Policy and creative strategies: Hong Kong CEPA films in the China market

Abstract

This article examines the creative strategies of Hong Kong Closer Economic Partnership Arrangement (CEPA) films in engagements with the China market under the framework of CEPA introduced in 2004. One of the aims of CEPA for the film sector is to boost co-production between Hong Kong and the mainland. In the past 10 years, CEPA has dramatically changed Hong Kong cinema’s relationship with China in that major film directors have moved to produce CEPA films to tap into the rapidly growing mainland market. This shift has been considered as part of HKSAR’s overall mainlandization and subsequent disappearance of a distinct local identity. This article revisits this view by presenting two case studies to see if indeed Hong Kong CEPA pictures are devoid of Hong Kong elements. The case studies analyze textual elements of two CEPA blockbuster films, The Mermaid (dir. Stephen Chow, 2016) and The Taking of Tiger Mountain 3D (dir. Tsui Hark, 2014). Citing the intertextual allusions to the directors’ old works seen in these two films, the authors argue that the market advantage granted by the CEPA scheme in effect allowed Hong Kong filmmakers to revive and extend signature creative strategies of Hong Kong cinema, despite censorship constraints.     

To see or to be seen… is that the question? An evaluation of palaeolithic sites’ visual presence and their role in social organization

Visibility is one of the most common features considered when analyzing site location; visual control of a territory is usually considered to be a desirable characteristic for a prehistoric settlement. However, the role that visibility could have played in the perception of sites, as a significant element of palaeolithic landscapes, has been rarely evaluated. Sites can act not only as settlements but as places for population aggregations, social interactions and symbolic activities; in this context, the relevance presence of a site within the landscape could have been an influencing factor in site location preferences. This paper focuses on the visual presence of a set of sites from Late palaeolithic Cantabria (Northern Iberian Peninsula), and evaluates how the way they were perceived could have been related to their role in the social organization of foraging communities.