Water and power in South Arabia: the excavation of “Monumental Building 1” (MB1) at Sumhuram (Sultanate of Oman)

The ancient port city of Sumhuram (Dhofar Governorate, Sultanate of Oman) has been the focus of over 20 years of research by the Italian Mission to Oman (IMTO), University of Pisa, in collaboration with the Office of the Adviser to His Majesty the Sultan for Cultural Affairs (Muscat-Salalah, Sultanate of Oman). Excavation has revealed most of the town layout, leading to the identification of several buildings, alleyways, squares and workshops, among which two massive buildings stand out, significantly named by the excavators as “Monumental Building” 1 and 2 (MB1 and MB2). This paper presents the results of the excavation inside MB1, characterised by the presence of the only well discovered within the city walls, which was previously interpreted alternatively as a palace or as a temple. The architectural development of the building, its distinctive features, the archaeological material discovered inside it, and its chronology will be discussed. These results highlight the absence of fitting parallels from other ancient South Arabian towns. Overall, it is clear that access to, management of, and control over the water supply of the town represented a key asset which justified the huge investment in workforce and building materials that is reflected in the monumental architecture of this edifice.     

Bringing Order Out of Chaos: Stanisław August Poniatowski’s Political Patronage of Architectural Classicism in the Late Eighteenth-Century Polish-Lithuanian Commonwealth

This article examines the political uses of classical architecture in the late eighteenth-century Polish-Lithuanian Commonwealth. It focuses specifically on the direct connection between the rise of the classical idiom on the eve of the collapse of the Commonwealth and the ill-fated idea of political recuperation of the deteriorating and dysfunctional state under the aegis of King Stanis?aw August Poniatowski (r. 1764–95). In particular, it outlines the extent and character of Polish-Lithuanian architectural classicism’s political engagement in the last decades of the eighteenth century. It also underscores the specific role of this architectural idiom as a political symbol and instrument of propaganda, which served to represent the idea of restoring political order to the Commonwealth and building a strong and self-sustaining political community headed by the king. Finally, it presents a selection of characteristic buildings and publications that contributed to this political discourse, and examines the ways classical architecture retained a political importance in the immediate aftermath of the destruction of the Polish-Lithuanian Commonwealth in 1795.     

近代广东侨乡生活方式与社会风俗的变化——以潮汕和五邑为例

近代广东侨乡社会受海外华侨华人的影响,其社会生活方式与风俗文化都发生了较为深刻的变化.首先,在衣食住行等方面出现了渐趋"洋化"的生活方式;其次,在风俗文化上出现了传统习俗基础上结合"出洋"的怪异习俗;最后,在社会风气上,一方面出现了奢靡腐化的现象,另一方面新的文明之风突起.本文以潮汕、五邑为例,探讨海外华侨华人对近代广东侨乡生活方式与社会风俗的影响.     

曹仲达与“曹家样”研究

本文重新研究曹仲达与“曹家样”,考订了曹氏的生卒年及其可考的生平,认为他有着由南(朝)入北(朝)的经历。本文从画史所载曹氏师承入手,发现代表南梁新画风的张僧繇和来自中亚西域的塞特(壮)勤是其师承的重要来源,从而进一步探讨了“曹家样”的形成问题,认为“曹家样”是南、北二源以及其他复杂的社会、宗教、文化身份认同等因素共同作用的结果。本文还对长时段、大范围内相关的图像遗存进行考察,重新勾勒了“曹家样”的面貌。在对这一具体问题研究的基础上,作者提倡在后现代之后风格史研究的一种可能与方向——厚背景研究法。