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71.
《慈恩传》全称《大慈恩寺三藏法师传》,是一部记述玄奘生平最早最详实的传记,也是唐代唯一的一部专传;《慈恩传》记述了玄葵不同寻常的一生,更重要的是,《慈恩传》折射出唐代上升时期的唐人风貌:开放的文化心态,进取的时代风貌,强烈的爱国情感。 相似文献
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73.
古镇遗产分类及资源型古镇的保护性利用模式初探 总被引:1,自引:0,他引:1
古镇是人类主要聚落形态之一,按其成因和社会功能可把古镇分为聚落型村镇、区域贸易中心型集镇、资源型或资源—产业型集镇、军事重镇型集镇和文化景观型集镇等。资源型古镇通常是在对某地自然资源进行开发利用的过程中发展起来的场镇,它的发展历程直接折射出区域社会变迁及其关联的社会背景,构成地方文化和历史记忆的重要载体。对资源型古镇的保护性利用旨在服务当地,在内容和形式上旨在使古镇的"形"与"神"与其生存空间达到高度的融合与统一,从而准确传达古镇所蕴含的历史信息及遗产价值。 相似文献
74.
V.I. Molodin A.S. Pilipenko A.A. Zhuravlev R.O. Trapezov A.G. Romaschenko 《Archaeology, Ethnology and Anthropology of Eurasia》2012,40(4):62-69
This article presents the results of an analysis of mitochondrial DNA extracted from bone samples from Stary Sad – a burial ground representing the eastern variant of the Late Bronze Age Pakhomovskaya culture in the Baraba forest-steppe, Western Siberia. Comparison with mitochondrial DNA data from earlier populations of the region and also with archaeological facts, points to the origins of the Pakhomovskaya people. Certain components of their gene pool were evidently derived from the local pre-Andronovo populations, others from the actual Andronovo (Fedorovka) population and also from later immigrants. In this article an integrative reconstruction based on biological and cultural facts is proposed. 相似文献
75.
为了研究木构古建筑地震破坏状态评估的准确性,应用概率的方法,以结构损伤指数、最大层间位移角作为评价因子,建立了地震破坏综合评价模型,提出了基于概率法的木构古建筑地震破坏综合评价方法。该方法在综合现状分析与实验数据,在一定烈度下计算各种破坏状态等级中每一种破坏状态出现的概率,古建筑地震破坏状态应为概率最大的地震破坏状态,从而比较准确地判别木构古建筑地震破坏程度。并对经受过汶川地震的两种结构形式的古建筑进行了验证,从而验证了该方法的合理性和有效性。这一方法将提高木构古建筑震害预测的准确性,为古建筑抗震加固提供有效的理论支持。 相似文献
76.
周伟洲 《中国边疆史地研究》2011,(3)
本文是作者在20世纪80年代发表的有关讨论中国古代疆域的论文基础上,进一步阐述了古代中国疆域范围即古代中国统一多民族国家统一或分裂的政权所管辖疆域的观点;接着,对20世纪90年代以来有关中国疆域形成的新观点作了评述,并提出了对古代中国疆域形成、发展的阶段划分(即分期)以及规律和特征的四点认识。 相似文献
77.
论气候变迁与中原文明中心地位的形成 总被引:1,自引:0,他引:1
新石器时代晚期到夏商时期是中国古代文明形成的关键时期,大体经历了由无中心向以中原为中心转变的"多源一统"过程.究其原因当有多种,气候变化是其中的一个重要方面.由于各地区的地理、环境和气候特点的不同,它们对气候变化的反应也不尽相同.干旱和半干旱地区在气候暖湿的时期发展较快,而湿润地区则在气候冷干的时期适宜发展.位于干旱地区的文明在长期冷干的气候条件下衰落了,位于湿润地区的文明在极端暖湿的气候时期中断了,唯有中原地区位于半干旱半湿润地区,适应极端气候的能力较强,不仅在暖湿时期发展较快,而且在冷干时期仍能持续发展,最终成为全国文明的中心. 相似文献
78.
Doohwan Ahn 《History of European Ideas》2011,37(4):421-437
This paper explores the political thought of Andrew Michael Ramsay with particular reference to his highly acclaimed book called A New Cyropaedia, or the Travels of Cyrus (1727). Dedicated to Prince Charles Edward Stuart, the Young Pretender, to whom he was tutor, this work has been hitherto viewed as a Jacobite imitation of the Telemachus, Son of Ulysses (1699) of his eminent teacher archbishop Fénelon of Cambrai. By tracing the dual legacy of the first Persian Emperor Cyrus in Western thought, I demonstrate that Ramsay was as much indebted to Jacques-Bénigne Bossuet's Discourse on Universal History (1681) as he was to Fénelon's political romance. Ramsay took advantage of Xenophon's silence about the eponymous hero's adolescent education in his Cyropaedia, or the Education of Cyrus (c. 380 B.C.), but he was equally inspired by the Book of Daniel, where the same Persian prince was eulogised as the liberator of the Jewish people from their captivity in Babylon. The main thrust of Ramsay's adaptation was not only to revamp the Humanist-cum-Christian theory and practice of virtuous kingship for a restored Jacobite regime, but on a more fundamental level, to tie in secular history with biblical history. In this respect, Ramsay's New Cyropaedia, or the Travels of Cyrus, was not just another Fénelonian political novel but more essentially a work of universal history. In addition to his Jacobite model of aristocratic constitutional monarchy, it was this Bossuetian motive for universal history, which was first propounded by the German reformer Philipp Melanchthon in his Chronicon Carionis (1532), that most decisively separated Ramsay from Henry St. John, Viscount Bolingbroke, author of another famous advice book for princes of the period, The Idea of a Patriot King (written in late 1738 for the education of Frederick Lewis, Prince of Wales, but officially published in 1749). 相似文献
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80.
This paper addresses the role of comic books in interpellating national identities, locating the process of national identity formation in the interplay between popular culture producers and their audiences as described by Althusser (1977) and McGee (1975). The empirical section of this paper focuses on Captain Canuck, a Canadian-produced comic book originating in the 1970s and sporadically published through the present day. The authors engaged in a qualitative content analysis of the Captain Canuck comic books, searching for themes and markers of Canadian-ness and looking for audience identifications with those themes and markers in the ‘letter to the editor’ columns published within the comic books themselves. The study finds that through the many incarnations of Captain Canuck various versions of Canadian identity have been projected, with varying degrees of support by the readership. The role of the USA in Canadian identity formation looms large, especially in the positioning of Canadian quality and multiculturalism against the tacitly American lack thereof. Another finding of this research is that there has been a fundamental change in the way Canadian identity is structured as a new, commercially driven Canadiana culture industry has arisen since the 1970s. 相似文献