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61.
Over the past decade or so, an increasing number of archaeologists have begun to show interest in employing Darwinian evolutionary theory to explain variations in the material record. Epistemological and methodological issues surrounding the implementation of Darwinian evolutionism in archaeology are numerous, the most basic of which is that Darwinism embodies a materialist perspective, whereas archaeology traditionally has maintained an essentialist outlook. Stemming from this dichotomy are fundamental differences in such things as how units are created and how they are used to measure change. As archaeologists grapple with these issues, specific examples of how Darwinian evolutionism can be used to build historical narratives and create historical explanations are appearing with more frequency, but with few exceptions, proponents have focused specifically on the prehistoric record. This gives the impression that Darwinian evolutionism is not applicable to the more-recent material record, which is decidedly not the case. The kind of evolutionism proposed here transcends the age of the record under investigation. 相似文献
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东西方国家民众的主体旅游方式和旅游传统有着明显差异,长期以来,西方人喜欢一地停留式的“度假旅游”,以中国人为典型代表的东方人则喜欢周游式“观光旅游”。本文认为,东西方之间在旅游文化上的这种差异,不但体现在社会主体旅游方式上,也体现在各自语言文化中有关旅游的日常用语上,还体现在旅游机构的名称,以及旅游统计口径和划分标准上。本文进一步认为,是以下六大因素决定了社会主体旅游方式的形成——文化观念、社会环境、地理条件、经济条件、心理因素、科技水平,并分析了它们如何作用于人们旅游习惯的形成。 相似文献
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This paper presents the first results of a new project investigating the provincial structure of the eastern Caucasus region in the late Antique and early Islamic periods. Excavations at the newly discovered rural archaeological site of Qarat?p? have so far revealed two phases of use: a burial ground dating to the 12th century a.d. and an unusually large earthen structure burnt in a catastrophic fire. Owing to the rapid abandonment of this building, whole ceramic and glass vessels were recovered from the fill of one of the rooms. The presence of charred seeds and roof timbers allowed for the acquisition of radiocarbon dates for the construction and abandonment of the building, placing the latter at the end of the 6th century a.d. These findings reveal crucial clues as to the transformation of the rural zone prior to the expansion of Islam, and a unique material assemblage dating from this period. 相似文献
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Lusi Morhayim 《对极》2018,50(5):1311-1329
Anti‐automobile, anti‐capitalist, and pro‐environmental worldviews are known to shape bicyclists’ right to the city demands. This research uncovers another layer of their radical engagement with the city: playful enjoyment of architectural structures and urban space, using the case study of Midnight Mystery Ride, a community bicycle ride taking place in the middle of the night once a month in several cities around the world. Through theoretical lenses of play and rhythmanalysis, I argue that bicyclists at night take over spaces built with exchange vale in mind and introduce use value in the same spaces. Interviews with bicyclists demonstrate how their unconventional use of space questions separation from natural rhythms and nature. I demonstrate that their nighttime use of the city is also a critique of how urban space is organised largely for profit and discipline and of how the human and playful potential of urban space are not fully realised. 相似文献
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David Fogden 《英国考古学会志》2017,170(1):152-179
The construction date of the medieval manor house at Clevedon Court has long been said to be ‘c. 1320’, but no explanation or justification has ever been published. Stylistic, documentary and archaeological evidence is assembled to show that, following three distinct building phases, the house was completed during the decade ending in 1320. Analysis of the development of reticulated tracery helps to determine the date of the iconic chapel window. Other elements of the medieval house are considered and explained. 相似文献
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Dorothy K. Billings 《Oceania; a journal devoted to the study of the native peoples of Australia, New Guinea, and the Islands of the Pacific》2015,85(2):137-164
A review of definitions of style and studies of particular people suggest that while many studies of art discuss iconography, social relationships, structure, identity, form, function, and so on, few discuss style; and fewer discuss style as world view, ethos, values, or gestalt. In this paper, I report some findings of field work in the arts and cultures of New Ireland and New Hanover in support of research in cultural anthropology on style in this larger sense. I will provide some documentation for ‘the Native's point of view’ on this subject, which affirms its importance in any study of culture. 相似文献