Representations of the Outbreak of World War II in Polish Film, 1945–67: From Partial Recognition to a Component of National Memory

In September 1939, Poland was invaded by Nazi Germany and the Soviet Union, starting World War II. The war’s end in 1945 marked not the true liberation of the country, but the beginning of a period of Soviet domination that ended only in 1989. As a result, for forty-five years of Polish history, the alliance made by the Hitler with Stalin in 1939 and its tragic consequences for Poland were taboo across society. Polish filmmakers presenting the beginning of World War II were constrained by realities of the Communist state and its own historical narratives. These films reflect what happened to their country in 1939 and highlight the political changes that occurred within Poland under Communist rule, as well as the impact of shifts in the regime itself. The most significant period in this regard was 1945–67, when the outbreak of war was first presented following the end of Stalinism, emerging as a component of national memory both generally and for the Communist authorities.     

From Hand Survey to 3D Laser Scanning: A Discussion for Non-Technical Users of Heritage Documentation

Abstract

Digital technology has changed our approaches to cultural heritage documentation radically and promises to continue to bring rapid changes. Photographic and non-photographic (graphic) documentation tools are merging in one process, in which digital photographic technology is the main base. Due to digital technology, there is an increasing gap between specialist technicians and non-technical users involved in heritage documentation. 3D approaches are still not popular among users in cultural heritage. However, in order to build a bridge between the specialist and non-technical users, a dialogue between them needs to be developed, not only to discuss issues of data precision and 3D accuracy, but also visualization production systems, which can now easily be achieved by modern digital photographic technology.

This paper presents a comparative evaluation and synthesis of cultural heritage documentation methods and survey techniques currently available, focusing on the needs and requirements of non-technical users of heritage documentation. It attempts to clarify some new aspects in cultural heritage documentation and to assess the impact of current technology. The paper undertakes a comparative evaluation of the potential application of digital methods in documentation — and examines issues such as quality, accuracy, time, costs and specific skills required — from pre-electronic techniques (hand measurement) to 3D laser scanning, which today represents the most advanced technology available for measuring and documenting objects, structures and landscapes.     

Cultural Property Protection in the Context of Military Operations: The Case of Uruk,Iraq

Abstract

This paper deals with the use of military or militarized experts for cultural property protection (CPP) during times of conflict. CPP activities generally take place within a juridical framework that gives obligations for all parties involved, primarily the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict, and attention is paid to various implications and challenges that occur when implementing military CPP obligations within this framework. To illustrate matters, the paper details a speci?c case study from the author’s own ?eld experience in the safeguarding of the archaeological site of Uruk in Iraq. Aspects, including economic, legal, ?nancial, and educational implications, are presented and these are especially relevant since they apply (to an extent) to other situations, such as the recent cultural disasters in Egypt, Libya, and Syria. The Uruk case study is used to suggest a number of key elements that are vital for the implementation of an effective CPP strategy in the context of military operations. Overall, the importance of international cooperation, training, and education, along with the assistance of civil reach-back capabilities, is emphasized. The paper argues that an effective way to protect Cultural Property during armed conflicts is through military channels and with military logistics and tools. To ful?l CPP in agreement with International Humanitarian Law (IHL) joint preparations in peacetime are necessary. The handover of military initiated CPP projects to civil authorities has to take place as soon as the situation permits. The paper concludes with a set of recommendations.     

Culture and Legal Policy Punctuation in the Supreme Court's Gender Discrimination Cases

For the most part, punctuated equilibrium scholarship has ignored the legal policy change generated by the Supreme Court. In this study, I address this gap though an examination of the Court's equal protection and gender cases from the 1970s. My case study here has two aims. First, I offer an adaptation of the jurisprudential regimes framework as a device for framing and identifying legal policy punctuations. After identifying Reed v. Reed (1971) as the cut point of such a regime, I then use Reed and its progeny to illustrate the promise of culture in explaining stasis and change, specifically focusing on the concepts of cultural cognition and cultural surprise.     

Do behaviours in cultural markets affect economic resilience? An analysis of Italian regions

The purpose of this paper is to investigate the relation between the economic resilience and cultural behaviour, resorting to the evidence provided by 20 Italian regions at the time of Great Recession. We consider specific cultural behaviours, which provide a specific meaning of culture; its relation with the economic resilience of regions is analysed. We document that higher levels of supplied and demanded quantity of cultural goods in a region are associated with higher regional economic resilience as measured by the ability of limiting employment drop; the relation with the considered cultural behaviours is weaker in the case of economic resilience as measured by the ability of limiting income drop. We propose possible explanations for this asymmetry.     

