Thomas Mann’s depiction of neurosyphilis and other diseases

Thomas Mann (1875–1955), a Nobel Prize recipient rightly considered one of the great novelists of the twentieth century, was one of the most medically perceptive writers of recent times. His novels take place against the background of the different plagues (tuberculosis, cholera) that characterized the eighteenth and nineteenth centuries. One of Mann’s later novels, Doctor Faustus, is set against a background of syphilis. In the 500-page book, which is subtitled The Life of the German Composer Adrian Leverkühn as told by a Friend, we see the theologian turned composer make a pact with the devil. He “voluntarily” contracts syphilis and, as a result of the pact and despite (or because of) the disease, Leverkühn starts a brilliant 24-year career, becoming the greatest German composer of his time. While it is widely thought that Arnold Schoenberg (1874–1951) is the model for Leverkühn, we will show that other composers of the time also inspired the fictitious musician’s life and works. We will also illustrate the parallel between Leverkühn’s disease progression and political events in Germany in the 1930s and 1940s and their similarity with current political events.     

Women on the Third Crusade

Historians remain undecided over whether or not women actually took up arms during crusading expeditions. Opinions vary widely, from denying that women could ever be true crucesignati to concluding that they took an active role in the fighting, This study focuses on the Third Crusade, for which the chronicle evidence is particularly full. Some of the narrative accounts of the crusade never mention women or even deny that they took part, while others describe their assisting crusaders in constructing siege works or performing menial tasks. The Muslim sources for the Third Crusade, however, depict Christian women taking part in the fighting, armed as knights. The study discusses the reasons behind these divergent depictions of women in the Third Crusade. It examines the evidence for women taking an active part in military activity in Europe, and concludes that women could certainly have taken an active military role in the Third Crusade. Yet, as the European sources are silent on the subject, it is unlikely that women did play a significant military role, although it is possible that some fought in particularly desperate battles.     

Women’s everyday spirituality in Diamond Way Buddhism: an auto-photographic study

The Western world is experiencing increasing popularity of new religious movements whose adherents tend to spirituality, a subjective, personal form of religion. These spiritual forms shape the spaces of everyday life, their meanings, perceptions, and experiences, which is starting to be reflected in new geographies of religion. In Czechia, one of the most rapidly growing new religious movements is Diamond Way Buddhism. This contribution focuses on how Diamond Way spirituality is lived and experienced in space. The paper explores this phenomenon using the method of auto-photography. We asked six women to photograph places important to them in their daily lives and interpret their spiritual meaning. This method allows exploration of women’s spirituality in the everyday spaces where it is perceived and experienced, such as kitchens, buses, or natural sites. The results show that women have a specific way of experiencing Buddhism in seemingly secular space which they describe through feminine characteristics of transcendence. Everyday spaces become spiritual through the subjects’ emotional and continual experiencing of Buddhism, while the officially sacred space of a Buddhist center is incorporated into everyday life activities of women. The division between sacred and secular spaces often described by scholars is therefore challenged.     

试论南京地区明初功臣墓神道石刻

明早期功臣陵墓石刻制度主要参照了南宋时期的品官石刻制度,除了文献记载的石刻种类和数量明显反映了等级差异外,石刻的高度、石马障泥纹样、控马者的身份等都显示了等级差异。就是同一组石刻群中,文官武将石刻也是前后有序,左右有别,等级分明。     

