Modern roads as UNESCO World Heritage sites: framework and proposals

There has been noticeable development in the protection of linear infrastructure by UNESCO, whether on its cultural, technological or historical merits. However, with the exception of other means of transport incorporated within the field of industrial archaeology or recognised by the CIIC under the category of cultural routes, little or no consideration has been given to roads built from the mid-eighteenth century to the early part of the twentieth century. In view of this situation, this paper has the following aims. Firstly, to define the concept of ‘modern road’ and provide a brief analysis of the historical development and current situation of the same. Secondly, to assess the main contributions made to date regarding the heritage dimension of modern roads. Thirdly, to reconstruct the process of defining linear cultural landscapes, historic transportation corridors, cultural routes and heritage canals, railways and roads, in accordance with the considerations raised by ICOMOS and UNESCO. Finally, to contribute to the debate on the definition, characterisation and assessment of modern roads as world heritage assets, both intrinsically and in relation to established heritage categories.     

The Hopi,the katsinam,and the French courts: looking outside the law in the repatriation of Indigenous cultural heritage

Katsinam (plural of katsina) are effigies central to the religion of the Hopi people of northern Arizona in the United States. Since 2013 the Hopi have sought the return of katsinam being sold in French auction houses. The Hopi have employed a series of legal actions to stop the auctions. All such actions, however, have been consistently denied by French courts. This paper uses social science analysis to understand why the legal actions of the Hopi failed. This paper treats the case of the katsinam as a cautionary lesson in cultural heritage studies, with the goal of drawing insights that can inform other situations involving the repatriation of Indigenous cultural heritage.     

Adopting ‘things of the little’: intangible cultural heritage and experiential authenticity of place in the Jewellery Quarter,Birmingham

The paper discusses notions and experiences of authenticity of place in relation to intangible cultural heritage. Drawing on qualitative informant interviews with representatives of traditional and new businesses in the Jewellery Quarter in Birmingham (UK), it analyses authenticity of place with regard to three key dimensions: the experience of origins, the experience of continuity and the experience of potentiality and actuality. Findings suggest that intangible cultural heritage activates and facilitates experiences of authenticity, often related to people’s individual identity constructs and associated benefits or detriments. Some heritage concepts have evolved from their narrowly defined historic context and inform experiences of authenticity in the present.     

A Decadence Baedeker: D’Annunzio’s The Triumph of Death

This article investigates how Gabriele D’Annunzio’s The Triumph of Death brings together Nietzsche’s ideas and Wagner’s music and interweaves them with the motifs of literary Decadence and the author’s own particular sexual politics. The novel is an experimental text striving to be a Gesemtkunstswerk, an integrated work that incorporates music, painting, poetry, regional folklore, and private thoughts about personal and national power. I discuss the novel’s themes of violent sexuality and the anxiety of powerlessness and explore their implications for the fascist political aesthetics in which D’Annunzio played a pioneering role.     

Cultural Heritage and Ecosystem Services: A Literature Review

During the last decade, we have witnessed an increased interest in Ecosystem Services (ES), including the so-called ‘cultural ecosystem services’ and its subcategory of ‘cultural heritage’. In this article, a review of academic literature of ES and cultural heritage is carried out. ES has primarily been developed by scholars from the ecological and economic disciplines, and in this article, we discuss how this impacts the way in which cultural heritage is used and conceptualised in ES literature. Based on the conceptual review, we initiate a discussion of what the implications for cultural heritage management could be if the heritage sector adopts the rationales in the ES framework.     

Resurrections and rebirths: how the Risorgimento shaped modern Italian politics

The Risorgimento was the process of independence and unification of the Italian nation between 1848 and 1860, and has remained a powerful symbol of Italian politics ever since. Elaborating on Jan Assmann’s concept of cultural memory, the article discusses the Risorgimento at crucial moments in twentieth-century Italian politics: the 1911 anniversary of unification, the elaboration of the Risorgimento during fascism, the re-appropriation of the Risorgimento by the left and by the Resistance during the 1930s and 1940s, the general semantic space carved by the post-war democratic forces on both right and left with reference to the Risorgimento, and the sudden return to the memory of the Risorgimento in the 1990s and afterwards. The aim of the article is to understand both continuities and changes in the reference to the Risorgimento in twentieth-century political discourse, and to put into perspective Italy’s ‘particular’ road to modernity within a comparative European frame.     

El purgatorio de un dictador: Crisis,memoria y narrativas iconoclastas

ABSTRACT

In the autumn of 2005, the museum of Vilafranca del Penedès (Catalonia, Spain) programmed a cycle of cultural events in order to commemorate the thirtieth anniversary of Francisco Franco's death. Among them, the performative one-piece exhibition Listen, Franco! The Purgatory for a Dictator showed a bronze sculpted bust of the dictator (belonging to the museum collection) and invited citizens to freely participate and “tell to him” all they would have liked to say if they had had the opportunity to. The unusual shape of the event and the high level of participation made the exhibition become a media success. However, a last-day surprising performance experience—as a result of which the bust was “vandalized” or, should I better say, “re-signified”—became a source of reflection about the boundaries between preservation and transmission of cultural heritage, as well as about museums as places for collective elaboration of public memory. This case appears as a catalyzer of a cultural crisis that exploded after 2008, and a prefiguration a new exhibition around another sculpture of the dictator, which took place in Barcelona in 2016.     

Teatro crítico contra la conciencia en crisis: Nada que perder

ABSTRACT

In this article I introduce how the 2008 financial crisis appears in the Spanish recent drama. Although the impact of the crisis has been studied in other genres and artistic expressions such as narrative, poetry, or comics, this issue needs more attention in Spanish contemporary drama. The article proposes a critical analysis of Nada que perder (Bazo, Romero, and Yagüe, 2016). In this play, we can observe a new perspective of the crisis that not only holds the ruling class responsible for the situation, but also charges the ordinary people with irresponsibility and lack of public conscience.     

Sound and identity explored through the Indian Tamil diaspora and Tamil Nadu

Sound is very much a part of identity. While identities are neither singular nor stable, they can be expressed through sound in daily life. Scholars have used soundscapes in geography to understand urban environments within cities, rural national park systems, and provide musical insights into cultural landscapes. However, furthering discussion on the role of sound in identity can move concepts of soundscape and cultural landscape forward. The goal of this paper is to investigate how identity and culture, though they are dynamic, can be performed and stabilized through sound in particular moments and yet also exist banally. Soundscapes through both spoken language and music can give geographers further insights on identity and place. Sound can also show how non-dominant identities distinguish themselves from larger national identities. With research in Tamil Nadu, India and Cleveland, OH, this paper examines sound’s role in identity, belonging, and community through lived experience and performance. Focusing on intersections and tensions between soundscapes, this paper investigates how the Tamil soundscape is used to assert and perform identity.     

Changing histories and ethnicities in a Sámi and Norse borderland

Hedmark County is a large inland district in southeast Norway that represents the southern part of the Sámi settlement area, and a Sámi–Norse borderland. Centred on the municipalities Rendalen and Engerdal, the study investigates the long-term cultural and social processes involved in the construction and maintenance of a borderland using theories of ethnicity and cultural tradition. Over time, different groups of people have used the diverse landscapes, and two periods are highlighted: the Late Neolithic and the Bronze Age (2350–500 BC), and the Iron Age and the Middle Ages (500 BC–AD 1500). The focus is on how different groups of people used the landscapes as seen through variation in settlement, subsistence, borders and contact networks with neighbouring and distant regions.