Organized Materiality

In the late medieval period the religious guilds along with trade guilds grew in importance, as did the role of material culture related to the guilds. This history has seen little examination from a Fenno-Scandinavian and particularly a Swedish vantage point. In order to analyse the role of material culture in the formation of this way of organizing people, the article investigates the existence of late medieval guildhalls, especially rural ones, and discusses remains of other material culture that can be connected to the guilds. The halls, drinking vessels and other material things were activated in the growth of a new more substantial way of organizing society outside the boundaries of feudal society and family control. It is argued that material culture had a significant role in the recurrent activities of the guilds of the Middle Ages and in the shaping of new ways of organizing people.     

One for all,or all for oneself? Governance cultures in regional public transport planning

Due to the fragmented organizational landscape characterizing public transport, it is important to study and explore how regional governance of public transport adapts to national institutional reforms. By employing the term ‘governance cultures’ to a comparative case study of regional public transport planning in Sweden, we contribute to theories of governance by cultural sensitization. Combining governance theory with cultural analysis, we apply a cultural perspective to understand the two cases. We conclude that public transport planning in the Stockholm region is defined by ‘negotiations’ between stakeholders, whereas in the Västra Götaland region it is characterized by a governance culture of ‘collaboration’. The evidence from our case studies emphasizes the importance of understanding local governance practices as situated in cultural contexts as well as of viewing governance cultures as an important factor affecting the purpose, degree and outcomes of collaboration in planning practices.     

Marketing health education: advertising margarine and visualising health in Britain from 1964–c.2000

During the post-war period, margarine was re-conceptualised as a value-added product with distinct health benefits. This article contextualises the advertising of margarine as a healthy food, focusing on Unilever’s Flora brand as an important case study in legitimising the emergent role of disease prevention as a marketing tool. It uses the methodology of visual culture to examine how advertising employed chronic disease prevention as a selling tool. This article assesses how the post-war environment gave rise to new ways of visually advertising food, and how these promoted innovative visualisations of food, the body and their interactions with health.     

Computer dating in the 1970s: Dateline and the making of the modern British single

The British matchmaking industry expanded sharply after 1970. This article focuses on the formative years of its most successful representative, the computer dating agency Dateline. Through attention to Dateline’s marketing in the late 1970s, I explore the ways in which new vocabularies of ‘scientific’ expertise were used to forge a ‘modern’ romantic sensibility. After setting Dateline’s success in the context social–sexual change, I explore its two main claims to authority—the computer and the empirical insights of psychology—suggesting that the invitation to embrace but also to control fate foreshadowed the pressures facing singles into the twenty-first century.     

Trans youth and social media: moving between counterpublics and the wider web

Today’s trans youth grew up with the internet and online LGBTQ resources and spaces are important to these communities. This article focuses on conceptualising the digital cultural strategies that trans and gender questioning youth adopt both as social media users and producers in order to cope and thrive. Drawing on ethnographic data detailing a group of trans youth’s engagements with LGBTQ social media counterpublics and the wider web, and their movement between these spheres, in combination with close readings of online material identified as salient by the participants, this article argues that in the face of rampant transphobia and cis coded online paradigms, trans youth respond both critically and creatively. More specifically, I highlight how they resist prescribed user protocols of mainstream social networking sites as well as employ pragmatic strategies for navigating a binary gendered online world, staking out their own methods and aesthetics for self expression and community formation. Having examined the content and style of social media examples highlighted by the participants, the article contends that trans youth’s consumption and production of types of online and social media is significantly more diverse than research to date has recognised.     

A power elite in the cultural field. A story of Norwegian neo-corporatism

The organizational culture elite is studied as a new elite group emerging within a stable neo-corporatist state. Does this new elite adopt existing modes of operation or place itself at bay from the more established elite groups? The emergence of and changes in the culture elite are discussed from a historical perspective in terms of social background, recruitment processes, occupational careers, gender composition, political outlooks, lobbying, and media strategies. The culture elite is systematically compared to two other elites: the university elite, the most similar among the elites, and the economic elite, assumedly representing the greatest contrast. Despite special characteristics in the social situations and political views of the culture elite, it is concluded that the mode of operation of this group indicates a high degree of adaptability to the general system of elites. A main reason is assumed to be the integrative power and liberal quality of the state in a neo-corporatist regime.     

