徽人年谱试析

本文在检索唐代以来徽州地区所有人物年谱的基础上,就其谱主、编者、体例、分类、版本及流布等情况,进行了文献学分析.在此基础上,对梳理徽州学术史脉络的直接作用,对研究91位谱主所提供的全面系统的资料和资料线索以及在研究各时期政治、经济、军事、社会、文化诸方面的资料补充作用等,进行了价值分析.最后简要介绍了<清代徽人年谱合刊>的编写、内容和特色.     

论《读杜心解》的阐释特色

本文在系统理解中国古代传统阐释观念的基础上,从文学接受和阐释学的角度出发,分析了清代浦起龙《读杜心解》所呈现出的道德、历史和审美三个方面的阐释特色。     

Bondi's Big Rock: explanations and representations in coastal geomorphology

Sitting on the shore platform at Ben Buckler, the north‐east headland of Bondi Beach, Sydney, is a large isolated boulder, weighing around 235 tons. In this article I analyse geomorphological explanations for, and historical representations of, the boulder, locally known as the Big Rock. Explanations for and representations of Bondi's Big Rock typically appear in discussions and debates about changes to the New South Wales coast and the impact of storm waves and tsunami. Geomorphologists date the Big Rock from a storm in July 1912 and have identified a range of wave sizes and forms to explain its presence. Yet, neither their explanations nor evidence have convinced a number of local residents who claim the rock existed before the 1912 storm. Bondi's Big Rock is thus a valuable reminder that geomorphological features are not fully formed subjects. Rather, they must be defined and contextualised in inordinately complex processes of explanation and representation that ultimately are always interpretations.     

Ideologies of artistic vocation – implicitly gendered cultural policies?

This paper argues that notions of artistic vocation – the idea that artists receive a metaphysical calling to follow their path – can be understood as implicit cultural policies, among other functions deepening the connection between art and spirituality, as well as regulating gender access to creative production. The matter is addressed generally and with reference to two specific case-studies: the musical era of German Romanticism and contemporary Mexican indigenous groups of the Huasteca, both of which display reliance on narratives of vocation. Also, both cases – one historically remote, and the other removed from Western main-stream musical practices – are to act as mirrors to invite future discussions concerning the continuing cultural currency of ideas of vocation and their complex and subtle complicity in the perpetuation of arguably desirable (such as the promotion of creativity) and oppressive practices within the art world.     

安徽淮河流域早期原始文化略说

近十几年来,安徽淮河流域发现了不少公元前6000~4000年的遗址,本文结合其特征将它们分为三期,认为它们与山东的原始文化有一定的联系,但不是一个文化体系,而可能是另一个文化区,并可以分为两个文化类型。     

区域标志性形象:特征、构成与整合开发——以兰州市为例

区域标志性形象具有惟一性、象征性、传承性、资源性特征,其构成要素主要包括文化特色、景观塑造、空间布局、生态背景等。兰州自然环境意象独特,历史文化底蕴深厚,标志性形象的整合开发具有显著的区域优势,但目前存在的问题是,标志性形象的空间分布不均衡,景观形象不突出。鉴于兰州市标志性形象的现状,在综合分析区域差异和比较优势的基础上,提出该区域标志性形象的整合应构建兰州区域本底标志性形象,配置门户和窗口区域标志性,凸显黄河风情线整体标志性,塑造人与环境和谐的标志性。     

心有灵犀一点通——读《麦积山44号窟塑像》

本文以辩证的观点 ,对麦积山西崖44号窟塑像纯熟高超的艺术手法和精美的艺术效果从不同角度作了深刻细微的分析     

站在巨人的肩上实现再创造——为艺术创作中的模仿而辩

文章认为 ,模仿是艺术发展的途径之一。以绘画为例 ,其艺术实践的过程 ,总是先有模仿 ,再有创造 ,如此反复 ,从而形成更胜人一筹的创造。需要指出的是 ,这里所谓的模仿 ,并非是一种机械的被动的接受方式 ,而是主体在分析和判断的基础上作出取舍 ,包含了亲身实践的体悟     

大连市民通勤特征研究

以大连市民日常生活行为调查的结果为基础,根据就业人口及就业岗位的分布信息等进行通勤工具、通勤时间、通勤距离等通勤基本特征的分析,并着重从通勤发生的角度,研究通勤现象的距离衰减规律及其空间结构模式。     

试论中国地域文化的地理特征

本文提出中国地域文化形成于春秋战国时期,经过长期发展演变,至今可以分为十六个地域文化区,文章概括了各区的地理特征,并分析其形成原因,对弘扬传统文化,热爱乡土,开展文化交流有重要意义。