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51.
52.
把学校的图书室开辟为重要阵地加以利用,并改变写作方向,让小学生们用自己的童心去感受生活,用自己的眼睛去认识生活,用自己的耳朵去倾听生活,用自己的方式去表达生活。惟有如此,他们才能写出富有童情童真、童言童趣的原汁原味的好文章。 相似文献
53.
数学教学的核心是学生的再创造,让学生经历知识的再创造过程,培养了学生的创造性思维。学生从教师的教转向主动地学,在教师的指导下去建构数学知识,为学生能够顺利地用数学知识解决实际问题奠定了良好的知识基础。 相似文献
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《Journal of Conflict Archaeology》2013,8(2):133-153
AbstractThe Regional Development Period (c. ad 1000–1480) in north-west Argentina is characterized, among other important features, by the coexistence of two phenomena seemingly opposed: a constant situation of violent conflict between communities and the maintenance or even intensification of interregional goods exchange networks. Although recent studies recognize the simultaneity of these processes, only a few scholars asked how communities dealt with the necessity of protecting themselves as well as obtaining distant resources. In this paper we present the analysis of the defensive and access layout of La Alumbrera archeological site which has the peculiarity of condensing features that may illustrate an example of how conflict and exchange coexisted at a local scale. 相似文献
56.
木材树种的鉴定是古木结构建筑维修和保护的基础性工作。为配合建水县指林寺大殿修缮保护的需要,为修缮树种选用提供依据,了解木文化的特点。本研究对建水指林寺大殿古建筑主要木构件进行了树种鉴定及对材种配置调查分析。采用切片、显微镜拍照、宏观和微观特征分析等方法,对700个试样进行了树种鉴定。结果表明建水指林寺大殿的木构件共有4个树种,分别是硬木松(Pinus sp.)、白青冈(Cyclobalanopsis sp.)、格木(Erythrophleum sp.)和荷木(Schima sp.)。通过材种配置分析可得指林寺大殿木构件在选材方面达到很高水平,不仅反应了建造年代,而且体现修缮的特性。 相似文献
57.
采用便携式拉曼光谱仪对广西合浦出土的新莽(8—23年)和东汉(25—220年)晚期的宝石珠饰进行了原位无损分析,新发现了一批在外观上极易被误认为各色水晶的绿柱石族矿物(如海蓝宝石和透绿柱石)制作而成的浅蓝色和无色透明珠饰。利用手持式显微镜对绿柱石宝石珠饰的穿孔形状、孔径大小及其内部微痕特征进行了观察分析,参考南亚和东南亚同时期石质珠饰的钻孔工艺及钻具研究成果,认为这批绿柱石珠饰采用了钻石钻头双面对钻钻孔工艺。结合南亚地区宝石资源、出土绿柱石宝石珠饰及其钻孔工艺和加工作坊等情况,认为这批绿柱石宝石珠饰是由南亚经海上丝绸之路输入的舶来品。研究结果为探讨汉代中国南方与南亚和东南亚的经济和文化交流提供了有益信息,有助于提高对古代海上丝绸之路这一贸易网络在传播珍贵物品的认识。 相似文献
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DARIUSZ GAFIJCZUK 《History and theory》2013,52(2):149-170
Addressing the recent call to rethink history as a form of presence, the essay works toward a recovery of a space in which such presence of history is encoded. I argue that history as a form of active perception is akin to virtual witnessing of the past in the moment of our encounter with historical artifacts, be they texts, photographs, or buildings. To this end, I engage with the conceptual and material aspects of historical perception, deriving a model of history as “inhabited ruins,” the way it emerges together with historical consciousness and finds an especially dynamic expression in Georg Simmel's philosophy of culture. Throughout, I work with the notion of distance and trans‐dimensional presence as the forces that shape and reshape historical awareness. Ruins, intimately connected to the modern historical imagination, are approached not as sites of commemoration or nostalgia, but as spaces of active exchange between presence and disappearance. As such, they are taken to be the models for the transitive character of history itself, blurring the division between perception and thought. In other words, ruins are taken as structures that evoke and summon the past to an encounter with contemporary reality—a type of co‐appearance that opens the possibility of virtually witnessing the past. I conclude that the logic of “inhabited ruins” constitutes the event‐horizon of modern identity, always placing history right at the threshold of fragmentation. 相似文献
59.
Joseph L. Scarpaci 《Journal of Cultural Geography》2013,30(3):257-279
Reference groups serve as markers for citizen-consumers to determine tastes and preferences about work and material and cultural consumption. These groups have evolved slowly in socialist Cuba, mostly during the post-Soviet era. This paper examines the symbolism, roles, and meanings of three such groups: the Cuban Diaspora, Cuban Gen-Yers or Millennials (survivors), and entrepreneurs. A combination of these groups is changing values about a new consumption taking hold across the island and offers insight into material and cultural consumption. 相似文献
60.
G. Montagu Benton 《英国考古学会志》2013,166(1):155-171
In 1503, the canons of Ripon Minster initiated a building campaign to replace the church’s nave. Through a careful study of the documentary evidence, including sources that have not previously been considered, this article investigates how Ripon’s clergy organised and funded the project. It offers a more precise chronology of the works and an assessment of their impact on the use of the church by its parishioners. The article also considers the clergy’s motives for rebuilding, proving that the renovation was not a reaction to the old nave’s deterioration so much as an initiative to create a grander architectural setting for processions and more space for burial within the church. 相似文献