Shelley’s Jingling Food for Oblivion: Hybridizing High and Low Styles and Forms

ABSTRACT

This essay argues that there was a sense in which Shelley actively approved of “jingling verse.” His poetic energy was sustained by a substratum of popular and tuneful versifying, such as impromptus, bouts-rimés, anagrams, enigmas, ballads, Mother Goose rhymes, proverbs, hymns, and drinking songs. He hybridizes the registers and meters of these humble forms with elevated, sublime, and erudite ones. This hybridization is, arguably, connected to the characteristic coexistence of the direct and clear with the knotty and puzzling in his poetry. After a brief account of Shelley’s submerged youthful reading, noting in passing that Shelley’s lyrics proved amenable during the early twentieth century to recycling as Shelleyesque jingles, the essay illustrates its thesis from unfamiliar fragments in Shelley’s notebooks, such as the late lyric fragment “Time is flying,” and from more familiar matter such as “Dirge for the Year,” “Mont Blanc,” “The Cloud,” “On the Medusa of Leonardo da Vinci,” “The Sensitive Plant,” “Song: to the Men of England,” “Ode to the West Wind,” and Peter Bell the Third.     

第三代中央领导集体国际战略初探

冷战结束以后 ,面对西方国家的联合制裁和苏东剧变 ,第三代中央领导集体坚持独立自主的外交立场 ,采取灵活多样的外交手段 ,打破西方国家的联合制裁 ;冷静分析苏联解体后的国际局势 ,积极实施全方位外交战略方针 ,为社会主义现代化建设营造良好的外部环境 ;全面改善和调整大国关系 ,谋求面向 2 1世纪的新型伙伴关系的建立 ;面对经济全球化的趋势 ,实施积极主动参与和趋利避害相结合的国际战略方针 ,积极倡导和推动国际政治经济新秩序 ,将一个生机勃勃、在国际上有着举足轻重作用的社会主义中国带进了新世界的门槛     

以陶器为视角的石家河文化青龙泉三期类型发展阶段研究

汉水中游地区以青龙泉遗址第三期为代表的遗存属于石家河文化的一个地方类型,即石家河文化青龙泉三期类型.以往被归入此类型的遗存并不单纯,实际上包含了部分属于煤山文化乱石滩类型的遗存.根据青龙泉、七里河、老鸹仓、黄楝树等典型遗址出土的材料,可将石家河文化青龙泉三期类型分为早、晚两期.已公布的测年数据显示,其绝对年代为公元前2...     

Mesopotamian ceramics from the burial mounds of Bahrain,c.2250–1750 BC

Among the ceramic vessels recovered from the burial mounds of Bahrain, a small percentage represents Mesopotamian imports or local emulations of such. In this paper two overall horizons are distinguished in these Mesopotamian ceramics. These are significant because both coincide with major stages in Mesopotamia’s interaction with the populations of the ‘Lower Sea’. The first import horizon is comprised of a vessel type found exclusively in the scattered mounds of Early Type which pre‐date the rise of the Dilmun ‘state’ proper. The distribution of these vessels outside their areas of production demonstrates how they circulated widely in a network elsewhere considered to reflect the orbit of Mesopotamia’s late third‐millennium ‘Magan trade’. Here it is consequently concluded that this particular type represents an important fossile directeur of the ‘Magan trade’ and pre‐Dilmun florescence. The vessels that make up the subsequent horizon of Mesopotamian imports are found exclusively in the compact mound cemeteries and thus coincide with the heyday of Dilmun. On these grounds it is argued that the two horizons are the product of, respectively, the Ur III network of ‘Magan trade’ and the contracted Isin‐Larsa network of ‘Dilmun trade’.     

Calls for educating girls in the Third World: futurity,girls and the ‘Third World Woman’

In this article I examine three calls for Western support for girls' education in the ‘developing world’. Using transnational feminist theory and discourse analysis I look at three examples of these calls; Three Cups of Tea, ‘Because I Am a Girl’ and the United National Girls Education Initiative. I suggest that what Mohanty (1988) terms the ‘Third World Woman’ – a homogeneous, static image of women in the third world – is the spectre used to motivate Western support. Through representations of girls, Western viewers/readers are hailed to invest in order to save the girl-child from the haunting ‘Third World Woman’. The girl-child, through her particularity as a girl, her future womanhood as motherhood and her neoliberal potential, becomes presented as emblems of a better future with the investment of Westerners.