Global Fordism in 1950s Urban China

This article highlights the striking similarity of underlying social forms on both sides of the 1950s Cold War divide. Urban China in the early People’s Republic is interpreted as a variant of Fordism, a coherent social system that assumed hegemony across the globe in the postwar period. Under Fordism, bureaucratic mediation of a rationalized production process was brought together with a new regime of inclusive and homogeneous work and culture, all of which supported a vision of national unity and industrial development. Such an understanding may prove useful in working through difficulties in theorizing this period and in pursuing new directions for research.     

基于演化视角的区域文化观念嬗变与创新研究——以江苏为例

本文首先明晰演化经济学核心概念在文化研究中的内涵,进而构建了一个基于演化视角的区域文化观念嬗变创新的理论分析框架,并运用这一框架,分析了江苏区域文化观念的演化过程。研究表明:区域文化发展变迁是一个演化过程,在这一过程中,遗传、变异、竞争、选择、路径依赖等是关键词和主旋律;源于文化的强大遗传作用,文化发展深深的植根于历史传统;文化变异产生的新奇、创新形成文化发展变迁的根本动力;文化发展以竞争为重要的外部选择机制;文化发展易于产生"路径锁定"。     

新农村建设中桂黔湘边区侗族文化遗产旅游开发研究

桂黔湘边区侗族文化遗产旅游圈的提出是对区域旅游发展战略思考的结果。桂黔湘边区侗族文化遗产旅游圈是以三省坡为核心,以东西向的交通干线为横轴,以南北向的交通要道为纵轴,以横轴与纵轴的旅游流向关系为基本依托的区域旅游合作系统,并形成一个核心、三个圈层、四条轴线的区域网状格局的基本构架。这一旅游圈的构建和打造,是桂黔湘边区各县实现新农村建设目标,解决"三农"问题的重要举措,也是开发侗族文化旅游产品,传承中国优秀侗族文化遗产,提升区域旅游产业竞争力,实现可持续发展的根本措施。     

Exploring Spatial Relationships between Material Culture and Language in the Upper Sepik and Central New Guinea

ABSTRACT New Guinea is the most linguistically diverse region in the world. Over 1,000 languages are found there. Unsurprisingly, controversy exists concerning the degree to which this diversity has been shaped by migration or interaction. At the centre of this controversy is the putative origin and migration path of Austronesian speakers. The advent of Lapita ceramic ware in Melanesia around 3,000 years ago is seen by some as important evidence for their arrival; nevertheless the validity of using Lapita as a marker for Austronesian populations remains in question. The Upper Sepik is one of New Guinea's most linguistically heterogeneous regions. Because it is not marked by far‐reaching exchange systems the region's language and material culture distributions provide potential for exploring such issues. This paper discusses these in the context of an analysis of important ethnographic collections from the region. It is shown that when material culture is assessed technologically and stylistically it is easier to determine an effect for important variables such as language and distance. Additionally, it is demonstrated that as men and women often have different levels of mobility and sociality, classes of material culture belonging to each may differentially reflect important socio‐historical processes.     

Material Culture and the Magical Power of Dance Objects

ABSTRACT This paper takes up the call by scholars such as Alfred Gell to consider objects of material culture as objects, by examining them in the context of production, circulation and reception. Because they are unadorned and without visual interest, langarol, the hand‐held artefacts used in some New Ireland dance performances, do not lend themselves to modes of analysis that see cultural objects as surrogate texts, the hidden meanings of which can be ‘read’. This very ‘lack’ enables us more readily to discern their significance, which lies in their magical potency and in the performance of their creator, the shaman, in attracting, wielding and revealing his awesome power. The power sought is less power over others and more power to — the ability to realise projects that can elicit effects. If consciousness and body are one, such achievements are to be understood as embodiments of intentionality and agency. It is through the production and wielding of such objects that people make themselves.     

Special alloys from remote frontiers of the Shang Kingdom: scientific study of the Hanzhong bronzes from southwest Shaanxi, China

More than 200 bronze objects found in Hanzhong, southwest Shaanxi Province, China, a frontier region of the Shang Kingdom during the Shang dynasty, have been analysed for their composition and microstructure. Forty-three typologically distinct, and probably culturally indigenous, items have been found to be compositionally distinctive as well. This paper presents analytical results of the two types of local Hanzhong bronzes, namely the sickle-shaped and sceptre-shaped objects. Three special alloys, arsenic bronze, antimonial bronze and copper–nickel–arsenic ternary alloy, are particularly emphasized and discussed. The archaeological context of Hanzhong bronzes and their significance for the archaeometallurgy research of the Shang period are discussed as well.     

