T.H. Green and the Dissidence of Dissent: On Religion and National Character in Nineteenth‐Century England

Thomas Hill Green (1836–82) has been widely recognized for his contributions to Liberal political‐social theory and for his Liberal partisanship. Historians and political theorists continue to emphasize his advocacy of limited state interference and democratic localism, as well as his anti‐imperialist statements. Recent scholars of English nationalism, national identity and patriotism, including Peter Mandler, Julia Stapleton, Krishan Kumar, H.S. Jones, Roberto Romani and Georgios Varouxakis, acknowledge Green as an acolyte of Giuseppe Mazzini, a Cobdenite and a Little Englander. While they place Green's ideas within a continuum of Victorian Liberal nationalist ideas (blending into Conservatism and socialism during the 20th century), their investigations foster the view that Green placed little value in the nation as a focus of individual and collective identification. In their readings of Green, the abstract ‘community’, free of national peculiarities, was to him the antidote to both individual and national narrowness. However, examination of Green's statements about community, the moral ideal and religion reveals that his theorising was informed by a view of national character different from that of most contemporary liberal intellectuals. Green rejected the ‘Liberal anglican’ view that a national church or clerisy was necessary to guide the development of the English nation. He identified ideas and practices of protestant dissenters as progressive forces in English history and endorsed them as means of national development. Religious pluralism and forms of ecclesiastical organisation promoting democratic localism were to Green among the essential characteristics of Englishness.     

Anatomy of the national myth: archetypes and narrative in the study of nationalism

This paper argues that recognising types of underlying narrative form which repeatedly occur across cases is critical to the study of nationalism. It proposes a method borrowed from the literary theory of Northrop Frye – archetypal criticism – for identifying the four basic forms of emotional architecture that characterise the myths of particular nations: tragic, romantic, comic and satiric. The study of nationalism has long acknowledged the importance of narrative in political behaviour. But consideration of how distinct types of narratives affect specific emotions is missing. The ‘narrative turn’ in the social sciences, which has responded to instrumentalist scepticism, has thus far focused on the cognitive functions of narrative. That is, how narrative influences the acquisition and interpretation of information and how stories are used to construct or reinforce a collective understanding of events. The undertheorised dimension of narrative in nationalism relates to the emotional structures embedded within narrative. This is where this paper makes its contribution.     

Intangible cultural heritage and the better angels of folklore’s nature

Abstract

Folklore research in the United States typically is completed either through academic departments or in organisations designed to create public presentations of traditional expressive culture. These two approaches are termed ‘academic folklore’ and ‘public folklore’. The intellectual history of both approaches has recently been critiqued. One result of this deconstruction is an ambivalence over the historical legacy of key concepts in the study of folklore. Assessing elements of the critical study of folklore’s history – in both academe and the public sector – suggests opportunities for reconstituting the study of traditional culture to establish a more socially responsive approach that is relevant to ways that heritage professionals assess folklore as intangible culture heritage.     

Democracy and national destinies on Taiwan

In the case of Taiwan, experts have debated whether passionate national loyalties (Taiwanese or Chinese) facilitated or stymied democratization. This paper argues that nationalism facilitated political change in Taiwan. In fact, democratization during the 1980s and the 1990s was spurred in part by the pursuit of two conflicting national destinies. The Chinese Nationalist Party legitimized reform as the end of a century‐long process for the reconstruction of the Chinese nation. To many Nationalists, particularly those born on the mainland, Taiwan was the fulfilment of Sun Yat‐sen's vision of China known as the Three Principles of the People. At the same time, many opponents of the regime saw successful reform as one step towards the realization of a Taiwanese nation. Dominated by those who identified themselves as Taiwanese, generally those of Chinese descent whose ancestors had lived on Taiwan prior to 1945, these activists hoped to take power through the ballot box, then implement a series of policies to strengthen an island‐wide identity.     

The persistence of the rural idyll: peasant imagery,social change and nationalism in Spain 1939–1978

In this article the authors propose a historical analysis of the role of romantic rural imagery in the Spanish (state and peripheral) re-nationalization processes during the Franco dictatorship through the scope of the political and identity meanings assigned to it. Their goal is to better comprehend twentieth-century Spain by examining the use (and abuse) of the rural imaginary by Spanish, Basque and Galician nationalisms, particularly during the time of the totalitarian regime of General Franco, giving special attention to the cultural loans between the ideological (and national) blocs traditionally interpreted as monolithic and irreconcilable: Francoism (1936–1975) and its political opposition.     

Maciste goes to war: Maciste alpino (1916)

During the war years, both fiction and non-fiction films relating to the war populated Italian screens. This article examines Maciste alpino (1916), one of the best known and best received of the popular Maciste series of Italian silent cinema, in light of several factors: the growing nationalist movement that saw intervention in World War I as the means of creating political consensus; the sophistication and development of narrative, character, and attractions in the Maciste series; and its relation to popular film genres such as comic serials and the emerging strongman genre. Maciste functioned as a modern weapon par excellence, a Futurist mechanized man whose muscled body constituted its own fighting machine. At the same time, through his humor, goodwill, and muscled physique he became a national symbol of Italian wartime might.     

‘We’re Internationalists,not Nationalists’: The Political Ramifications of Welsh Labour’s Internal Power Struggle over the ‘One Wales’ Coalition in 2007

The bitter arguments within the Labour Party in Wales in 2007 preceding its agreement to enter coalition with Plaid Cymru in the National Assembly have faced little substantive analysis, and the specific behind-closed-doors debates at the special conference held to vote on the deal have remained undisclosed. This paper fulfils both tasks, revealing how actors’ arguments tapped into historically resonant traditions in Welsh Labour thought, coalescing around a central ideological conflict over the party’s identity vis-à-vis nationalism. The article thus sheds light upon Welsh Labour’s internal power struggles at an important juncture in its recent history and their continuing ramifications.     

试论梁启超晚期的文化观

梁启超晚期的文化观,以《欧游心影录》的发表为主要标志,建立在极端的主观唯心主义哲学理论基础之上。他以资产阶级的哲学观点和方法去整理中国的传统文化,力图把中国的传统文化纳入资产阶级的文化体系,有一定的积极意义。但他试图以中国传统文化中的人生哲学去搭救破产的西方文明,却有抵制马克思主义新文化在中国传播的用心,其消极影响不容忽视。     

Portrayals of Non-North Koreans in North Korean Textbooks and the Formation of National Identity

This article examines the portrayal of non-North Koreans in North Korean textbooks to assess the influences on the formation of North Korean identity, and how such identity formation is important in Kim Jeong-il's retention of power. This study not only looks closely at textual representations; it also examines how political and ideological changes in North Korea had a critical influence on these texts. The study encompasses both lexico-grammatical analysis and the analysis of textual and visual images, based on an examination of six North Korean language textbooks published from 1954 to 2000. It demonstrates that North Korean identity is defined through the portrayal of non-North Koreans, particularly enemy others. The portrayal of non-North Koreans facilitates the formation of a solid North Korean identity – an identity that entails serving their political leaders, remaining vigilant against threats to their country, and liberating South Koreans from poverty and oppression by America and its puppet states.