Technology and Global Politics: The Modern Experiences of Bertrand Russell and John H. Herz

As questions of technology and world government are returning to the agenda of International Relations (IR), there is a risk that technology is approached in a simple, instrumentalist manner. Beginning from an overview of the overwhelmingly instrumental approaches to technology lodged in the dominant traditions of IR, the article revisits the post-war decades when scholars thought profoundly about the impact of technology on global politics. Combining the history of (international) political thought, IR theory, and Science and Technology Studies (STS) the article examines the relationship between technology and politics, authority, and liberty in the thought of Bertrand Russell (1872–1970) and John H. Herz (1908–2005), which leads to the unearthing of a sophisticated and complex set of ideas. Particularly during the nuclear revolution, these figures developed global visions in which the interrelations among technology, security, democracy, sustainability, and freedom were critical. Russell and Herz's approaches to technology and (global) politics are insightful and relevant for IR's attempt to re-engage with technology: by anticipating contemporary critical and reflexive approaches to technology, they can help bridge the fields of IR and STS and open new avenues for research. The Large Technical Systems (LTS) approach within STS is used to exemplify this possibility.     

Mephisto

This article explores the resonances of objects that travelled between continents and the entangled imaginaries tied to them – here a 30-tonne German military tank captured by Australian soldiers during the First World War in France and shipped to Brisbane to be exhibited at the Queensland Museum. The author ‘reads’ the tank, intriguingly named ‘Mephisto’, as the apotheosis of nature/culture divide entrenched in nineteenth-century colonialism, which exported the taxonomies of the Enlightenment to the antipodes and in return repatriated objects of flora and fauna all over Europe. Mephisto thus also marks the manifestation of a German–Australian modernity: developed from the agricultural tractor, the tank remains a brutal and clumsy device designed purely to subdue and conquer territory.     

Testing technological practices: neutron activation analysis of neolithic ceramics from Valencia,Spain

Using instrumental neutron activation analysis (INAA) of prehistoric pottery, daub, and modern clay samples from Valencia, Spain, we tested expectations on changes in raw material use with socio-economic shifts during the Neolithic (ca. 5600–2800 BC). Elemental analysis identified three distinctive clay source groups used by Neolithic potters. Contrary to expectations, a shift in raw material use was identified between the Early and Middle Neolithic despite general similarities in technological practices. In the Late Neolithic, pottery production became more specialized, but potters used the same range of clay sources documented earlier. This study illustrates the utility of INAA for testing hypotheses of prehistoric craft production.     

The making of a city campus

Campus spatial development has attracted relatively little scholarly research, yet through time major moves reflect and interact with broader policy, design, and societal trends. The city campus as a high‐density, mixed‐use knowledge precinct has emerged as a distinctive type. Its growing prominence points to the convergence of interdependent trends in urban life, higher education, and economic growth. This article describes, contextualises, and reflects upon the physical evolution of the University of Technology Sydney (UTS) in central Sydney. The narrative identifies several distinct development phases: from the urban renewal of a rundown inner‐city precinct through comprehensive replanning following the tenets of high modernism, then adaptive reuse and heritage conservation, to architectural design excellence. In the process, it has become an Australian exemplar of a “tech transformed” contemporary city campus.     

The technological development of stonepaste ceramics from the Islamic Middle East

The microstructures and chemical compositions of stonepaste bodies from the Islamic Middle East, typically produced from a mixture of ten parts crushed quartz, one part crushed glass and one part white clay, are investigated using analytical scanning electron microscopy. For comparison, replicate stonepaste bodies are produced in the laboratory at firing temperatures in the range 900–1200 °C, and are similarly examined. The stonepaste bodies are divided into four primary microstructural groups that reflect the increasing reaction during firing of the glass fragments with the clay and quartz particles. The observed microstructures are then used to assess the geographical and chronological variations in the production technology of stonepaste ceramics from Egypt, Syria, Iran, Uzbekistan and Turkey, spanning the period from 11th to 17th centuries AD.     

