非物质文化遗产的主体与保护主体之解析

非物质文化遗产保护是一项全人类、全社会卷入的公共文化事业,需要各方面主动扮演相应的角色、发挥各自的优势、承担特定的责任。把各个方面建构成积极有为的身份,就成为非遗保护的一项颇有建设价值的理论工作。其中,以"主体"身份看待相关的各个方面,是一项有益的尝试。界定非遗的主体与非遗保护的主体,实际上也是探索建立非遗保护这项公共文化事业的分工合作的身份框架。     

新冠肺炎疫情背景下关于博物馆使用消毒剂的思考

针对博物馆空间相对封闭、人流聚集、人与文物共存等特点,消毒剂的使用既要关注人(工作人员和观众)也要顾及物(文物或艺术品)。对人及其相关,《消毒剂使用指南》就适用范围、注意事项,已有充分说明。本研究只针对文物:立足文物科技保护角度的文物材质分类法;根据有效成分分类的消毒剂种类及其有损文物的显著化学特性;消毒剂对文物损害的机理及其后果三个方面与同行交流。在疫情防控的特殊阶段,为了保护文物安全,博物馆同行必须对各类消毒剂特性有全面了解,合理规范使用消毒剂,防止不当使用对文物造成损害,这也是文物预防性保护工作的重要方面。     

Turkish nationalism and the evolutionary idea (1923–1938)

This paper sheds light on the role of evolutionary ideas in the making of Turkish nationalism during the Kemalist era (1923–1938). By so doing, it aims to challenge some of the dominant historiographical viewpoints as to the nature of Turkish nationalism. One is related to the Kemalist elites' predisposition towards the so‐called “scientism” seen as one of the bases for nationalism. We intend to turn upside–down the relation between the Kemalists' use of science and Turkish nationalism. Second, we problematize the “culturalist” origins of Turkish nationalism arguing that the seemingly “culturalist” reflections of the time were, indeed, materialist formulations based on the science of the times. We discuss in this respect the Kemalist elites' use of evolutionary ideas. By synthesizing the ways in which these elites employed evolutionary ideas in the fields of history, language, geography, anthropology, biology, eugenics, and pedagogy, we aim to understand the specific nature of Turkish nationalism before 1945. This secular nationalism conceived culture as having materialist bases and differed fundamentally from the culturalist varieties of Turkish nationalism coloured by Islam in the post‐1945 era. Furthermore, the paper empirically enriches the complex and entangled story of evolutionary ideas in the early Turkish Republic.     

Public game funding in the Nordic region

ABSTRACT

In this paper, we explore the policies related to support structures surrounding national game industries, with focus on the three Nordic countries Finland, Norway and Sweden, and investigate what kind of context the Nordic welfare state model has provided for game development. The three cases illustrate how Nordic welfare state measures have interacted with the games industry over time. While the political ideals have been fairly similar, our study demonstrates how the objectives and practical means of state engagement have differed significantly. We argue that although the three countries all have support schemes of which game companies can take advantage, there are significant differences in the degree to which each individual country has organized government interventions and support. While the Finnish state has treated game development as an endeavour in business development, the regional Nordic game program and the Norwegian state has developed a cultural policy that primarily aims to protect the cultural heritage. The Swedish state has not established a tailormade policy directed towards game development but has a broad spectrum of general policies for supporting research and business development. We suggest that future research should investigate how the public funding is structured and how discourses are formulated around appeals for more public funding for the games industry.     

On the shock of civil war: cultural trauma and national identity in Finland and Ireland

What role does national identity play after civil war? Is reconstruction possible on the basis of an existing identity, or does a new identity have to be found? Much depends on whether narratives of conflict are unifying. I use the tools of cultural sociology to explain why the Finnish Civil War of 1918 has become a unifying ‘cultural trauma’ for the Finns, whereas the Irish Civil War of 1922–23 never became the dominant referent in Irish national identity. The difference is explained by the greater shock civil war posed to Finnish national identity.     

