COMPOSITION PROFILES AND TIME EVOLUTION OF BURIED MARBLE PATINAS BY LA–ICP–MS AND LASER‐INDUCED MICRO‐PHOTO‐LUMINESCENCE

The present work aims to study surface composition profiles on buried marbles as well as their time evolution. Fifty samples from gravestones, buried for up to 80 years, were analysed by laser‐induced photoluminescence and LA–ICP–MS. The results include profiles of ²⁵Mg, ²⁷Al, ⁵⁵Mn, ⁵⁷Fe, ⁸⁸Sr and organic complexes of calcium, existing in the marble patina. The depth at which ⁸⁸Sr reaches its bulk value proved to be the best parameter to measure patina thickness. A diffusion model adopted from dissolution studies made on gravestones exposed to the atmosphere was successfully applied to the patina thickness data. The model fails to predict patina thicknesses for ancient excavated objects. However, it seems that ‘Sr alteration depth’ values alone can be used for discriminating ancient from recently buried surfaces.     

PREHISTORIC WALL PAINTINGS: THE CASE OF THE DOMUS DE JANAS NECROPOLIS (SARDINIA,ITALY)*

The Domus de Janas (Home of the Fairies, or Home of the Witches) are Neolithic hypogea located throughout Sardinia (Italy) and decorated with red and black wall paintings. The objective of this study was to define the painting technique through the analytical characterization of the pigments and binding media. Samples of painting film from different graves have been examined by means of various analytical techniques. XRD, Raman and SEM–EDX analyses identified the red and black pigments respectively as red ochre rich in hematite and carbon black, while GC–MS analyses characterized the organic binder as egg.     

PETROGRAPHIC AND CHEMICAL CHARACTERIZATION OF POTTERY PRODUCTION OF THE LATE MINOAN I KILN AT HAGHIA TRIADA,CRETE*

Pottery from the Late Minoan I kiln at Haghia Triada in the Mesara Plain, southern Crete, was analysed by a range of techniques, comprising thin‐section petrography, scanning electron microscopy, X‐ray diffraction, X‐ray fluorescence and neutron activation analysis. The project characterizes the ceramic fabrics and probable raw materials, correlates paste recipes with shape, reconstructs the firing conditions of the kiln and establishes a chemical reference group, taking into account post‐burial alteration and contamination. Comparison of the reference group formed with that from the neighbouring, broadly contemporary, kiln at Kommos shows an unexpected differentiation of the two kilns.     

A TECHNOLOGICAL EXAMINATION OF NINTH–TENTH CENTURY AD ABBASID BLUE‐AND‐WHITE WARE FROM IRAQ,AND ITS COMPARISON WITH EIGHTH CENTURY AD CHINESE BLUE‐AND‐WHITE SANCAI WARE*

Eight sherds of ninth–tenth century ad Abbaesid blue‐and‐white glazed earthenware, excavated in 1931 at Hira in western Iraq, were analysed using, variously, quantitative wavelength‐dispersive spectrometry (WDS) and energy‐dispersive spectrometry (EDS) in association with scanning electron microscopes (SEM), and semi‐quantitative X‐ray fluorescence spectrometry (XRF). In order to compare the compositions of the cobalt pigments used, the glazes of seven complete vessels of eighth century ad Chinese Tang blue‐and‐white sancai were also analysed semi‐quantitatively using XRF. The Abbasid wares were shown to have used traditional Mesopotamian alkali–lime glazes applied to calcareous clay bodies. Half the glazes examined were opacified with tin oxide. Three types of blue decoration (i.e., raised; spreading; and flat, non‐spreading) were produced using a variety of formulations, including a mixture of cobalt pigment with lead oxide. The sources of the ores used for the cobalt pigments have not been identified. However, the analytical data showed that the cobalt ore used for the Abbasid blue‐and‐white ware could be distinguished from that used for the Tang blue‐and‐white sancai by its higher iron content and by the presence of a significant amount of zinc. The use of cobalt‐blue decoration on the ninth–tenth century ad Abbasid ware was anticipated in China by eighth century ad Tang blue‐and‐white sancai wares. However, whether its introduction by the Abbasid potters should be seen as an independent invention that followed the introduction of tin‐opacified glazes in Iraq, or whether it was influenced in some way by Chinese originals, is still unresolved.     

CHARACTERIZATION OF RED‐COLOURED SLIPS (ALMAGRA) ON ISLAMIC CERAMICS IN MUSLIM SPAIN*

Small objects found in Islamic (eleventh‐century) kilns excavated in Zaragoza (Spain) were studied to determine the nature of the red coating of almagra pottery. Ceramics with almagra decoration were completely coated with a glossy deep‐red layer, a slip, applied to the body before firing. Chemical and mineralogical studies were carried out, together with analysis of a surface treatment with organic compounds. The results of this study confirm that almagra ceramics were produced by means of a specific and elaborate process (slip preparation, firing and wax application), demonstrating the introduction of this slip into local production during the Islamic period.     

THE OPAQUE RED GLASS OF CELTIC ENAMELS FROM CONTINENTAL EUROPE

Opaque red glass was used in the Celtic world for enamels and inlays. Forty artefacts, of various dates and found in various places, have been sampled and studied. They all belong to the same type, a soda-lime-silica high lead glass coloured by crystals of cuprous oxide. There is only one subgroup: glass lumps from the Mont-Beuvray oppidum contain manganese, less iron, and less lead. This change could be the result of Roman influence. Although most of these glasses form a surprisingly homogeneous group, no conclusions as to their origin can be inferred from our present knowledge.     

METHODS OF ENGRAVING MESOPOTAMIAN CYLINDER SEALS: EXPERIMENTAL CONFIRMATION*

Previous observations of the intaglios on quartz cylinder seals from Western Asia suggested that they had been engraved by one or more of four basic techniques, that is, micro-chipping, filing, drilling and wheel-cutting. In this paper we test our earlier observations and interpretations experimentally. Examination and comparison of experimentally engraved features with the seal intaglios was made directly with a binocular microscope and also by examination of impressions with a scanning electron microscope. Successful replication was achieved using tools of flint, chalcedony, copper, bronze and iron together with quartz and emery abrasives.     

LUMINESCENCE DATING OF SEDIMENTS—THE DETECTION OF HIGH EQUIVALENT DOSE GRAINS USING AN IMAGING PHOTON DETECTOR*

In this paper we describe quantitative measurements on the thermoluminescence of many single grains, made with an imaging photon detector. In several of the sediments examined a few bright grains were found which had a high equivalent dose (ED). Physical measurements made on these grains using binocular microscopy and analytical scanning microscopy enabled several possible explanations for the causes of the high ED grains to be rejected. Insufficient bleaching at deposition or the intrusion of grains from an older sediment were identified as the most probable explanation for these grains.     

METHODS OF ENGRAVING MESOPOTAMIAN QUARTZ CYLINDER SEALS

Cylinder seals, which were produced more or less continuously for about 3000 years in Western Asia, were worked with designs in intaglio. In this paper we report the results of an investigation into the techniques used to engrave seals composed of quartz. Our observations were made with a binocular microscope and supplemented by examination of impressions with a scanning electron microscope. A range of factors was considered, including shape in plan, topography, surface texture and orientation of features. In this way four basic techniques of engraving have been recognized. They have been tentatively interpreted as micro-chipping, filing, wheel-cutting and drilling.