《中国历史地图集·西夏幅》补释

在对《中国历史地图集·西夏幅》绘制背景、资料来源、地理要素梳理和考释的基础上,结合北方民族的地缘状况及历史演变,文章指出《中国历史地图集·西夏幅》绘制过程中的北部疆界“模糊性”问题并非个案,而是北方民族政权疆界划分中普遍存在的现象,有必要重新审视与梳理。着眼未来,西夏文文献和考古出土资料将成为《中国历史地图集·西夏幅》修订的重要信息补充和资料来源。     

Transmittance Analysis for the Translucent White Porcelain of the Xing Kiln,China

The Xing kiln, which is located in Xingtai, Hebei Province, is famous for white porcelain production, especially translucent white porcelain. However, the translucency, as the most important characteristic of translucent white porcelain, is rarely mentioned. In this study, eight samples including translucent white porcelain and non‐translucent white porcelain excavated from the Xing kiln are quantitatively analysed by a transmittance tester. The study points out the defects of the previous concept of translucent white porcelain based on light transmittance and proposes a new definition based on translucency. Translucent white porcelain is not deliberately thinned fine white porcelain, but a special kind of fine white porcelain with a body of excellent translucency. Further analysis reveals that all transmittance values of translucent white porcelain are more than 0.01% with a body thickness less than 6 cm, which is higher than that of non‐translucent white porcelain by about one or two orders of magnitude. The absorption coefficient for translucent white porcelain is close to ?0.82, while that for non‐translucent white porcelain is much closer to ?1.87. This research will serve to further studies on subjects such as the classification, colouring mechanism and firing technology of the translucent white porcelain of the Xing kiln. Moreover, it is expected to set a new stage for discussing the translucency of ancient porcelain.     

古陶瓷完整器元素成分无损分析的实现（一）——方法确认和总体设计

文物的无损检测是文物科学研究中非常重要的一个研究方向,也是文物科学保护研究不可或缺的前期分析工作。上海博物馆文物保护与考古科学实验室计划以古陶瓷的无损分析为先导,陆续扩大研究对象的范围及研究深度,同时也不断完善各类分析手段。在大量文献调研的基础上,报道了古陶瓷完整器元素成分无损分析方法研究的前半部分工作:研究方法的确认和总体设计。     

略论五代宋金耀瓷的流布

考古发现表明,耀州窑瓷器在五代宋金的三百余年间曾广泛传播流布于中国的广大地域,这既反映了耀州窑各阶段的发展情况,又是这一时期民族、政权、地域间经济、文化往来的客观体现。     

洛阳宋代瓷枕艺术风格管窥

宋代是河南制瓷业的鼎盛阶段。瓷枕作为洛阳宋瓷的一朵奇葩,以质地优良、造型多样、装饰手法丰富多彩而被世人称道。本文从造型、纹饰和釉色三个方面入手对洛阳出土的宋代瓷枕的艺术风格作了简要分析。     

江夏湖泗古代瓷窑综述

本文全面概述了湖泗窑址发现及其分布范围。湖泗窑分烧造青白瓷和青瓷两种窑,本文介绍了这两种窑产品的种类、特点和烧造装饰技术,同时阐述了湖泗窑发现的意义。     

越窑瓷器装饰艺术之研究

本文对唐、五代、北宋时期越窑瓷器的装饰艺术作了系统分期,并对典型器物的纹样及与金银器的关系作了一定的论述。     

明清瓷器装饰与信仰民俗

本文对明清瓷器的装饰与信仰民俗的关系作了一定的论述。     

试论东汉会稽画像镜的艺术风格及对早期越窑堆塑瓷装饰的影响

本文试从艺术的角度,对会稽画像镜的艺术风格及其对早期越窑堆塑瓷装饰所产生的影响作了探索。     

试述清嘉道咸三朝官窑瓷器的生产──兼论清官窑衰落的确切年代

本文根据史料就清中期官窑瓷器生产衰落的确切年代,中期的烧造情况进行了讨论,试图从中探寻清嘉道咸三朝官窑瓷器衰落的原因