Makers of the west: National identity and occidentalism in the work of Fukuzawa yukichi and Ziya Gökalp

This article draws on the work of the Japanese Westerniser and nationalist Fukuzawa Yukichi and the Turkish nationalist and critical proponent of Westernisation, Ziya Gökalp, in order to understand the development and deployment of the idea of the West. It is shown that the relation between the ‘non‐West’ and West is not staged simply or purely in the form of a dualistic opposition by these men. Indeed, both my case studies evince the centrality of third or fourth categories that complicate but also sustain the stereotyping of the West. In particular, both Fukuzawa and Gokalp deploy a form of orientalism in which Asia is cast as a separate and primitive realm, to be distinguished from both the West and their own nations. The article engages its findings with recent post‐colonial debates on Asian occidentalism.     

National Alcohol in Hungary’s Reform Era: Wine,Spirits, and the Patriotic Imagination

Abstract

Hungarian elites saw wine consumption as a matter of national pride. The glorification of wine, and particularly of the luxury vintage Tokaji, reflected the economic interest and social customs of the Hungarian aristocracy, whose members tended to see themselves as the Hungarian nation. When liberal reformers began rationalizing the wine sector for mass production and export in the early nineteenth century, wine patriotism also became merged with the economic nationalism of Hungary’s Reform Era. Hungarian wine patriotism involved the denigration of alcoholic beverages other than wine, such as beer and spirits, since Hungarian public opinion associated these other alcoholic beverages with non-Magyar minorities in the Kingdom of Hungary, such as Slovaks, Croats, Germans, or Jews. Hungarian wine patriotism thus also illustrates the rise of Magyar chauvinism, anticipating ethnic conflict in the Kingdom of Hungary.     

冯夏威的自杀殉国与民族主义的社会动员

论文简述了冯夏威自杀殉国与1905年抵制美货运动的联系及其民族英雄形象塑造的过程和重要意义。1905年华侨冯夏威为抗议美国排华政策,在上海美国领事馆门口服毒自尽,奏响了抵制美货运动的序曲,并以民族英雄的形象贯穿运动始终。冯夏威的民族英雄形象是个体自塑与社会他塑的复合体。自杀殉国与遗书自述,完成了个体自塑的描摹;各方悼念与报道宣传,实现了社会他塑的目标。其自杀动机与反美抵制行为,契合了中国近代民族主义的发展潮流与认同需求,个人意志表达呈现出社会化、国家化、民族化的趋向。中国近代民族主义的急进发展,不仅为社会他塑提供了空间与动源,而且也认可了个体自塑的存在与价值。     

“意大利建国三杰”形象在近代中国的塑造及演变

19世纪后期,"意大利建国三杰"通过传教士的工作进入中国知识界,中国的各个群体基于各自的立场和目的对"三杰"的形象做出了不同的诠释。20世纪初,梁启超对《意大利建国三杰传》的译著,使"三杰"的形象在晚清中国广泛流传开来,成为传播爱国主义的重要思想资源。救亡图存的议题一直贯穿着整个民国时期,"三杰"的相关事迹也不断得到宣传,成为中国知识分子的集体记忆。然而,在近代中国的历史语境下,"三杰"的形象不可避免地被工具化,以致三人的形象和他们原来的面貌之间存在着相当的距离。     

The Image of the Sámi in Finnish Visual Arts before the Second World War

Abstract

This article examines how Finnish artists depicted the Sámi people in their paintings from the beginning of the nineteenth century to the Second World War. In the first paintings that represented the Sámi, the attitude was very romantic and artists were not interested in knowing the Sámi culture or even in encountering the Sámi people. In the nineteenth century, nationalism required building an image of the Finns, thus most Finnish artists were not interested in the Sámi. The French philosopher Hippolyte Taine's writings influenced the young artist Juho Kyyhkynen, who started to depict the Sámi culture. In the 1920s and 1930s, Sámi were thought to be primitive or Mongolian, so Finnish artists painted relatively few portraits of Sámi. All this time it was only Finnish painters who depicted the Sámi, as the voice and ideas of the Sámi themselves did not become prominent in Finland until the 1970s.     

Colonial Rule,Cultural Relations and the British Council in Cyprus, 1935–55

ABSTRACT

This article offers an examination of the British Council’s early stages of expansion in Cyprus under British rule, from 1935 to 1955, before the start of the Greek Cypriot anti-colonial struggle (1955–59). It argues that the British Council’s development and quality of activities in the British colony were affected by various factors such as the peculiar political difficulties encountered in the island due to the rise of Greek nationalism and the growing influence of the Church of Cyprus over the local public; the mismanagement of the local British Institutes by some of the Council’s representatives; and the financial stringencies hindering the Council’s ambitions. Through the investigation of primary material, accessed at the Cyprus State Archive in Nicosia (Cyprus) and at the National Archives in London (UK), the article traces and critically analyses for the first time the Council’s early steps in colonial cultural policy-making, using Cyprus as a case study. During the 20-year period under examination, British experiments in culture attempted to attract the Cypriots’ interest and convince them of the importance of the British connection. The British and colonial governments envisaged that through cultural influence they could safeguard the consent of the governed. In this way, British presence in Cyprus could be retained and Britain would be able to protect its strategic, political and economic interests in the region. However, research reveals that the Council’s efforts in the colony were more often than not misguided, its activities proving ineffective, its hopes misplaced. Although the aspiration was that the British Council should be a powerful instrument of Britain’s foreign policy in the colonies, this article shows that in Cyprus it had a tumultuous childhood. Caught up in the realities of the Second World War, the rise of nationalism, the thread of communism, and amid the climate of Cold War, the British Empire was coming at an end, while the British Council was fighting to survive.     

