地方电视台宣传应突出地域文化特色

本文从电视地域特色的必要性出发,对地方电视台如何应对竞争,发挥优势,做好节目,做大做强自己的媒体品牌进行了有益的探讨。     

澄怀昧象 悲悯人生——论京派文学艺术的“虚空”与“充实”

京派作家以清新恬淡的笔触抒写田园诗般的人生,传达出深沉的宇宙意识。本文试从中国古典美学角度入手,分析京派文学体现出的“虚空”与“充实”的境界。     

Phantoms in Artists: The Lost Limbs of Blaise Cendrars,Arthur Rimbaud,and Paul Wittgenstein

There have been an increasing number of reports of postamputation pain and problems linked to phantom limbs over recent years, particularly in relation to war-related amputations. These problems, which are often poorly understood and considered rather mysterious, are still relevant because they are difficult to treat medically. Functional neuroimaging techniques now enable us to better understand their pathophysiology and to consider new rehabilitation techniques. Phantom limbs have often been a source of inspiration to writers, particularly in the period following the First World War, which was responsible for thousands of amputees. Some artists have suffered from postamputation complications themselves and have expressed them through their artistic works. Blaise Cendrars (1887–1961), one of the greatest authors of the twentieth century, suffered from stump pain and phantom limb phenomena for almost half a century following the amputation of his right arm during the First World War. He suffered from these phenomena until the end of his life and his literary work and personal correspondence are peppered with references to them. Arthur Rimbaud (1854–1891), one of the most famous poets in world literature, developed severe stump pain after his right leg was amputated due to a tumor. He survived for only six months after the procedure but left behind an account of the pain he experienced in correspondence to his family. The famous pianist Paul Wittgenstein (1887–1961), whose right arm was amputated during the First World War, became a famous left-handed concert pianist. The phantom movements of his right hand helped him to develop the dexterity of his left hand. The impact on the artistic life of these three men provides an original illustration of the various postamputation complications, specifically phantom limbs, stump pain, and moving phantom.     

曾侯乙墓出土古玉器玉质特征

对曾侯乙墓出土的126件古玉器,运用宝石学和岩石学知识,以肉眼观察鉴定为主,辅以部分样品的宝石学参数测试和物理谱学测试,鉴定出曾侯乙墓出土古玉器的玉质成分有玉质和石质两大类,玉质主要是透闪石质软玉和阳起石质软玉,石质主要是粉砂岩质。不同玉质的肉眼鉴别标志有所区别。     

The growth of artistic nationalism in Senegal

ABSTRACT. In the 1960s, Senegal's first national leaders narrowly defined how artists should practise nationalism through their work, particularly in the weaving craft, and enforced this definition through selective state patronage. This ideological and stylistic control echoed state control over economic markets. As subsequent administrations have restructured the economy, leading to a powerful informal business sector, so have independent contemporary weavers redefined artistic nationalism. Using ethnographic and archival interviews, this article examines nationalism in Senegalese weaving, placing the perspectives of contemporary weavers alongside those of two arts administrators who helped to develop state‐sponsored programmes in the 1960s and 1970s. I argue that contemporary weavers find inspiration from Senegalese nationalism of the mid‐twentieth century, yet have modified it to encompass individual expression. Because definitions of artistic nationalism in Senegal have shifted, it remains a significant ideology within the national arts scene.     

ADMINISTRATIVE DEFINITIONS OF ARTISTS IN THE NORDIC MODEL OF STATE SUPPORT FOR ARTISTS

This article considers the role of public arts policy in producing societal definitions for “art” and “artists”. It examines administrative definitions generated and used by the Nordic system of state support for artists and reflected in its administrative categories and structures of decision‐making. Using the concepts of “artistic field” and “artistic classification system” as starting points, the article focuses on the regulated and institutionalized interaction of the state and artistic fields in decision making, and on the administrative categories emerging from this interaction. Through this interaction, professional and administrative definitions of “art” and “artist” are closely intertwined in the four countries discussed. The administrative categories examined show considerable variation between the countries related to differences in the nature of this interaction. The definition power involved in state support for artists is related to the nature of this interaction, as well as to such factors as the legitimating arguments, objectives and criteria for the support.     

The Conservation and Degradation of Archaeological Soil Features in Flanders and Brussels: The example of Watermaal-Bosvoorde

Ten years ago, an extensive literature study on the conservation and degradation of soil features in Flanders was conducted. The outcome was a report discussing the state of preservation. The present contribution intends to synthesize the chief outcomes of that research and to present a case study where the theoretical knowledge and recommendations then put forward have been applied.     

改革开放以来中国县级以上政区名称变更及其问题探讨

自1978年始,为了发挥中心城市带动周围农村的作用,国家行政体制作出了重要改革,实行市领导县体制。随之各级行政区的数量、名称和范围发生了较大的变化。本文以1978-2007年国家民政部统计数字为准,对改革开放30年来,中国县级以上行政区域名称的变更进行了统计分析与研究,揭示了政区通名和专名的变更特点及影响因素,指出更名中存在的主要问题,最后提出县级以上行政区域名称的变更的对策和建议。     

大连市建成区土地利用时空演变与动力机制分析

借助ENVI和GIS技术对大连市1990年以来遥感影像资料及空间数据进行统计分析,研究其建成区扩张的时空演变及动力机制。研究结果表明,近20年来,大连市区建设用地扩张1.34倍,以东北为主要拓展方向。1990-1995年扩张速度和扩张贡献率最大,城市空间不规则扩张;1995-2005年城市以填充式发展为主,边界逐渐规则;2005年以来进入了新一轮的建设用地扩张时期。人口增长和经济发展对建设用地扩张的驱动作用趋于弱化,政府决策行为成为主要影响因素,尤其是金州区与新城区(开发区)的建立与发展对大连市区建设用地扩张有明显的牵引和带动作用。