STEEL FILES AS CHRONOLOGICAL MARKERS IN NORTH AMERICAN FUR TRADE SITES*

A selection of fragments of steel files excavated from dated western Canadian fur trade sites has been examined metallographically to assess their value as chronological indicators. It was possible in some, but not all, cases to identify the steelmaking process, distinguishing between cementation steel and crucible steel. In other file fragments manganese was detected in the steel both as manganese sulphide inclusions and in solution in the steel matrix. The identification of crucible steel provides a terminus post quem of 1740 for the fragment, and the presence of manganese a terminus post quem of about 1840. The site occupation dates were consistent with the dates deduced from the steelmaking technologies.     

CHEMICAL AND MINERALOGICAL ANALYSES OF GALLO-ROMAN WALL PAINTING FROM DIETIKON,SWITZERLAND

Around 90 samples of Roman wall painting dating from the first to the third century AD were analysed using different analytical techniques: X-ray diffraction, X-ray fluorescence, infrared spectrometry, scanning electron microscopy, energy dispersive spectrometry, optical microscopy and physico-chemical tests. The identified pigments are: ash, calcite, carbon black, celadonite, cinnabar, Egyptian Blue, glauconite, goethite, hematite and red lead. Pigment mixtures were used to get other colours such as brown, pink or purple. Three types of plaster were used: a first, and most dominant, with river sand, a second with crushed tile for damp places and a third, to which cinnabar was exclusively applied, was prepared with crushed calcite crystals.     

LEAD GLAZES IN ANTIQUITY—METHODS OF PRODUCTION AND REASONS FOR USE*

Transparent high lead and tin-opacified lead-alkali glazes have been extensively used throughout Europe and the Near East from their first appearance in the Roman era and the tenth- to eleventh-century Islamic world, respectively, up until the present day. Using, to a large extent, information which is widely scattered through a diverse range of literature, the methods employed in the production of these two glaze types are first outlined and their merits are then compared with those of alkali glazes in terms of ease of preparation of the glaze mixture, ease of application of the glaze, ease of firing, cost of production, glaze-body fit and visual appearance. The principal advantages of transparent high lead glazes as compared to alkali glazes are shown to be ease of preparation and application of the glaze suspension, low susceptibility to glaze ‘crazing’ and ‘crawling’ and high, optical brilliance. Factors that influence the choice of tin-opacified lead-alkali glazes include ease of production of tin oxide by melting tin and lead metals together; a reduced risk of reduction of lead oxide to lead metal and consequent blackening of the glaze; and, again, low susceptibility to ‘crazing’ and ‘crawling’. Limits of current knowledge regarding these two glaze types and requirements for future research are outlined.     

SPECTROSCOPIC INVESTIGATION OF RED STAINS AFFECTING THE CARRARA MARBLE FAÇADE OF THE CERTOSA OF PAVIA

The nature of the large red stains exhibited on the Carrara marble elements of the Certosa of Pavia façade was investigated by means of spectroscopic techniques and scanning electron microscopy. Although previous microbiological analysis has demonstrated the presence on the stone of a bacterial strain identified as Micrococcus roseus, that is capable of carotenoid production, it has been ascertained in the present study that an inorganic pigment, namely Pb₃O₄, is responsible for the observed coloration. On small green spots, the presence of photosynthetic micro-organisms has been demonstrated by microbiological analysis and confirmed by resonance Raman spectroscopy.     

LASER ARGON DATING AND GEOLOGICAL PROVENANCING OF A STONE AXE FROM THE STONEHENGE ENVIRONS*

The recently-developed laser microprobe ⁴⁰argon-³⁹ argon technique has been used to give a geological date for a rhyolitic tuff stone axe fragment from the Stonehenge environs. The method requires only milligramme-sized samples and gives dates of sufficient accuracy to aid in provenancing artefacts to sources, as well as information on the heating history of samples. The axe sample is of Lower Carboniferous date (341 ± 5 Ma) and this limits possible sources to outcrops within the Scottish Midland Valley and small altered exposures in Dartmoor. X-ray fluorescence analysis of the axe suggests the Scottish Midland Valley as the more likely source. The laser argon analysis also shows that the implement had not been heated in antiquity. Laser argon-argon dating can, therefore, be a useful tool in artefact study.     

