我国宗教文物保护的特殊性初探

宗教文物作为我国文化遗产的重要组成部分和传统文化的重要载体,近年来引起了业内及社会的广泛关注和讨论.作者在文中就”宗教文物”这一对象,从其特殊性、保存现状和问题、宗教文物的有形与无形价值,等几个方面进行了分析和讨论,强调了宗教文物的独特性,以及相关保护修复工作的特殊意义.     

Cesare Beccaria’s On Crimes and Punishments: the meaning and genesis of a jurispolitical pamphlet

At the heart of the criminal reform proposed in Cesare Beccaria’s 1764 Dei delitti e delle pene (On Crimes and Punishments) are the principles of penal parsimony derived from a precise interpretation of the social contract. Punishment, being no more than a necessary evil devoid of any intrinsic virtue, must serve no more than a preventative function to the smallest possible extent; its application strictly bound by the principle of legality. Beccaria’s criminal philosophy, therefore, attempts to drastically reduce the power of the penal institution. After recounting its principal aspects, this article seeks to propose a new interpretation of Beccaria’s theory from the perspective of its historical context. The Italian Enlightenment philosopher did not so much express indignation against the barbarism of the Milanese penal system, but rather instigate a rebellion against the political dominance of its patriciate, whose power had long been validated by its juridical functions. In this respect, Beccaria sought to combat the political hegemony of the jurists, concluding his treatise by excluding juridical thought from, and thus removing the intellectual foundations of, the practice of criminal law.     

Clarifying divine discourse in early modern science: divinity,physico-theology,and divine metaphysics in Isaac Newton’s chymistry

Isaac Newton, like many of his contemporaries, appears to have distinguished between the practice of divinity, founded on divine revelation, and philosophical considerations of God derived from the study of nature. This article evaluates these distinct modes of divine discourse through a close reading of the chymical content of Newton’s optical writings and his correspondence with Thomas Burnet regarding Genesis. Newton’s chymical exploration of divine activity in the natural world in Query 31 to the Opticks (1704) seems independent from Scripture in its physico-theological demonstration of God from natural phenomena and its divine metaphysical reliance on a priori concepts of God to establish principles of nature. Nonetheless, the sensorium analogy by which he explored divine agency in nature drew directly from the biblical doctrine of the imago Dei. Moreover, Newton used his chymical understanding of nature to access the natural-philosophical realities behind the accommodated words of the Mosaic creation account.     

The reader of confession in María Zambrano

ABSTRACT

The purpose of this article is an attempt to understand the concept of ‘confession’ as a literary genre in the works of Spanish philosopher María Zambrano. Firstly, we will try to understand confession within Zambrano's most relevant philosophical concepts, in particular her study La confesión: género literario y método [Confession. Literary Genre and Method]. Secondly, we will offer reinterpretation to confession in dialogue with theories of Reception by Wolfgang Iser and Hans Robert Jauss, and other authors like St. Agustin, Rosa Chacel, Mikhail Bakhtin, Miguel de Unamuno and Michel Foucault. Finally we will highlight the performative aspect of confession as something that is truly relevant to Zambrano’s theory. Zambrano understands confession as a method that can bring people's experiences closer to knowledge, and therefore a method that can change life. In this context, we propose that the reader of confession plays a fundamental role in understanding Zambrano’s conception.