Designing a socially efficient cultural policy: the case of municipal theaters in Warsaw

While public support for culture has become a less self-evident privilege than in the past, the economic evidence for benefits a society gains from these goods has become essential for both cultural economics and cultural policy. The aim of our study is to investigate socially preferred ways of allocating scarce public resources among municipal theaters in Warsaw. The problem investigated is a current issue for local policy-making, but in a broader sense, it illustrates how state-of-the-art stated preference methods can be employed to support cultural policy. We find that inhabitants of Warsaw assign a positive value to the broader accessibility of the theaters, and their willingness to pay for making them a truly public good (by introducing a program of highly discounted tickets) exceeds the costs of such a policy. However, we also find that the cost-benefit relationship varies across theaters with different types of plays in their repertories. Our results imply a different level of socially efficient support for experimental, drama, children’s and entertainment theaters.     

Researchers,bureaucrats and the lifeworlds of cultural policy

This paper reflects on the value of cultural policy research, particularly when such research forms part of projects that seek to produce insights or ‘outcomes’ that are useful to non-university research partners. The paper draws from the author’s involvement in a project examining cultural diversity in the arts that was funded as part of the Australian Research Council’s Linkage Project scheme. It addresses Eleonora Belfiore’s provocation that this kind of instrumental cultural policy research routinely amounts to ‘bullshit.’ However, in order to understand the critical function of such research, there needs to be greater attention to the lifeworlds of cultural policy and the multiplicity of the policy-making process. This multiplicity both complicates the possibilities for usefulness in policy research, at the same time that it enables such research to be generative in unpredictable ways.     

聚醋酸乙烯酯乳液的表征、性能及其在彩绘类文物保护中的应用

聚醋酸乙烯酯(PVAc)乳液是常见的彩绘类文物保护材料。采用激光粒度仪、热重/差热分析、红外光谱、X-射线衍射、扫描电镜、透射电镜等表征了PVAc乳液的粒径以及胶膜的热稳定性、结构和形貌;采用粘度计、表面张力仪、pH计、电导率仪等研究了乳液浓度与其粘度、表面张力、pH、电导率的关系;通过冻融、室温-高温放置、离心分离研究了乳液的稳定性;同时用PVAc乳液对模拟起甲和酥碱的壁画进行了修复。结果表明,PVAc乳液粒径呈双峰分布,小粒子的平均粒径为380 nm,大粒子的平均粒径为5.85μm;乳液胶膜为非结晶物质,胶膜热重的最终质量残留为1.54%,335℃出现放热峰。PVAc乳液的电导率随浓度的增大而增大,pH随浓度的增大而下降;相同温度下表面张力随浓度的增大而基本呈现低浓度下降,高浓度上升的趋势。相同浓度下,表面张力随温度升高而无显著变化,表明PVAc乳液的表面张力受温度变化影响不大。相同温度下,乳液粘度随浓度的增大而增大;相同浓度下,乳液的粘度随温度的升高而降低。冻融、离心分离和不同温度下静置发现,该乳液出现分层。用该乳液对模拟起甲和酥碱壁画修复后,再分别老化20个循环和12个循环,发现颜料层再次空鼓、起甲。综合分析,说明实验中所使用的该种PVAc稳定性和抗老化能力较弱,在修复彩绘类文物中应慎重选择PVAc的种类,综合考虑PVAc的使用浓度、环境因素对其性能的影响,以达到最佳使用效果。     

慈利白公城遗址出土木材种属的鉴定研究

慈利白公城遗址历史悠久,具有重要的考古价值。该遗址出土了大量木质井壁及少量其他木质文物,为了解这些木材的特点,以及为木材保护提供相关的参考,通过徒手切片,并利用光学显微镜对该遗址出土的10件木质样品进行鉴定。结果表明其中1件为无患子(Sapindus. mukorossi Gaertn.),1件为冷杉(Abies fabri(Mast.)Craib),2件为湖南杨桐(Adinandra. acutifolia Hand.-Mazz.),2件为香椿(Toona sinensis A. Juss.),4件为润楠(Machilus pingii Cheng ex Yang)。通过实验结果,初步推测井壁的制作在当时是比较重要的工作,此时已经在选择性地使用木质井壁原料。从树种适宜生长的环境上看,同时期该遗址附近可能是以阔叶材为主的针阔叶混交林,气候温暖湿润。     

从“良渚全考古”到“良博全展示”——以良渚博物院2018年改陈策展为例

良渚考古工作历经八十余年,考古内涵不断丰富,考古价值不断提升,已进入到"良渚全考古"时代,是边发现、边研究、边保护、边利用、边传承的模式。2018年良渚博物院改陈,进入"良博全展示"阶段。现有的展览全面展示良渚考古成果,全面呈现良渚文化内涵,全面阐释良渚文明价值,全面解读良渚遗存信息。良渚的展示除了依靠文物本身或图文所呈现和传递的信息,还采用过程性展示、功能性展示、复原性展示、对比性展示、演变性展示、场景性展示等多种手段,多角度、全方位地解读和展示遗物,力图将良渚文物的故事讲清楚、讲明白。