报纸经济新闻文体风格的创新

经济新闻报道的创新,从总体上说,应是一种文体风格的创新。我国报纸在经济新闻报道时,应注意指导性与服务性相结合、专业性与可读性相结合、创立不同媒体的个性特色,并逐渐形成我国媒体经济新闻报道的理想风格。     

论凌濛初刻本《西厢记》

凌濛初刻本《西厢记》受到今日学人的高度重视,《西厢记》印本一般都以凌刻本《西厢记》作为底本。凌刻本受到人们的关注绝非偶然,因为凌刻本《西厢记》系唯一未受传奇体制影响,体例保存完好、改动较小,与元杂剧最相契合的《西厢记》刊本,此外,凌刻本的校注与批评也有自己的成就与特色,所以,凌刻本《西厢记》在《西厢记》诸多版本中无疑应占据突出而重要的位置。     

美国人文地理学概论教材:内容、评价与特点

选取美国流行的几本人文地理学概论教材,对其内容、组织结构、表现形式、地图使用、网络支持等方面进行详细的评述。在此基础上结合以往的研究总结出美国此类教材的特点:(1)教材的主题大同小异,差异主要表现在教材结构和材料组织上;(2)教材内容基于已有的研究成果,对他人的相关研究成果表现出特别的尊重;(3)使用大量地图和照片,表格和案例丰富,使教材赏心悦目;(4)重视文化分析;(5)重视景观分析;(6)教材更新快,时代感强。这些特点值得我们今后编写或修改此类教材时参考。     

浅谈韩愈散文的艺术成就

韩愈是唐代古文运动的领导者之一,也是唐代著名的散文家。他的散文内容丰富,形式多样,语言鲜明简炼,新颖生动,为古文运动树立了典范。     

从《西厢记·长亭送别》看元杂剧的艺术特色

本文通过对元杂剧《西厢记.长亭送别》的解读,让读者了解和掌握不同于西方戏剧的我国古典戏剧———元杂剧那集曲词、宾白、舞蹈、音乐、美术等多种艺术形式为一体的独特的民族艺术。     

Recent ceramic analysis: 1. Function,style, and origins

The recent literature on ceramic analysis, which has grown dramatically over the last 8 years, is reviewed in two articles. In this first article attention focuses on studies of function and use, stylistic analyses, and pottery origins. Functional analysis has been the most rapidly expanding segment of the field, particularly experimental, ethnoarchaeological, and residue analysis approaches. Stylistic analyses seem to be in a lull, following increasing dissatisfaction with information theory approaches. Questions of pottery origins are enjoying renewed interest and are briefly surveyed here. The second of the two articles will survey compositional investigations, pottery production, and approaches to ceramic theory. Both reviews close with observations on current directions in ceramic studies.     

Linking Theory and Evidence in an Archaeology of Human Agency: Iconography,Style, and Theories of Embodiment

Many of the theories that inspire agency approaches in archaeology identify deep philosophical problems with other lines of thought. This creates challenges for identifying methods: do radical theories require radical methods? Choosing as a case study one of agency’s interpretive frameworks (embodiment) and, further, a single class of evidence (anthropomorphic imagery), I argue that the answer is “no.” In this case, familiar art historical methods, deliberately played off one against the other, provide a middle range framework for linking theory and evidence.     

西藏阿里札达县洛当寺新发现的10-18世纪经书残卷插图的调查与初步研究

本文对洛当寺经书的内容、字体、书写、绘画风格、题材和题记等进行了首次调查和初步研究。研究显示,这批经书残卷及其插图由写本和刻本组成,写本最多,时代较早,主要为《般若波罗蜜多经》等经典;刻本较少,年代较晚。经书和插图制作于10-18世纪之间,基本反映出阿里古格王朝写经、刻经及其插图创作的历史脉络,是迄今国内发现藏传插图数量最多、时代跨度最大的写经和刻经作品。经书的发现对于弥补国内藏传写经彩绘插图,进一步研究阿里、西藏自治区乃至中国古代写经、刻经和译经的历史,以及插图艺术的题材、风格及其特点、演变,都具有重要的学术和艺术价值。     

江苏洪泽湖大堤石工图案遗存的调查与研究

洪泽湖大堤蕴藏着大量的石刻遗存,其中石工图案占有较大比例,具有浓郁的民俗文化与水文化特征,是我国18世纪石雕艺术的优秀作品。石工图案大致分为器物、庆词颂语、植物与动物、人物、山水日月、屋宇建筑六类题材,大部分图案运用寓意的构图形式来表达主题思想,基本采用浅浮雕技法。制作年代主要是清代乾隆时期,历史背景与清口枢纽治水相关,是中国大运河世界文化遗产的重要组成部分。     

Anglo‐Saxon Style Pottery from the Northern Netherlands and North‐Western Germany: Fabrics and Finish,Regional and Chronological Patterns,and their Implications

This paper presents the results of a study of Anglo‐Saxon style pottery in the northern Netherlands and north‐western Germany, involving macroscopic and microscopic analysis of fabrics and finish. Both regions show similar developments in form and decoration in the pottery of the fourth and fifth centuries ad , the late Roman and Migration period, resulting in the typical decoration and shapes that are known as the Anglo‐Saxon style. In the northern Netherlands, this style is traditionally associated with Anglo‐Saxon immigrants. It has, however, been suggested that this style was, rather, part of an indigenous development in areas in the northern Netherlands where occupation was continuous, though influenced by stylistic developments in north‐western Germany. That hypothesis is supported by the analysis of fabrics and finish presented here. The characteristic of fabrics and surface treatment indicate technological continuity. The use of local clay sources for Anglo‐Saxon style pottery and for contemporary regional types indicates that most of the Anglo‐Saxon style pottery in the northern Netherlands was not brought by Anglo‐Saxon immigrants or as imports, but must have been made locally. That applies to settlements with continuous habitation, as well as settlements in the coastal area that were not inhabited during the fourth century ad .