Of Makerspaces and Hacklabs: Emergence,Experiment and Ontological Theatre at the Edinburgh Hacklab,Scotland

This paper commences a geographical engagement with makerspaces, hacklabs, and other workshop spaces which form part of a broader ‘maker movement’. It examines the arts of inquiry and experimentation found at one such site, drawing on ethnographic field work at the Edinburgh Hacklab, and makes connections with emerging themes of interest to geographers, including creativity, experiment, art, and nonhuman agency. Putting standard innovation-driven narratives of makerspaces into question, attention is instead turned to the events of emergent experimentation and creativity taking place in these spaces. To this end, Andrew Pickering’s concept of ‘ontological theatre’, describing powerful focal instances of agential symmetry between humans and nonhumans, is engaged with, in order to understand the links between Hacklab activities and emergent and complex aspects of nonhuman agency.     

Ceramic Production and Interaction in the Northern Range of Trinidad

Regional syntheses based on data recovered mostly from outside of the Northern Range have characterized the mountainous region in northern Trinidad as a boundary between two distinct interaction spheres during the Early Ceramic Age (ca. AD 350–650/800) (Boomert 2000 Boomert, A. 2000. Trinidad, Tobago and the Lower Orinoco interaction Sphere: An Archaeological/Ethnohistorical Study. Alkmaar: Cairi Publications. [Google Scholar]). Changes occurring on Trinidad, other islands of the southern Lesser Antilles, and the South American mainland resulted in the disintegration of these earlier style zones during the final centuries of the Early Ceramic (Boomert 2000 Boomert, A. 2000. Trinidad, Tobago and the Lower Orinoco interaction Sphere: An Archaeological/Ethnohistorical Study. Alkmaar: Cairi Publications. [Google Scholar], 2010). This period of Late Ceramic cultural realignment was characterized by climate change, the renegotiation of political and social networks, and demographic transformations. We consider newly recovered ceramic evidence from the central Northern Range in order to evaluate the characterization of the region as a boundary and the region's role in broader Caribbean trends. We examine participation in interaction spheres to provide a more nuanced understanding of regional dynamics as they were expressed locally. Ceramic data indicate that occupants of the central Northern Range interpreted regional styles using locally derived materials, thus simultaneously engaging regional traditions and constructing local patterns of resource exploitation.     

Assessing the contribution of cultural agglomeration in urban regeneration through developing cultural strategies

The recent discussion regarding contemporary urban regeneration has underlined the increasing role of art and cultural agglomeration as an essential part of a progressive agenda for local development. In fact, there is a good deal of literature which is related to specific and finite cultural strategies. Although scholars, in some cases, may suggest other perspectives, their value narrows to a comprehensive evaluation regarding the possible interpretation of cultural agglomeration in respect of urban regeneration. Accordingly, this study, by using an interdisciplinary systemic approach based on the clustering of cultural carriers, developed the cultural strategies under a six concepts scheme. The study then, through developing a method based on modes and development approach of cultural agglomeration, recategorized the six mentioned strategies into three major categories of cultural strategies, to find out their contribution in the process of urban regeneration. Overall, the study revealed the extent of cultural agglomeration as a method of developing cultural strategies in urban regeneration.     

Power to the people: when culture works as a social catalyst in urban regeneration processes (and when it does not)

This article focuses upon the relationship between culture, urban regeneration schemes, and their impact on socio-cognitive assets – namely, social and human capital. It examines three major urban regeneration projects in the districts of Saint Michel (Montreal, Canada), Auburn (Sydney, Australia) and Bicocca (Milan, Italy), where culture has been invoked as a main transformational driver at the economic and socio-environmental levels, but with different approaches and results. Through comparative analysis, we develop a more general reflection on the social impact of culture-led urban transformation processes, questioning the actual role of cultural initiatives – particularly those related to the creation of new cultural facilities and the programming of big cultural flagship events – and participation as a means to improve the local social milieu. We find that a key role for social efficacy is played by projects’ capacity to elicit the commitment of residents through inclusive cultural participation, as opposed to instrumental top-down initiatives mainly addressing city and neighbourhood branding and real estate marketing purposes.     

Chinese popular music as a musical heritage and cultural marker of the Malaysian Chinese

Chinese popular music, inspired by pre-war Shanghai music known as ‘shidai qu’ (时代曲) (songs of the era) and evolving to include Canto pop and Taiwanese Mandarin songs, has always been popular among the Chinese in Malaysia. This music is featured on radio, television, karaoke, and performed by orchestras such as the Dama Chinese Orchestra (大马) to enthusiastic reception. The songs have a broad appeal that transcends time, generation, and place. Of significance is the observation that the music has become a cultural marker and musical heritage for Chinese in Malaysia and in the region. The paper looks at factors behind this development.