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D.J. TylerAuthor Vitae 《Journal of Medieval History》2011,37(2):145-161
Offa’s Dyke is one of the largest and best known, if rather less well understood, field monuments in Britain. Despite this, there have been very few primary studies of it. This article makes a critical examination of the principal bodies of work dealing with the dyke. It argues that in many respects our knowledge is less certain than is usually believed. In particular it discusses the time and labour necessary for the construction of the earthwork and it is suggested that it could have been constructed much more quickly, and with a much smaller workforce, than is generally supposed. More fundamentally, the purpose and function of Offa’s Dyke are considered, and it is argued that, in addition to any practical utility it may have had, the earthwork had important ideological significances that until recently have been largely neglected. Specifically, it is argued that the dyke was a manifestation of eighth-century Mercian royal ideology, intended to consolidate the power of the Mercian kingship, in the west midlands in particular and southern England more generally. 相似文献
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While power asymmetry typically defines security relationships between allies, there exist other forms of asymmetry that influence alliance politics. In order to illustrate how they can shape policy outcomes that cannot be explained solely through the lens of power capabilities, the authors examine the role of relative attention that each side pays to the alliance. It is their central argument that since the client state has a greater vested interest in the alliance and given that attention depends on interest/need, the client state can leverage attention to get its way. By analysing two specific cases, the 2002 South Korean schoolgirls tragedy and the 2008 beef protests—instances where the South Koreans succeeded in compelling US concessions—the authors show that because the alliance was more central to the client state's agendas, there existed an asymmetry of attention that offered leveraging opportunities for the weaker ally. In this study, the authors emphasise the role of media attention as a key variable, and seek to contribute to debates on weaker party leverage in asymmetrical alliances. 相似文献
84.
Daoxuan HUANG 《Journal of Modern Chinese History》2016,10(2):133-157
During the Chinese War of Resistance against Japanese Aggression, the Chinese Communist Party (CCP) made great progress in its cultivation of cadres. The favorable environment of the National United Front made it possible for the CCP to successfully train a large number of cadres with intellectual backgrounds while continuously using and promoting those who came from worker or peasant backgrounds. By so doing, the CCP raised the quality of its cadres. The CCP’s cultivation of its cadres during the War of Resistance was a systematic undertaking, with interrelated and mutually reinforcing components of education, training, examination, criticism, and self-criticism. Based on cadre self-consciousness and training, a regularized yet not rigid process of cadre cultivation was established. During the same period, the CCP also launched a rectification campaign (Zhengfeng yundong) to further unify and transform the Party. This important movement also left a deep mark on the cultivation of Communist cadres. 相似文献
85.
本文从现代旅游业的特点出发,运用旅游学的基本理论,结合黑龙江省的实际情况,对本省旅游业的发展策略进行了初步探讨。 相似文献
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南阳市文物考古研究所 《华夏考古》2004,(2):19-22
20 0 1年 2月~ 10月 ,南阳市文物考古研究所在市一中新校址发掘古墓葬 4 4 7座 ,出土了大量随葬器物。其中在M 3 6中出土两件泥质灰陶虎座钫壶 ,为古代陶塑艺术佳作 ,系豫西南地区首次发现。 相似文献
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为了研究吐鲁番地区古遗址分布特征,运用GIS的空间分析方法对吐鲁番地区不同时期古遗址的空间分布特征进行了分析研究。从地形特征进行分析发现吐鲁番地区古遗址在海拔-100m~200m,坡度0~15度的洪积平原区集中分布。通过点线分析发现吐鲁番地区古遗址距河流,距道路距离都在一定的范围之内分布,可以得出古遗址的分布有线性分布的特征;通过聚集分析,发现吐鲁番地区古遗址具有以交河古城和高昌故城两个比较明显的聚集点为中心分布的聚集特性。研究古遗址的空间分布特征为古遗址的进一步的研究和保护提供重要参考依据。 相似文献
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陕西安康紫阳北五省会馆壁画颜料分析研究 总被引:3,自引:3,他引:0
陕西安康紫阳北五省会馆壁画是目前陕西省境内发现的最大的一处建筑壁画,为了解其颜料组成,本工作采用X射线荧光、偏光显微镜、X射线衍射、激光显微拉曼光谱及扫描电镜能谱分析相结合的分析方法,对颜料样品进行了分析。结果表明,北五省会馆壁画除正殿发现一处红色染料外,其他均为无机颜料;红色颜料主要是铅丹、朱砂、铁红;绿色颜料为氯铜矿、石绿、斜氯铜矿;蓝色颜料的主要成分是普鲁士蓝、smalt、石青;黄色颜料为雌黄、铁黄;褐色颜料的主要成分是铁红及铅丹的变色产物二氧化铅;黑色为炭黑;白色颜料主要是铅白,且多使用铅白作为调色颜料。研究结果对于了解清代民间壁画的制作工艺,丰富对陕西建筑壁画的认识具有重要意义。 相似文献