Access to culture in Croatian cultural policy: moving towards explicit policies

In this paper through the analysis of the access to culture issue in the Croatian cultural policy agenda, we illustrate the current cultural policy developments in Croatia in the broader European context. Taking the differentiation between explicit and implicit policies at both macro and micro level we analyse discourses on access to culture in the Croatian cultural policy at the constitutional level, parliamentary political parties’ level, the governmental level and the level of cultural organisations. On the one hand the policies regarding access to culture remain mostly implicit and revolve around traditional models connected to instruments dating back to socialism; while on the other selected cultural organisations develop instruments for fostering it where European projects have an influence. The orientation more towards cultural production issues and less to access to culture and cultural participation issues draws similarities of cultural policy developments in Croatia with the general European cultural policy framework.     

Southern Pennine Brass Bands and the Creation of Northern Identity,c. 1840–1914: Musical Constructions of Space,Place And Region

In spite of being a national form of music-making, the brass band movement is accepted — almost without question in the popular imagination — as working class and northern. Hence, in 1974, Peter Hennessy described a band contest at the Albert Hall: ‘A roll call of the bands is like an evocation of industrial history. From Wingates Temperance and Black Dyke Mills to more modern conglomerates .... Grown men, old bandsmen say, have been known to cry at the beauty of it all …. Of all the manifestations of working-class culture, nothing is more certain than a brass band to bring on an attack of the George Orwells. Even the most hardened bourgeois cannot resist romanticising the proletariat a little when faced with one.(The Times, 11 Oct. 1974) This stereotype, which emerged in the nineteenth century, generated the following questions about northern identity: what elements in the brass band movement created this reportage of northern bandsmen and how did bands, which thrived in large numbers in the Southern Pennines, emerge as a musical and cultural metonym of the industrial landscape? This article explores notions of music-making and the creation of a musical space, place and region through the reporting of brass bands c. 1840–1914.     

Reading “wrecks of history” and the Harley family narrative

During the English civil wars, many elite families faced the destruction of the buildings, monuments, and movables that had served for centuries as testaments to their social standing. The Harleys of Brampton Bryan in Herefordshire faced just this situation after their estate was demolished during a Royalist siege in 1644. While the family had ample cause to lament, this study reveals that destruction could also be framed as a generative force. In this framework, the broken artefact works in multiple ways, recalling the intact pre-war family while simultaneously attesting to its suffering and sacrifice. As the Harleys and those close to them wrote about loss and destruction, they evoke the family’s ancient prestige and re-frame loss in a way that lays the groundwork for local reconciliation and the success of the Harley line. Out of the ruins of their lives, the Harleys are re-created as a godly, genteel family.     

Letter-writing and literary culture in Merovingian Gaul

This essay discusses Gregory of Tours' claim that literary culture was in decline in light of the considerable quantity of poetry and letters composed by Merovingian authors. Scholars have come to appreciate the importance of letter-writing for historical inquiry, yet the contrast between Gregory's assessment and aristocratic literary activity remains under-explored. This essay discusses fifth-century precedents and examines the continuity and discontinuity that occurred in the literary transition from late Antique to early-medieval Gaul. It examines the place of literary culture within Merovingian elite friendship networks, focusing on the interconnected writings of three Merovingian authors. Venantius Fortunatus was an Italian-born poet who spent most of his career writing for Merovingian elites. The royal officials Dynamius and Gogo composed letters found in a compilation of sixth-century letters called the Epistolae Austrasicae. Using the letters and poetry of these three writers, this essay argues that literary skill facilitated the creation and maintenance of connections across distance and was a necessary part of elite identity. It shows that Gregory of Tours' dramatic rhetorical claim did not reflect the true state of literature in Gaul.