甘肃省永登县连城鲁土司属寺壁画的科学分析和时代研究

本项研究主要是运用光学显微镜、扫描电子显微镜和共聚焦显微激光拉曼光谱技术,分析了甘肃永登连城鲁土司属寺中的妙因寺、感恩寺和雷坛中的部分壁画。分析结果表明感恩寺和雷坛壁画基本保持了明代最初的绘制风格和内容。其中感恩寺主要壁画的绘画颜料和工艺特点鲜明,表明绘制该壁画的画工不同于绘制鲁土司属寺其他壁画的工匠;妙因寺万岁殿壁画存在后期改动和重绘的情况,其中万岁殿外回廊壁画主要部分的最初绘制时间要早于万岁殿大殿内壁画的最后绘制时间;而妙因寺塔尔殿壁画则绘制于19世纪后期。     

圆明三园中的祀庙祠宇建筑探析

清代离宫圆明园及其附园中曾经修建大量的祀庙祠宇建筑,分别以龙王、关帝、土地神、花神等各种神灵为祭祀对象,清帝与皇室成员园居期间,经常来此祭拜。本文通过文献考证,对这些建筑的分布情况、具体形制、祀典特色作了详细考证,并试图进一步揭示其历史背景和文化内涵。     

洪武朝东宫官属的嬗替与外廷政治

洪武朝外廷政治的演变,与"国本"问题有着莫大关联。东宫官属的嬗替,从一个侧面展现出了洪武朝诸大案依次衍生的内在逻辑性。初期东宫官属的设立与勋臣兼职,虽有效平衡了政局,却造成了浙东派势盛的隐患,这也成为朱元璋首先从浙东派入手清除外廷政治势力的一个重要原因。洪武十年,东宫官属的调整与太子的正式预政,揭开了朱元璋谋划已久的"废相收权"斗争的序幕。洪武二十三年前后,从"詹事院"到"詹事府"的转化,则是朱元璋针对太子死后新的政治环境而采取的一种稳定"国本"的重要举措,并与蓝玉党案相表里,建立起了一套全新的东宫官属体制。     

pXRF: a study of inter-instrument performance

Integrating portable X-ray fluorescence (pXRF) instrumentation into archaeological investigations has generated as much interest as skepticism because several characteristics of the technique limit analytical accuracy and precision. This paper seeks to explore inter-instrument performance in order to assess the potential pXRF instrumentation has in examining the elemental composition of lithic raw materials. Two pXRF instruments, Delta and Omega models both manufactured by Olympus Innov-X Systems, were utilized to obtain the trace element signatures of five fine-grained volcanic sources and four obsidian sources in the Great Basin. We compared the two portable instruments to a wavelength-dispersive instrument extensively calibrated with geologic standards and to a commercial benchtop energy-dispersive system. Our results suggest that the relationships between the data produced by these different instruments are complex, and as we look to the future of pXRF use in archaeological analysis we argue that that the same strict protocols applied in laboratory-based XRF analyses, involving instrument calibration, evaluation of inter-instrument performance, and comparison to accepted geologic standards, need to be applied in pXRF analysis.     

Environmental Education in Russian Universities

This paper presents the results of a simulation exercise designed to explore and understand the implications of trying to survive in a marginal and poverty-stricken African community. The aim of the simulation was to create an approximation of a community involved in an income-generating project, akin to a Public Works Programme. This project sought to enable every person to earn a dollar a day on which to live. In addition, the exercise helped the participants to question and assess whether the Millennium Development Goals (MDGs) have a chance of reaching their proposed targets. The nearly one hundred participants were undergraduate geography students, reading Development Studies and Demography at Rhodes University in Grahamstown, South Africa. The outcome of the simulation was that the students developed a clearer understanding of poverty, particularly the ‘Deprivation Trap’, and how complex the development process is in practice.     

Defining competences for future geography students in relation to low carbon societies

ABSTRACT

This paper presents the results of an analysis of the most important skills and competences that will be important in the coming years for future geographers involved in assessing and managing low-carbon societies. The analysed information was extracted from a questionnaire answered by professionals working in low-carbon management in three European countries (Finland, Poland and Catalonia, Spain). From the results, we have identified not only the most requisite abilities and skills, but also differences between countries on a European scale. Among the findings, we would highlight the general agreement that “soft skills”, as opposed to “hard skills”, are critical for future professionals addressing policies in relation to low carbon societies.     

Provenance of marble sculptures and artifacts from the so-called Canopus and other buildings of “Villa Adriana” (Hadrian's villa – Tivoli,Italy)

The results of a minero-petrographic and isotopic study carried out on the marbles of statues and architectural elements belonging to several buildings on the “Hadrian's Villa” site (the so-called Canopus, the Peschiera, the Sala dei Pilastri Dorici and the Serapeum) are presented here as part of an ongoing archaeometric project which considers the determination of the provenance of all the marble decorations of the Villa complex. Analytical data indicate the prevailing presence of marmor lunense and the use of Pentelic and Thasian marbles for architectural elements in a few parts of the Sala dei Pilastri Dorici, the Peschiera and the Serapeum; no significant use is made of Proconnesian marble, probably the most inexpensive of the time. Analysis of sculptures from the Canopus showed that those of the Tiber and Nile gods were made of Parian marble, the Caryatids and Telamons of Pentelic marble and the Amazons of the precious white Dokymaean marble.     

Contested Cartographies: Empire and Sovereignty on a Map of Sistān,Iran (1883)

ABSTRACT

The papers of Malkam Khān (1833–1908), Iranian ambassador in London from 1872 to 1889, a staunch supporter of Iranian state modernization and a scholar, include an often-overlooked map of the Iran–Afghanistan border dating to 1883. Mirzā Mohammad-Rezā Tabrizi compiled this exceptional piece of nineteenth-century Iranian cartography. The map is an illustration of how quickly the Qajar administration was able to emulate European cartographical discourses to protect its own interests in the context of the so-called ‘Great Game’, that is, the often confrontational Russo–British relations over the control of Central Asia and Afghanistan in the nineteenth century. In this article we show that Iranian officials had developed a much more substantial articulation between cartography and statecraft than is conveyed by the stereotypes in nineteenth-century Western literature, when the capacity of local players to use counter-mapping to their own advantage was often underestimated by European agents. Mirzā Mohammad-Rezā Tabrizi’s map of Sistān exemplifies how the apparently all-powerful Western science that seemingly supported nineteenth-century imperial expansion was rarely left unchallenged locally. The genealogy and circulation of the map also reflects how overly simplistic the postulation of a polarization of ‘Western’ knowledge and ‘Eastern’ attempts at safeguarding local sovereignty can be.     

一个展览和一个时代——“明永乐宣德文物特展”设计综述

"明永乐宣德文物特展"是一个全面展现明早期艺术的综合性文物大展。展览的最终目的是要激发大众对传统艺术的兴趣,令其得到文化的熏陶与艺术的启迪,因此,展览陈列设计所要考虑的是一个多层次的体系。首先提炼装饰元素作为视觉主题,将艺术品的美感尽可能展现给观众,同时还要向观者传递时代背景、皇帝的思想境界等信息。此外,设计者还精心挑选不同的装饰材料以营造新颖的展示环境,达到衬托文物高超工艺水平的目的。     

也说师■鼎铭的“困(韋東)伯太师武”

师■鼎铭"困伯太师武"一句的"困(韋東)"二字,原文写法非常奇怪。裘锡圭先生释为"東(韋東)",读为"范围",认为是遵循、效法之意。本文同意把后一字释为"(韋東)",但把前一字改释为"困"。"困(韋東)"也是遵循、效法的意思。