Ontology of the self and material culture: Arrow-making among the Awá hunter-gatherers (Brazil)

The Awá are a group of hunter-gatherers in transition to agriculture living in the Brazilian Amazon forest. After contact with mainstream society from the 1970s onwards, their culture, and especially their material culture, has undergone important transformations. Many traditional technologies and artifacts have been lost, especially those related to women. In this context, the persistence of arrow-making, although threatened by the spread of shotguns, is remarkable. During ethnoarchaeological work conducted between 2005 and 2009, we have been able to observe that the everyday making and use of arrows cannot be explained in neither functional nor symbolic terms alone. From our observations, we conclude that making and using arrows is indissolubly woven with the self of Awá men and, for that reason, we consider that only a relational-ontological approach can help us understand the deep relationship between men and arrows. Finally, we argue that the Awá case offers new possibilities to investigate technologies of the self in other non-modern societies.     

Bois Laiterie revisited: functional,morphological and technological analysis of a Late Glacial hunting camp in north-western Europe

Previous exhaustive analysis of the remains at Bois Laiterie Cave resulted in the classification of this site as a Magdalenian hunting camp. However, during recent analysis of usewear-traces on selected artefacts, one of the authors [KS] noticed in the collection numerous backed points which are rather untypical for the classical Magdalenian. In light of this, a typological and technological reinvestigation of the Bois Laiterie assemblage was undertaken. Here, we present the results of this investigation and the traceological analysis. Further, implications of these results for the interpretation of the chronological, archaeo-cultural and functional position of the Bois Laiterie site within the context of the north-western European Late Glacial are discussed.     

Meaning in the making: The potter’s wheel at Phylakopi,Melos (Greece)

It is now commonly accepted that technology is, to its very core, a social product through which we can explore cultural choices. This cultural dimension of technology will be examined with reference to the introduction and use of the potter’s wheel at Phylakopi on Melos (Greece) during the Late Bronze Age. At this site, the co-existence of two different manufacturing techniques was so deeply embedded that, despite the presence of hybrid vessels, many aspects of the pottery production had become linked to either a local (hand-built) or Minoanising (wheel-thrown) tradition. It will be argued that the traditional hand-building technique was associated with individual and rooted facets of the Melian identity (such as kinship, social class, or gender). Reasons for the initial stimulus for adoption of the potter’s wheel are considered to lie in its potential for competitive social practice through association with exotic, symbolically laden technologies, craft products and consumption rituals. The gradual application of the technology to ever more complex vessels, on the other hand, corresponds to the apprenticeship sequence outlined by Roux and Corbetta and may indicate an incomplete learning process or a certain lack of practice opportunities among local potters.     

More is more: Scaling political ecology within limits to growth

This piece responds to the article Is less more… or is more less? Scaling the political ecology of the future, where Paul Robbins (2019) discusses degrowth and modernism as two competing political imaginaries with regard to the growth-technology-environment nexus. Arguing from the perspective of ecological economics, I engage with the literature on political ecology to discuss the notions of limits to growth, Malthusianism, austerity and scarcity, as well as the role of technology as both environmental problem and solution. The paper exposes key divergences between different traditions in political ecology with regard to technological and economic scale. First, against the argument that limits to growth is a mere social construct, I call attention to research on ecological thresholds and to the perils of epistemic relativisms in a post-truth era. Second, against the idea that limits represent an elitist discourse, I call attention to long-standing traditions in emancipatory politics that defend limits in the name of justice. Third, against the thesis that more is less, I refer to mounting empirical evidence indicating that more is more (growth brings more environmental destruction, not less). I contend that political ecology can have much to gain from engaging with the political utopia of degrowth, but far less so from the technological utopia of modernism, which –I argue– reinforces status quo and offers false solutions to the environmental challenges of our time. Emancipation, I claim, is not about bringing more to more, but about bringing enough to everyone.     

Identification of Pottery‐Forming Techniques using Quantitative Analysis of the Orientation of Inclusions and Voids in Thin Sections

The relationship between forming techniques and orientation of the components of ceramic materials in the context of pottery technology has long been recognized and used for identification of the techniques employed to create archaeological ceramics. The alignment of inclusions is usually characterized by qualitative categories or ordinal scales. This paper evaluates the potential of quantitative orientation analysis for identification of pottery‐forming techniques. A collection of experimental pottery formed using five forming techniques and combined techniques was analysed. The forming techniques were characterized by the intervals of the mean direction and the circular standard deviations of the orientation of the major axes of the ellipses equivalent to the objects representing random sections of inclusions and voids. The most informative criteria for the identification of pottery techniques are the circular standard deviation of the inclusion/void orientations in the core area of the vessel wall in a perpendicular thin section and the mean direction in a tangential section.