Ancient DNA supports lineage replacement in European dog gene pool: insight into Neolithic southeast France

We report palaeogenetic analysis of domesticated dog (Canis familiaris) remains excavated from three archaeological sites from southeast France and dating from Middle Neolithic. Ancient DNA analysis was attempted on teeth and bone samples taken from 11 dogs. Three 266-base-pair fragments of the mitochondrial genome Hypervariable Region I (HVR-I) could be retrieved and revealed two haplotypes belonging to HVR-I lineage C. These three sequences were compared to the sequences of Swedish and Italian Neolithic dogs and permitted to confirm that clade C was largely represented all over Western Europe during this period. One haplotype defined in Neolithic French dog was observed for the first time in Canis mtDNA, underlining the loss of mitochondrial diversity in Europe since the Neolithic. Finally, these results point out mitochondrial lineage replacement in Europe, since lineage C represents only 5% of extant European dogs. Altogether, these results support the proposition that palaeogenetic studies are essential for the reconstruction of the past demographic history and the domestication process of dogs.     

BALANCED TRUTH: STEVEN SPIELBERG'S SCHINDLER'S LIST AMONG HISTORY,MEMORY, AND POPULAR CULTURE1

Looking at the public reaction to it, one might say that Steven Spielberg's Schindler's List is undoubtedly the most successful film about the Holocaust. The film's success in the U.S. and other Western countries can be traced back mainly to the fact that it creates the impression of telling a true, apparently authentic, story. This essay investigates how this impression of historical truth and authenticity emerges in a fiction film. For this purpose the essay reverts to a concept developed by Jörn Rüsen, which distinguishes among three dimensions of historical culture, namely political, aesthetic, and cognitive. In addition to the historical context that serves as a specific precondition for the film's success, the essay primarily investigates the strategies of authentication Spielberg applied at both the visual and narrative levels. The investigation concludes that the impression of evidence produced by the movie is significantly a result of the sophisticated balancing of the three dimensions mentioned above. The film utilizes artifacts of an existing and increasingly transnational (visual) memory for the benefit of a closed, archetypical narrative. It follows the aesthetic and artistic rules of popular narrative cinema, and largely recurs to conventions of representation that were common in film and television programs of the 1990s. Although these forms condense the historical course of events, the film manages to stay close to insights gained by historiography. The hybrid amalgamation of history and memory, and of the imaginary and the real, as well as the combination of dramaturgies of popular culture with an instinct for what can (not) be shown—all of these factors have helped Schindler's List to render a representation of the founding Holocaust myth in Western societies that can be sensually experienced while being emotionally impressive at the same time.     

美国第三次三K党运动的大众传媒方略

美国学术界一般认为,从三K党组织成立肇始,共经历三次连续的运动。第三次三K党运动开始于二战结束,持续至今。为了更加有效地迷惑民众,这一时期三K党采取的手段之一就是革新了该组织的宣传方略,不遗余力地利用美国当代大众传媒来宣传和标榜自己,并完成了由印刷媒体到电子媒体的转变。由于大众传媒和大众文化的密切关系,这种大众传媒方略直接影响到美国大众文化的变异,导致美国当代大众文化掺杂着三K党所宣扬的以白人种族主义为核心的消极成分,致使美国社会与文化的重构与异化。美国民众尤其是青年群体,深受此种文化理念和认知的麻痹与毒害:美国当代社会种族主义思潮的泛滥、白人至上主义运动持续、仇恨犯罪率的提升、暴力文化形式的盛行等现象便是例证。第三次三K党运动的大众传媒方略以及大众文化异化极具隐蔽性,由此导致的危害亦不容低估。     

六朝文化研究刍议

南方六朝即孙吴、东晋、宋、齐、梁、陈,具有一贯性相共通的特点,适合作为一个研究单元。当此六朝文化研讨及其开发应用越来越得到学界重视、政府支持、社会关心乃至引起地域文化资源争夺[1]的今天,我们有必要立足于宏观的层面,厘清相关概念,明确时代特征与文化面貌,更新认识、追求创新,这是六朝文化研究进一步深入的前提。