苏州古典园林旅游者空间意象特征分析

本文以苏州古典园林为案例,基于意象地图调查,探讨旅游者空间意象的基本要素构成、意象要素感知频率的空间分布特征及其形成机制。研究表明：（1）古典园林旅游者空间意象中共包含五个基本要素,五要素在总体样本中出现的频率基本均衡,在不同园林的样本之间有一定差异;（2）五要素均具有较高的可识别性,其中节点与边界要素的可识别性及可意象性最高,是遗产保护的核心要素;（3）五要素的感知频率在空间分布上呈现从景区核心向周边逐渐衰减的规律性特征,即“核心一边缘”空间模式,该模式的形成是旅游者行为特征与园林空间格局共同作用的结果。     

The extent of farm desertion in central Sweden during the late medieval agrarian crisis: landscape as a source

The effects of medieval agrarian crisis on settlement and population were considered in a major interdisciplinary research project in Scandinavia during the 1960s and 1970s. Within this project, there were significant differences in methods used to calculate the extent of farm desertion between historians in the participating countries. The reliance on written source material within the Swedish team reflected the dominant approach amongst historians who made less use of map and landscape evidence than others. In this renewed investigation of the magnitude of farm desertion in the Late Middle Ages, focussing on the province of Jämtland in central Sweden, field survey of the physical landscape and some three thousand historical maps are used as evidence, alongside conventional written sources, such as official letters and taxation documents. The results indicate that the extent of farm desertion in medieval Sweden has been underestimated because Swedish scholars generally eschewed the use of the retrogressive method, which their Norwegian counterparts had been using since the 1940s. There is therefore good reason to reassess the desertion rates of medieval farms in other parts of Sweden as well, using traditional geographical source materials together with the documentary sources usually favoured by historians This may also hold for other parts of Europe as well. The rate of desertion is discussed in a wider context of settlement contraction and expansion in central and peripheral areas of Sweden, including the long drawn-out process of reclamation of the deserted farms (ödesbölen).     

中国历史地貌学开创者张修桂先生学术贡献述评

张修桂先生是中国历史地貌学的开创者和中国历史自然地理学的奠基人之一。他以现代地貌学理论为指导,综合利用多源数据,辅以实地考察,深入解读有关环境变迁的历史文献,为历史地貌学创建了一套独特的研究方法、研究范式与话语体系。他对长江中下游河床地貌演变的研究,自成一体,兼具中国特色,其成果堪称中国历史地貌学的扛鼎之作。有关海河形成、黄河下游变迁、长江中下游湖泊演变及上海成陆的研究在谭其骧先生的基础上,又提出诸多见解。这些研究贯穿古今,促进并深化了我国历史地貌学的发展,是现代地理学与历史地理学的有机结合的典范,也是历史地理学科经世致用的具体体现。他还参与我国现存最早最精美汉代地图的复原和研究,为古地图的拼复提供了关键论证,确保了对该图最大限度的正确复原。他关于古地图的研究和应用亦为地图内史与外史研究奠定了一定基础。     

Der erste Europäische Straßenatlas

ABSTRACT

Imitations of famous Dutch wall maps originally produced in Amsterdam by F. de Wit and W. J. Blaeu have recently been rediscovered in Italy. In Bologna, in the archive of Opera Pia dei Poveri Vergognosi, is a set of Blaeu's four wall maps of the continents, engraved on new plates by Pietro Todeschi and published by Giuseppe Longhi. The value of the discovery lies in the completeness of the exemplars, which also bear the publisher's imprint and date of publication, hitherto unknown: Europe 1677; Africa 1678; Asia 1679; America 1679/1680(?). An undated version of de Wit's world wall map, also published by Longhi, has come to light in the same archive. A copy of the same map, this time published by Giovanni Giacomo de' Rossi in Rome in 1675, was then found in Modena in the Seminario Metropolitano. Comparison of the two copies has provided a date for Longhi's undated issue; Longhi's map came after de' Rossi's, that is after 1675.     

Übersicht der Tätigkeit internationaler Geographenkongresse auf dem Gebiete der Geschichte der Kartographie

Abstract

This paper surveys the career of Benedetto Bordon as a miniaturist, designer of woodcuts, and cartographer. Although from Padua, Bordon worked primarily in Venice where he illuminated religious and classical texts and official ducal documents destined for Venetian noblemen. The writer argues that Bordon designed woodcut illustrations for books printed by Aldus Manutius and others, in addition to the woodcut maps in his 1528 book on islands in the MediteiTanean, Atlantic, and Caribbean. Bordon's lost world map of 1508 is discussed in relation to the map‐making activities of Francesco Rosselli, the Florentine miniaturist and engraver who was in Venice in 1504 and 1508, and in relation to a circle of Venetian scholars and patricians interested in Ptolemy's Cosmographia and in the mapping of the New World.     

Henry Pelham's Lost Grand Jury Map of Kerry (c.1800): A Newly Found Derivative

The ‘South Division of the County of Kerry’ (GSI FS 1.2.001) is a copy of the southern half of a lost late eighteenth / early nineteenth century map of County Kerry, in southwestern Ireland. Geological annotations on the map are traced to specific episodes (c.1820, 1838 and 1844) in the unofficial geological survey of Ireland conducted by Richard (later Sir Richard) Griffith between 1811 and 1855. The Griffith provenance of the map is part of the evidence used to identify the ‘South Division of the County of Kerry’ as a derivative of the now lost Grand Jury map of Kerry made by the American émigré artist and cartographer Henry Pelham.     

W. W. deLacy's 1865 map of the territory of Montana

Abstract

The Topographical Survey of the Orange Free State, executed by the British War Office between 1905 and 1911, was not only one of the first but also one of the finest topographical surveys to be undertaken in British colonial Africa. The motivation for this undertaking stemmed from three sources: the personal interest of Sir David Gill (H.M. Astronomer at the Cape) in the measurement of the arc of the 30th meridian; Britain's imperialistic intervention in South Africa which resulted in the South African War (1899–1902) against the Boer Republics and which stressed the need for reliable military maps for warfare as well as for the general defence of the new colonies; and the need for accurate maps for purposes of colonial administration and land tenure. The survey took five and a half years to complete, and the 1: 125,000 series (G.S.G.S. 2230) that was compiled represented the only accurate maps of this part of the continent for almost seven decades.     

New books received for review

Abstract

Geological information was first printed in colour on a map in 1820 but serious efforts to print geological maps in multiple colours began in Europe only in the 1840s. Increased geological mapping activity created the need to print more maps by cheaper methods, while general advances in lithographic colour printing provided the means. Better colour registration, transparency, range, permanence and distinctiveness were attained in the 1840s and 1850s by technical innovations and also by new design strategies. Consequently, as printed colour replaced hand colour as the norm, it also influenced the look of the geological map.