我国宪法内容历次变动的思路、重点、特点及其原因分析

从我国实际情况出发、维护绝大多数中国人民的根本利益、建设富强民主文明的社会主义国家,是我国宪法内容变动的基本思路;经济制度和公民权利是我国宪法变动中的重要内容;非公有制经济地位由降低变为不断提高、坚持公有制由社会经济主体变为全部又变为主体、坚定不移地捍卫社会主义的基本原则、公民权利不断加强,是我国宪法内容变动的四大显著特点。我国宪法内容的历次变动,反映了社会主义革命与建设实践的要求,是对国情和社会主义建设规律认识的不断深化,是马克思主义理论探索的具体体现。     

地方电视台宣传应突出地域文化特色

本文从电视地域特色的必要性出发,对地方电视台如何应对竞争,发挥优势,做好节目,做大做强自己的媒体品牌进行了有益的探讨。     

曾侯乙墓出土古玉器玉质特征

对曾侯乙墓出土的126件古玉器,运用宝石学和岩石学知识,以肉眼观察鉴定为主,辅以部分样品的宝石学参数测试和物理谱学测试,鉴定出曾侯乙墓出土古玉器的玉质成分有玉质和石质两大类,玉质主要是透闪石质软玉和阳起石质软玉,石质主要是粉砂岩质。不同玉质的肉眼鉴别标志有所区别。     

The Conservation and Degradation of Archaeological Soil Features in Flanders and Brussels: The example of Watermaal-Bosvoorde

Ten years ago, an extensive literature study on the conservation and degradation of soil features in Flanders was conducted. The outcome was a report discussing the state of preservation. The present contribution intends to synthesize the chief outcomes of that research and to present a case study where the theoretical knowledge and recommendations then put forward have been applied.     

对马克思主义时代化的深层解读

马克思主义是时代的产物,它所具有的实践精神、方法论的普遍意义和对人的终极关怀,使其能够超越时空的局限,实现马克思主义时代化。马克思主义时代化是一个动态的发展过程,呈现出坚持与发展的统一、世界性与民族性的交融等基本特征。     

论金圣叹批评本《西厢记》的艺术体制

金圣叹批评本《西厢记》作为一个独立的《西厢记》评点本,在清代出现了诸多的版本,引起了戏曲界和出版界的广泛兴趣,这是一个值得探讨的现象。本文试从金圣叹批评本《西厢记》的结构体制出发,分别从其评点的主要形式——总批、节批和夹批,讨论其表现出的艺术特征,并简要分析"金批西厢"评点的思想内容和方法技巧,对其在思想和艺术上的得失做出了一定的评价。     

Geoarchaeological insights from a Roman age incineration feature (ustrinum) at Enconsta de Sant'Ana (Lisbon,Portugal)

Ustrina are incineration funerary structures that are relatively common in Roman age cemeteries. Salvage excavations at Encosta de Sant'Ana (Lisbon, Portugal) in 2002 brought to light a part of the necropolis of the Roman town of Olisipo, including some ustrina. One of them, designated Burial 1 during fieldwork, is analyzed here from a geoarchaeological viewpoint to understand the formation processes of such an archaeological feature, namely its construction technique, use and function. The study of site context and subsurface pedofeatures, and the application of archaeological soil micromorphology, revealed that the ustrinum was constructed digging a hollow in bedrock and building a mud-brick ridge around it, with raw material taken from the local bedrock. The structure was used at various times and remodelled at least once, and its base was not always thoroughly cleaned – according to the custom called “pars pro toto” by Roman authors – and probably left open when not in use.     

The Dancers Who Became Transformed into Wood: the mai masks of the Iatmul,Papua New Guinea

Borrowing, exchanging, and violent appropriation of ritual artefacts have been actions that have contributed to the development of cultural diversity within a particular frame of variations in the Middle Sepik region of Papua New Guinea. The mai masks of the Iatmul, already mentioned by Bateson, are the well‐documented result of a violent appropriation, as indigenous evidence shows. However, the ‘model’ which served for the mai were ritual dancers captured in the Alexander Mountains. These dancers displayed heavily painted faces (but no masks) and rich body decoration. In the process of making the powerful ‘model’ into one of their own, the Iatmul artists transformed the painted faces into carvings according to their preferred material of artistic expressions, wood, and their predilection for the interplay of elevated and deepened surfaces. As this article shows, the creation of mai as (enlivened) persons needs the establishment of socio‐cosmological relationships in which ancestral spirits and ‘natural’ substances are crucially involved. Thus, apart from sculpting as making, actions of growing are essential for turning the masks into beings endowed with ancestral power.     

江苏洪泽湖大堤石工图案遗存的调查与研究

洪泽湖大堤蕴藏着大量的石刻遗存,其中石工图案占有较大比例,具有浓郁的民俗文化与水文化特征,是我国18世纪石雕艺术的优秀作品。石工图案大致分为器物、庆词颂语、植物与动物、人物、山水日月、屋宇建筑六类题材,大部分图案运用寓意的构图形式来表达主题思想,基本采用浅浮雕技法。制作年代主要是清代乾隆时期,历史背景与清口枢纽治水相关,是中国大运河世界文化遗产的重要组成部分。     

秦俑面部特征定量分析初探

秦始皇帝陵兵马俑自发现以来一直是学者们研究的热点,许多专家都做过秦俑面部特征的定性研究,但缺少定量论据。利用人脸识别技术对秦俑面部特征做定量分析,分析过程包括图像预处理、面部检测筛选、面部特征提取、面部特征向量表示、面部特征向量相似度计算、面部特征向量相似度分析等。通过单个秦俑面部相似度Top-N直观分析秦俑面部特征;通过热力图分析多个秦俑面部相似度,发现10个“特征鲜明”的秦俑及10个“大众脸”的秦俑;用直方图可视化秦俑面部相似度分布,揭示了秦俑面部相似度符合正态分布的规律。人脸识别技术为秦俑研究提供了一种定量分析思路,相关思路可以用于秦俑五官单特征、服饰纹理等分析,也为更大规模秦俑面部特征定量分析奠定了技术基础。