that maximization of the geotechnical potential of sediments was not a primary concern for the Cahokians. Although poorly engineered relative to modern standards, the suitability of the mound as a platform may have been secondary to other design choices made while building the largest single mound in ancient North America.     

New books received for review

Abstract

Geological information was first printed in colour on a map in 1820 but serious efforts to print geological maps in multiple colours began in Europe only in the 1840s. Increased geological mapping activity created the need to print more maps by cheaper methods, while general advances in lithographic colour printing provided the means. Better colour registration, transparency, range, permanence and distinctiveness were attained in the 1840s and 1850s by technical innovations and also by new design strategies. Consequently, as printed colour replaced hand colour as the norm, it also influenced the look of the geological map.     

Carto‐bibliography on the Web: Links Combining Text and Image

Wolfgang Scharfe, Abriss der Kartographie Brandenburgs, 1771–1821. Veröffentlichungen der Historischen Kommission zu Berlin, de Gruyter Verlag, vol. 35, 1972. pp. 357, 27 maps, appendix with indexes. DM. 84.

H. Sigurdsson, Kortasaga Islands. Reykjavik, 1971. pp. 278, 69 × 42 cm. $ 55.

N. J. W. Thrower, Maps and man. An éxamination of cartography in relation to culture and civilization. Englewood Cliffs, New Jersey, Prentice Hall, Inc., 1972. pp. vii + 184.

L. Stegena, Maps of Hungary by Lazarus Secretarius. Budapest, the Department of Cartography, Roland Eötvös University, 1971. 5 plates, 63 × 48 cm.

W. P. Cumming, R. A. Skelton, and D. B. Quinn, The discovery of North America. London, Elek Books Ltd., 1971. pp. 304, 362 ill. £ 10.

C. Koeman, Atlantes Neerlandici. Volume 4, Celestial and maritime atlases and pilot books. Amsterdam, Theatrum Orbis Terrarum, 1970. pp. xlvi + 519, with plates.

A. Schäfer and H. Weber, Inventar der handgezeichneten Karten und Pläne zur europäischen Kriegsgeschichte des 16.‐19. Jahrhunderts im Generallandesarchiv Karlsruhe. Stuttgart, 1971. pp. 350, 8 illustrations. DM 48.

G. Grosjean and M. Cavelti, 500 Jahre schweizer Landkarten. Zürich, Orell Füssli Verlag, 1971. 30 map‐facsimiles, 48.5 × 50 cm., with text, in slip‐case, Sfr. 260.

Capitão‐de‐fragata Max Justo Guedes, Anônimo ‐ Antônio Sanches, c. 1633. Rio de Janeiro, Biblio‐teca Nacional, 1970. pp. 25, 1 coloured and folded map, 37 × 27 cm., monograph.

J. Cortesão, Historia do Brasil nos velhos mapas. Brazilian Foreign Ministry, 2 vols., 1965–1971.

National Maritime Museum, Catalogue of the Library. Volume 3, Parts 1 and 2, Atlases and cartography. London, H.M.S.O., 1971, 2 vols. pp. 1166. £ 14 (for two parts).

E. W. Gilbert, British pioneers in geography. Newton Abbott, Devon. 1972. pp. 271. £ 3.95.

Wilcomb E. Washburn (Editor), Proceedings of the Vinland Map Conference. Chicago, 1971. ('Studies in the history of discoveries’, Monograph Series of the Society for the History of Discoveries.) pp. xvii + 185, illustrations. $ 10.

C. Sanz, Ciento noventa mapas antiguos del mundo de los siglos 1 al 18 que forman parte del proceso cartografico mundial. Madrid. 1970. pp. 150, 190 plates.