Middle Bronze Age II Battleaxes from Rishon LeZion,Israel: Archaeology and Metallurgy

Thirteen bronze battleaxes from Middle Bronze Age II graves at Rishon LeZion, Israel were analysed by ED XRF at multiple surface locations in order to determine their metallurgical composition. Six of these were further subjected to neutron diffraction using an ENGIN‐X diffractometer in order to determine bulk phase composition. The results indicate that the previously established geographical and chronological variability in Sn–Cu (with occasional Pb) and As–Cu alloys found using the former method may be an artefact of preservation and conservation. In addition, the varying homogeneity determined by the latter reflects special treatment for improving on the metal cast.     

祭器、礼器、“邵局”——关于南宋官窑的几个问题

作者在多年积累的考古实物资料的基础上,结合历史文献,探讨了与南宋官窑密切相关的诸问题：如南宋陶质祭器的使用与特征,王晋锡、邵谔与礼器局、邵局、修内司官窑的关系,南宋官窑生产的仿青铜礼器瓷的性质与用途等。作者认为,王晋锡之陶质祭器的烧造与邵谔之修内司官窑的建立,是先后发生在南宋绍兴年间的两件不同的事件,两者之间并无直接或间接的关系,南宋陶质祭器与官窑仿青铜礼器瓷在形制及用途上有本质的区别。     

虞舜的王都与帝都

虞舜是我国历史上著名的“五帝”之一。他曾先后建都于蒲坂和平阳,这是两种不同性质的国都,蒲坂为有虞氏古国的王都,平阳则是华夏联盟的帝都。平阳城为尧所筑,虞舜继尧为华夏盟主后,由蒲坂而徙都平阳。考古发现的陶寺城址,规模巨大,布局合理,从其时代和地望来看,很可能就是尧、舜建都的平阳所在。     

湖北荆门左埭楚墓群出土金属器研究

利用XRF、金相显微分析等手段对湖北省荆门市境内左冢楚墓群出土的金属器,特别是青铜器进行了测试分析,XRF分析表明该楚墓群出土的青铜器多为铜、锡、铅三元合金,且容器的锡含量低于兵器和工具,而铅含量则相反。金相分析显示左冢楚墓群出士青铜器多为铸造组织,其中3件铸后经过不同程度的加热：而热锻成形的器物有4件,其中有一件在锻后进行了冷加工。结果显示,此批青铜器合金成分比较科学、制作工艺比较先进。     

文化权理论在少数民族社区旅游发展中的应用研究—以四川省理县桃坪羌寨为例

文化权的主体是拥有、认同该文化的少数民族全体,主要包括文化自决权、文化发展权和文化使用权。企业资本介入到少数民族社区旅游开发后,少数民族的文化权被忽视、盗用和滥用的现象屡屡发生。本文拟从文化权理论的视角,通过具体案例分析少数民族社区旅游发展过程中出现的矛盾和冲突,探讨在企业资本介入后如何让少数民族自身在社区旅游发展中成为真正的受益者,从而让少数民族自身产生主动保护和传承民族文化的内在激励,实现少数民族传统文化资源的可持续利用。     

浅析广西西林县普驮铜鼓葬

广西西林县普驮发现的“铜鼓葬”是古句町一种较为特殊的葬俗,时代为西汉晚期至东汉初,其特殊的葬俗、独特而丰富的随葬品,暗示此类葬俗是专为某类特殊的人群使用。我们认为西林普驮铜鼓葬的主人身份是句町部落集合体中具有显赫权威的精神领袖－巫师。     

中国的早期铜器与青铜器的起源

中国公元前16世纪以前的早期铜器已在50多个地点发现500多件,主要分布在四个地区,其年代最早为公元前4500年。早期铜器的发展,经历了公元前4500～前2500年尝试冶炼各种原始铜合金的发生期,公元前2500～前2000年以红铜为主的发展期和公元前2000～前1600年以青铜为主的成熟期。中国古代青铜器分别起源于西北地区和中原地区,青铜时代开始于公元前2000年前后。     

古代"透光镜"产生的原理及其复制研究

古代铜镜的透光原理一直存在争议,本作通过大量实践证明,古铜镜的透光效应与铸态曲率无关,而与铜镜在加工研磨过程中产生的新的镜面曲率有关。     

The digital restoration of painted patterns on the No. 2 Qin bronze chariot based on hyperspectral imaging

The No. 2 Qin bronze chariot unearthed from Qinshihuang's Mausoleum is world famous for its huge size and colourful painted patterns. However, since it had been buried for a long time and was affected by its harsh environment, its painted patterns have been severely damaged. The traditional restoration methods, which mainly rely on expert experience, are manual, inefficient and lack scientific support. Moreover, to protect the important cultural relics, any invasive operations, such as sampling analysis, are strictly prohibited. This paper presents a method that combines hyperspectral imaging and computer technology for the digital virtual restoration of the bronze chariot's patterns. It is non-destructive, more efficient and more scientific. The method reproduces the damaged patterns with the following approaches: restoring the missing edges of the patterns; and distinguishing the different pigments. The obtained result implies that the method can digitally reproduce some of the damaged patterns, and that it can be used as a reference for recreating the patterns of the other painted bronze.     

寿县李三孤堆楚器的研究与探索

本文介绍了李三孤堆楚墓所出青铜器的流散和收藏慵况,回顾了自20世纪30年代初至今学者们对这批楚器的研究历程及成果,并从铭文释读、器物形制、器群主人及其埋葬环境几方面分别阐述了各家之说,最后通过回顾和分析总结出目前这一研究中存在的问题,提出了深入进行这一研究的重要意义,并指出了今后的研究方向。