ANALYSIS OF LATE BRONZE AGE GLASS AXES FROM NIPPUR—A NEW COBALT COLOURANT

A multidisciplinary study of a unique group of Late Bronze Age (LBA) ceremonial glass axe heads and other artefacts shows that these are the first significant group of glasses coloured with cobalt to be identified from the Near East. The axes were excavated from the site of Nippur, in present‐day Iraq. Several are incised with the names of three kings, which dates the material to the 14th–13th centuries bc . Analysis by laser ablation inductively coupled plasma mass spectrometry (LA–ICPMS) indicates that the glass had high magnesia (MgO) and potash (K₂O) associated with a plant‐ash flux and was coloured blue by copper or a combination of copper and cobalt. These glasses are similar, but not identical, in major element composition to blue‐coloured glasses manufactured in ancient Egypt and elsewhere in Mesopotamia in the same period. However, the Nippur cobalt‐ and copper‐coloured glasses exhibit significantly different trace elemental compositions compared to Egyptian glass coloured with cobalt, showing that the ancient Near Eastern glassmakers had clearly identified and utilized a distinctive cobalt ore source for the colouring of this glass. Since it was previously thought that the only cobalt ores exploited in the LBA were exclusively of Egyptian origin, this new finding provides new insights on the origins of glass and how it was traded during the Bronze Age period.     

A SCIENTIFIC INVESTIGATION ON THE PROVENANCE AND TECHNOLOGY OF A BLACK‐FIGURE AMPHORA ATTRIBUTED TO THE PRIAM GROUP*

The restoration of a Greek black‐figure amphora provided an opportunity to study the provenance and production technology of the vase. The composition of the ceramic body, determined by inductively coupled plasma optical emission spectroscopy (ICP–OES), matches that of Attic products. Investigation by X‐ray diffraction and reflectance spectroscopy suggests a maximum firing temperature around 900°C and a body re‐oxidation temperature around 800°C, respectively. The morphology and composition of black, red and dark red surface areas were studied by scanning electron microscopy and X‐ray energy‐dispersive analysis; the black areas show the features of a typical well‐vitrified black gloss, while the red areas were most probably obtained by simple burnishing of the body; the dark red additions, on the other hand, are the likely result of a partial re‐oxidation of a clay–ochre mixture.     

INVESTIGATION ON ROMAN LEAD GLAZE FROM CANOSA: RESULTS OF CHEMICAL ANALYSES*

Five sherds of green glazed pottery excavated at Canosa (Apulia) in Italy have been analysed by scanning electron microscopy. The aim of the investigation was to determine the chemical composition of the glazes and thus obtain information on the methods used in their production. The glazes were all of the high‐lead type, coloured green by the addition of copper. Intermediate layers, observed at the interface between the glaze and body and giving the appearance of an applied white slip, were the result of the crystallization of lead feldspar from the molten glaze. Non‐calcareous clays were used in the production of the pottery bodies. Concentration profiles from the glaze exterior to the body suggested that the glazes were produced by applying a suspension consisting of lead oxide plus silica to the bodies. On the basis of the glaze and body compositions, it is suggested that the Canosa glazed pottery was produced locally.     

DISCOVERY AND CHARACTERIZATION OF AN UNKNOWN BLUE‐GREEN MAYA PIGMENT: VESZELYITE*

Blue‐green mosaic and polychrome masks and funerary offerings from the royal tombs of Calakmul, Mexico, were analysed by scanning electron microscope equipped with energy dispersive X‐ray spectroscopy (SEM‐EDS), X‐ray diffraction (XRD), and particle induced X‐ray emission (PIXE). This led to the first identification of the use of veszelyite, a rare hydrated copper‐zinc phosphate, as green pigment. Analyses of a geological sample of this mineral have been done to confirm the characterization of this Mayan pigment, which might help determine pre‐Columbian trade routes of precious and luxury objects in the ancient Maya Classic period (ad 250–800).     

Estimation of the Production Parameters of Very Large Medieval Bricks from St. Urban,Switzerland

The aim of the present study is to determine the production technology of a particular type of large medieval brick. The firing temperature and their soak times are estimated using a combination of colour and fabric, as well as mineralogical, microstructural and open porosity analysis. A replication experiment was carried out in order to validate the estimated predictions, and to give a realistic idea of the time needed to dry and fire each large brick. The experiment also suggests the temperature distribution and firing atmosphere in the kiln, as well as providing an estimate of fuel consumption. Analytical results and replication both provide information to assess the production technology, the time parameters and the firing temperatures involved in the production of the medieval bricks of St. Urban.