Design als ‘mediating interface’ Zur Zeugen‐ und Zeichenhaftigkeit des Radioapparates

Design as Mediating Interface: Historical Evidence and Symbolic Enunciation of the Radio Set. – Based on a case study on the invention of the radio station scale in the late 1920's and early 1930's, this article pleads for an interdisciplinary look at the importance of design as a mediating interface in the production‐consumption junction. In this cultural history perspective on technology, the material artifact matters both as a witness of and a sign for the symbolic meaning and appropriation of the technical object, which transgresses the functional logic of instrumental rationality. In presenting five different perspectives on design offering some alternative looks for a cultural history of technology, this theoretically inspired essay wants to sound the critical potential of a multilayered semantic approach to the radio apparatus as a prominent representation of a radical innovation in media technology.     

Kulturen des Experiments

Cultures of Experiment. – It is generally accepted that the development of modern science is rooted in experiment. Yet for a long time, experimentation did not occupy a prominent role in history of science. With the practical turn in science studies, this has begun to change. This paper is concerned with cultures of experiment. In the first part, a suggestion is made as to how the concept of experimental culture can be used to go beyond a history of disciplines. In the second part, a particular experimental culture in the life sciences is looked at more closely. A survey is given on the changing forms of in vitro experimentation, that is, on analyzing biological functions in a test tube.     

Zur Pluralisierung im Luthertum des 17. Jahrhunderts und ihrer Bedeutung für die Deutungen von ‚Natur’︁

Building on methodological considerations in cultural history and historical anthropology, the following contribution proceeds from the concept of ?nature’? rather than from ?natural science’?, with the former understood here as the object of culturally determined projections, values and practices. This ?constructive’?, practice‐oriented concept of nature exposes perceptions of and attitudes towards nature that, owing to the usual reduction of nature to natural science, would otherwise have remained hidden, but which may well be essential to its constitution. To a certain extent, the term ?nature’? continues the terminological extension from ?natural science’? to ?natural philosophy’?, but as a heuristic device it more strongly implies the significance of culturally mediated practices and dynamics. The essay raises the following questions: Which religious conceptions entered into which attitudes towards nature and which religious expectations and interpretive matrices were the motivating forces behind which studies of nature? The figures within seventeenth‐century Lutheranism who shaped and promoted nature‐oriented attitudes and practices were not the ?orthodox’? scholars more strongly tied to academic and controversialist theology, but rather reform‐oriented theologians critical of the church. In the context of the inner differentiation and pluralization of seventeenth‐century Lutheranism, these reform‐oriented groups not only inspired innovate theological projects but also assumed a leading role, along with liked‐minded Christian laypersons, in interpreting and studying ?nature’?.     

Die Rezeption der humanistischen Gedächtnislehre bei Luther: Natur,Kunst und Konfessionen

Iconoclasm is one of the central characteristic of the reformation movement. In several books it was argued that there was a connection between iconoclasm and the interpretation of nature as a language and as a text since about 1600. This article discusses the artist as a creator in Renaissance culture. It shows the reaction of Luther to this concept and to iconoclasm, focussing on the connection between the Lutheran control of pictures and images and his conception of the mind and of memory on the one hand and of creatures as images and natural history on the other. In Lutheran context the book of nature was a book made of images as signs of the word of God.     

Wem gehört Adam Smith? Gedanken zur Auseinandersetzung um das geistige Erbe des schottischen Philosophen und Ökonomen

Smith's appropriation by neoliberal theorists as the progenitor of economic liberalism and capitalism has recently been challenged by a phalanx of counter‐positions. In a concerted effort ?to salvage the real Smith’?, they rediscover the enlightenment philosopher who was very critical of ostentatious display of wealth and envisioned a society based on moral concerns rather than on the pursuit of self‐interest. This article discusses recent developments in the battle over the economist's and philosopher's heritage.     

Die Centrosophia des Athanasius Kircher SJ: Geometrisches Paradigma und geozentrisches Interesse

The main subject of the paper is to give an example of what could be called, in the history of philosophy and science, reinforcement of traditional topics or paradigms of explanation in order to give explanatory support to or to coooborate the defence of old or the solution of new problems. In the 17th century nearly all positions in the natural science are dependent from theological and philosophical (metaphysical) presuppositions, especially all positions which belong to types of the scientia universalis (Yves de Paris, S. Izquierdo, A. Kircher). To defend the finiteness of the world and the geocentric position of the earth, the Jesuit A. Kircher (1602–1680) returns to an old topic of cosmological speculation, to the geometria speculativa, in order to demonstrate the absolute perfect and finite structure of the world as an analogon of the absolute perfect and finite structure of the cercle or, better, the sphere (globe). He shows this in his Iter exstaticum (Rome 1656) and in his Mundus subterraneus (Amsterdam 1665). The paper discusses only a central part of the Mundus subterraneus titled ‘Centrosophia’: here we find all typical arguments for the phenomenon of reinforcement of old topics and paradigms. God is the center or the non-dimensional point (punctum) of the cosmic sphere (which is the sphere of all being) and he is in consequence the principle of all geometrical (ontological) parts of this figure. Kircher transmits the evidence of the perfect geometric relation between center and circumference modo analogico to the relation God (creator) and world. Together with this well known and often used analogy he develops a new theory: the theory of the dignity of the subterranean parts of the earth and the earth as earth, as the unic and ideologically exclusive place in all reality that gives mankind the fundament to develop its own implications. The high estimation of the earth sets free an unprejudiced view of what the subterranean area really is: Kircher thinks here in organologic categories — the subterranean world is an analogon of the world as such and this world is a great animal. Kircher develops in the limits of his traditional geocentric position an new non-traditional theory of the inner side of the world.     

Die Gesellschaft Naturforschender Freunde zu Berlin ‐ Bestand und Wandel einer gelehrten Gesellschaft Ein Überblick

The article deals with the foundation and development of the society Gesellschaft Naturforschender Freunde zu Berlin in the 18th and 19th centuries, its position as a privat society for natural history in Berlin, and its relation to Freemasonry. The paper shows the change of meaning of these society, especially after the foundation of the Berlin university in 1810.