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61.
Martina Heßler 《Berichte zur Wissenschaftsgeschichte》2007,30(2):145-160
Science Cities: What the Concept of the Creative City Means for Knowledge Production. – The article aims to show that the relationship of science and the city has changed since the 1970s in the context of the knowledgeable society. While cities have principally been regarded as the typical space of science, of new ideas and innovation for centuries, since the 1960s and 1970s universities, research institutes as well as industrial research institutes have relocated to the periphery of cities. There, however, these sites of knowledge have been organized in an ‘urban mode’. That means that the concept of the city as a place of science and innovation has determined the architectural, spatial, and social organization of these sites on the periphery of cities. Certain features of the city have been copied, such as social infrastructures, places of communication, restaurants, cafes etc., while others have been left out – housing, cinema, theatre etc. An ‘urban mode of knowledge production’ in the sense of a very stylized model of the city has become a tool to enhance the production of scientific and technological knowledge. – The article exemplifies this by focusing on a case study, namely of the so‐called ‘Science City’ of the Siemens Company in Munich‐Neuperlach. 相似文献
62.
63.
The archaeological record of prehistoric Cyprus is rich, diverse, well-published, and frequently enigmatic. Regarded by many as a bridge between western Asia and the Aegean, Cyprus and its past are frequently seen from scholarly perspectives prevalent in one of those two cultural areas. Its material culture, however, differs radically from that of either area. Apart from the early colonization episodes on the island (perhaps three during the pre-Neolithic and Neolithic), evidence of foreign contact remains limited until the Bronze Age (post-2500 B. C.). This study seeks to present the prehistory of Cyprus from an indigenous perspective, and to examine a series of archaeological problems that foreground Cyprus within its eastern Mediterranean context. The study begins with an overview of time, place, and the nature of fieldwork on the island, continues with a presentation and discussion of several significant issues in Cypriot prehistory (e.g., insularity, colonization, subsistence, regionalism, interaction, social complexity, economic diversity), and concludes with a brief discussion of prospects for the archaeology of Cyprus up to and beyond 2000. 相似文献
64.
Peter Bleed 《Journal of Archaeological Method and Theory》2008,15(1):154-166
Skill is a challenging topic for archeologists because it requires balancing the biases of cultural relativity with the commonsense
understanding that some humans are more able than others. Using the content and results model of technology, this paper identifies
skill as a variable of technological knowledge with recognizable material results. Late Paleolithic Japanese blade and microblade
assemblages suggest that skill differentials exist on the cognitive, operational, and motor levels. These examples, together
with ethnoarcheological consideration of modern potters suggest material reflections of technical skill. These include regularity
in performance and product, skilled tools, and obvious signs of practice. 相似文献
65.
宋祥 《古籍整理研究学刊》2009,(5)
劝学,作为中华民族的古老传统和思想主张,不仅口耳相传,更铭刻在字里行间,那就是一脉相承的劝学类散文.春秋战国时期,学校教育的建立、士阶层的出现以及私学的产生奠定了劝学风气和思想的形成,体现于诸子散文并形成了初步繁盛的局面.秦汉以后直到唐宋,随着儒家思想统治地位的确立和散文的发展,劝学文也日趋成熟和繁荣.元代之后,理学思想和散文创作都从繁荣而走向衰微,劝学文的专门性和系统性有所减弱,文学性也更加淡化,最后随封建社会的终结而完成了自身的使命. 相似文献
66.
Practices of cultural production within a peripheral urban neighbourhood can contribute to foster the sense of place, community belonging and local collective action. Starting from a critical perspective on the interconnections between cultural practices and urban regeneration, and developing on the concept of place-making, the paper has two main purposes: to investigate the nature of embeddedness of these practices and explore the ways of self-organization of cultural actors and their relationships with public policies. The case study concerns ‘Barriera di Milano’, a large peripheral area in Turin (Italy), formerly one of the most industrialized zones of the city. Over the past few years, and particularly after the real-estate bubble burst of 2007–2008, in Barriera a lively concentration of initiatives of culture has been taking place, redefining the urban and social space. These initiatives seem to be innovative for many reasons: firstly, while demonstrating a peculiar but significant embeddedness in the neighbourhood, they are mostly self-generated; secondly, the institutional assets, the economic self-sufficiency and the low degree of connection among initiatives support new forms of citizenship and place-making based on a ‘not-for-profit entrepreneurship’. 相似文献
67.
The white ash of Sibudu hearths sometimes became cemented and, when this was the case, some of these crusts were used as work surfaces or receptacles, particularly in occupations dating about 58,000 years ago. Substantial deposits of red and yellow ochre powder have been found on these crusts. This suggests that the ochre was not associated with hearths for heat treatment because yellow ochre readily transforms to red even at low temperatures. XRF readings suggest that the ochre used at the site derives from different geological sources. Micromorphological studies imply that phosphatization caused the cementation of the ashes in some hearths, while gypsum growth hardened one of the hearths described here. 相似文献
68.
从《货殖列传》看司马迁的生产经营思想 总被引:2,自引:0,他引:2
司马迁的《货殖列传》中有着丰富的经济思想。司马迁以不同于历代封建统治的眼光为人们的逐利求富活动进行辩护,特别是他对生产经营过程中的一些问题进行了分析和探讨,提出了许多宝贵的生产经营思想。这些思想在当时是难能可贵的,在今天仍有着积极的借鉴意义。 相似文献
69.
《History & Technology》2012,28(3):311-333
This essay uses material from the British Broadcasting Corporation (BBC) archives to show how space-related technoscientific activities played a key role in the development of BBC television. The essay focuses on a crucial period when this influential cultural institution transitioned away from radio as their primary broadcast medium in the 1930s and 1940s to reluctantly embrace television in the 1950s and 1960s. Space-related activities, including astronomy, cosmology, rocketry, aerospace engineering, astrophysics and interplanetary research, played a key role in the modernization of BBC television broadcasting in two intersecting ways. Space-related material provided informative, yet popular, programmatic material that helped BBC television compete in an increasingly commercialized media market, and, later, space projects supplied technologies that impacted on the mechanics of broadcast production and transmission. The profile and prestige of space as a topic, in particular, its visuality, the drama of exploration it presented, and its association with celebrity scientists like Bernard Lovell and Fred Hoyle, meant that such programming became a crucial business asset for the BBC and a professional asset for ambitious producers who saw its commercial potential. Following the launch of Sputnik in 1957, space technology became further intertwined with the development of British broadcasting as the fields of satellite communications and broadcasting transmissions infrastructure converged. In particular, BBC producers promoted the potential development of communication satellites within their television programming by portraying such satellites as plausible and necessary for the advancement of civilization, and most crucially, as a prospective British Space Race achievement. 相似文献
70.
One expectation of emergent complexity is that as ceramic craft specialization increases it is reflected by increasingly homogeneous products due to the modified organization of craft production by specialists. This question has most often been addressed by analysis of sub-sets of larger ceramic assemblages consisting of intact vessels from idiosyncratic contexts. However, excavations often do not yield appropriate whole vessel sub-sets. In order to evaluate the changing context of the organization of ceramic production, we engage a robust methodological approach to the analysis of ceramic sherd assemblages, rather than intact vessels, rooted in cluster analysis but which we rigorously evaluate by other means. We successfully employ this method to assess changes in the organization of ceramic production through a 1000 year sequence leading to the emergence of the Tarascan state, and conclude in this case that no significant reorganization of ceramic production occurred with Tarascan state formation. 相似文献