The Icelandic Enlightenment as an Extended Phenomenon

The Enlightenment is a many-sided phenomenon, with different emphases in individual countries, and the period when its influence was greatest differs from country to country. In Icelandic historiography the period traditionally associated with the movement is from c. 1770 to c. 1830. This article examines how the Icelandic Enlightenment can be regarded as an extended phenomenon in that it also exerted considerable influence in the last two-thirds of the 19th century and the early 20th century. The social conditions that contributed to this long period of influence of the movement are dealt with. Among the themes given special attention are the impact of ideas of progress derived from the Enlightenment, the way in which the movement influenced the nationalistic ideas of the Icelanders, and how the emphasis of the champions of the Enlightenment on providing ordinary people with education by means of publication of educational works remained as a guiding principle.     

Two dramatic treatments of the ‘Déirdre’ legend: a case study in Irish betrayal

During the heightened cultural activity of the Celtic Revival, the moral ownership and utilisation of Ireland's literary remains became an important cultural issue. At the same time, many nineteenth- and early twentieth-century Irish writers were concerned to ‘retell’ ancient stories in ways which explored their relevance to the modern world. One of the most retold tales from the period was the story of Déirdre and the Sons of Usnach. The story of Déirdre broaches one of the most ubiquitous of human experiences – betrayal – and it does so in relation to both political and interpersonal behaviour. This essay examines two dramatic treatments from the early years of the century: W.B. Yeats's one-act Deirdre (1907) and J.M. Synge's Deirdre of the Sorrows, unfinished at the time of his death and finally published in 1910. This essay looks to account for the particular ways in which each author inflects the legend in terms of their own concerns, and in particular how both Yeats and Synge engaged with a discourse of betrayal that – although always significant in Irish cultural history – was moving to a position of centrality in Irish national life in the years leading up to the revolutionary period.     

The Ambivalent Moderation of Hindu Nationalism in India

Despite regular participation in national and regional elections and occupation of office both at the centre and in the regional governments, the Hindu nationalist Bharatiya Janata Party (BJP) has not acquired the aura of moderation. It has not achieved acceptance into the party system of India in a manner that would make it comparable to Christian Democratic parties in Europe. This appears puzzling in the light of Downs’ moderation thesis, which suggests that regular participation in free, fair and competitive elections transforms extremist parties to moderates as they converge towards the median voter. The article approaches this puzzling counterfactual in intra-system comparison by drawing on the case of Sikh nationalism. With a focus on BJP, the article presents an analysis of party competition, party programs, policies and public opinion data on issue positions and the social base of the party. In conclusion, three general enabling conditions are identified that help explain the deviant case of the ambivalent moderation of the BJP.

印度人民党虽然参加全国和地方选举,虽然在中央和地方政府中任职,但并没有因此就有稳健克制的样子。它没有能够像欧洲的基督教民主党那样被纳入印度的政党体系。这就成为汤恩的克制理论解释不了的谜团,按汤氏的理论,正常参加自由、公正而竞争性的选举,会使极端主义政党变得稳健克制,向一般投票者趋近。本文通过系统内比较,以民族主义的锡克教为例,破解了这个谜团。作者聚焦印度人民党,分析了政党竞争,政党计划、政策以及关于某些话题立场的舆论资料、还有政党的社会基础。作者发现三种情形能够一般性地解释印度人民党的偏激不稳健。     

Greek nationalism,architectural narratives,and a gymnasium that wasn’t

Abstract

This paper seeks to further the discussion that positions archaeological interpretation as a practice entangled between professional ethics and political circumstances. Perhaps the most obvious route for the mobilisation of extant architecture is to recruit it into nationalist discourses. An example of this is the case of the Roman Bath-Gymnasium Complex at Salamis (Cyprus), which can be used to illustrate how nationalism can call forth convenient narratives about material culture. Excavations (1952–1974) revealed the remains of a massive structure, and Vassos Karageorghis, the principal excavator, identified it as a ‘Gymnasium’. This paper demonstrates that Karageorghis’ hitherto well-accepted interpretation remains largely conjectural due to the absence of hard archaeological evidence. By examining the architectural characteristics of the remains and analysing the published excavation data, the paper explains how the present structure belongs to a bath-gymnasium complex, erected during the Roman period, and is an amalgamation of Roman and Greek culture. The paper revolves around the argument that the Romans’ role in negotiating the socio-cultural differences, which ultimately enriched the existing structures, has been systematically downplayed in the architectural narratives for the sake of presenting a homogeneous ethnic-cultural continuity from the Homeric Greek world down to the contemporary Cypriote Greek society.