The technology of Stone Age colonization: an empirical,regional-scale examination of Clovis unifacial stone tool reduction,allometry, and edge angle from the North American Lower Great Lakes region

There is now broad consensus that the appearance of Clovis in Northeastern North America (Great Lakes, New England) represents a colonization pulse into recently deglaciated landscapes. Due to the increased resource uncertainty that comes with colonizing unfamiliar landscapes, it was hypothesized that the majority tool component of Clovis assemblages, unifacial stone tools, should have been knapped on tool blanks possessing the design properties of longevity and functional flexibility to facilitate exploration mobility and guard against the absence of toolstone sources in the new landscape. These properties are optimized by large, flat flakes, possessing large surface area relative to flake thickness. Since discarded and, at times, exhausted unifacial stone tools do not preserve the original dimensions of the blank upon which they were created – necessary items for a true test of blank morphology selection – this study presents a set of predictions for inferring whether Clovis unifacial stone tool blanks were selected for the properties of longevity and functional flexibility based on evidence that Clovis people actually capitalized on those properties. Due to the nature of Clovis unifacial stone tools, tool size was of necessity used as a proxy for tool reduction, on the grounds that smaller tools are more likely to have been resharpened than larger tools, at least in the case of unifacial flake tools. The results showed that less resharpened tools possessed flatter, less spherical shapes than the more resharpened tools, which possessed more globular, spherical shapes, suggesting Clovis foragers exploited the retouch potential afforded by the larger, flatter blanks. Edge angles showed no relationship with tool reduction, suggesting that Clovis foragers exploited the functional flexibility afforded by flatter blanks by adjusting the edge angle to be either higher or lower as needed. These results are consistent with the notion that human colonizers, who did not know the abundance or location of stone outcrops prior to settling an unfamiliar territory, not only “geared up” before leaving a stone source, but geared up as efficiently as possible by carefully selecting the blanks they chose to carry. Broader implications for such careful unifacial stone tool blank selection are discussed.     

First molecular identification of a hafting adhesive in the Late Howiesons Poort at Diepkloof Rock Shelter (Western Cape,South Africa)

The hafting of tools using adhesive is one of the innovative features that characterizes the southern African Middle Stone Age. This technology has mainstream implications but remains insufficiently documented, largely due to unequal organic preservation and non-adapted analytical procedures. A notable exception is provided by the recent results from the site of Sibudu (Lombard, 2006; Wadley et al., 2009).     

Molecular evidence of bitumen in the Mousterian lithic assemblage of Hummal (Central Syria)

Evidence for bitumen use in Middle Palaeolithic sites is an exception in Pleistocene archaeology. This paper presents the discovery of three tar-bearing Levallois artefacts found in the Mousterian sequence in Hummal (Central Syria). The organic residues were submitted to geochemical study. Gas chromatography–mass spectrometry analyses of saturated and aromatic hydrocarbons and isotopic data show the presence of bitumen. The most likely location of natural asphalt provisioning is the Shaaf outcrop in the Bichri desert. The bitumen-bearing stone tools add further important data to the growing knowledge about bitumen processing in the Middle Palaeolithic spring sites of El Kowm. Identification of the provisioning place for natural asphalt enables a more precise assumption about the site's catchment area. From a technological point of view, the tar-bearing specimens provide information on the range of tool forms selected for hafting. Ballistic features arguably indicate that the pointed Levallois blanks seem to be spear points that were fitted to a wooden handle. In at least one case, this technical procedure was seemingly executed during a brief episode of occupation and replacement of worn out implements. This small, bracketed window of detailed insight into Mousterian technology is linked with the more general relationship between Levallois technology and stone tool hafting.     

云南祥云县检村石棺墓出土铜器的初步研究

为研究滇西地区青铜文化及相关铜器的制作技术,本研究采用扫描电镜和金相分析的方法,对云南祥云检村石棺墓出土的17件样品进行取样分析,结果表明祥云检村石棺墓出土的铜器以红铜为主,少数为Cu-Sn合金。这些器物的制作工艺主要是铸造、铸后冷加工等,制作工艺相对单一。3件编钟均为Cu-Sn合金,并且锡成分具有等比递增的现象。兵器矛经过鉴定后说明由于墓主身份的不同,随葬的矛也有实用器和随葬器两类。农具锸和工具锥和凿的鉴定表明有冷加工或使用过的痕迹,可能曾是实用器;而农具锄经鉴定并没有在农作中使用过,仅作为随葬品,进一步证明随葬铜锄是青铜时代滇西地区的一种丧葬习俗。分析表明,当时已根据不同器物的用途进行了不同的制作和加工。本研究结果对研究滇西青铜文化及金属技术有一定的意义。     

Re-placing imperial landscapes: colonial monuments and the transition to independence in Kenya

Public monuments in colonial Nairobi were visual links to the British empire, and served as a means of asserting imperial power. During this period, colonial memories and identities were inscribed into Nairobi’s landscape by the dominant group, the elite of the European population. However, at the moment of Kenya’s achievement of independence from colonial rule, such identities and assertions of power were challenged as statues were removed from the city. This paper examines the forces behind the decolonisation of Nairobi’s monumental landscape and how this landscape visualised the changing political and cultural contexts of the city. Comparisons are made with the removal of statues from Sudan, India and the Democratic Republic of Congo in order to situate the Kenyan experience. Through a comparative examination of the decolonisation of Nairobi’s monumental landscape, this paper illustrates how the removal of public monuments from the city was exploited by both the coloniser and the colonised.     

Middle Stone Age pièces esquillées from Sibudu Cave,South Africa: an initial micro-residue study

In this paper I present the results of a micro-residue study conducted on ten pièces esquillées (scaled pieces) from Sibudu Cave, South Africa. These artefacts are associated with the Howiesons Poort Industry (∼61.7 and ∼64.7 ka years ago at Sibudu), representing part of the later phase of the Middle Stone Age. Until now, it was unclear on what these pieces were used, and whether they were functional. Previous experimental use-wear work tentatively pointed towards bone processing. However, replication work on stone tool production technology suggests that pièces esquillées are merely the by/end-product of bipolar knapping. I used residue analysis on the Sibudu artefacts because this alternative method has the potential to identify if they were used, and if so, illuminate the specific materials the pieces were used on. Although the sample is small, all the pièces esquillées reveal a clear animal processing signal. There are some bone deposits on the utilised edges that may substantiate bone processing, or perhaps a bone hammer was used with them, but additional study, including Later Stone Age artefacts, is needed to assess the feasibility of these observations. It remains possible that the artefacts are core reduced pieces that were subsequently used as tools or simply knapped with a bone hammer.     

The Mousterian bone retouchers of Noisetier Cave: experimentation and identification of marks

Retouchers are fragments of bone used during the Paleolithic to strike stone flakes in order to transform them into retouched tools. Our experiments show that the mark produced on retouchers differs depending on whether they were used to strike flint or quartzite. Our results suggest that numerous pits, most often with an ovoid form, characterize the retouching of quartzite flakes. Most of the scores produced with this material have a sinuous morphology with rough interior faces. The areas with superposed traces have a pitted appearance. On the other hand, the retouching of flint flakes, produces pits that are most often triangular in form. Most of the scores have a rectilinear morphology with smooth interior faces and their superposition results in the formation of hatch marks. There is also a relationship between the characteristics of the mark and the relative state of freshness of the retouchers. The validity of the criteria identified was confirmed by a blind test. These diagnostic criteria were applied to archaeological retouchers from the Mousterian site of Noisetier Cave. The results obtained improve our knowledge of the technical behaviors of Neanderthals and allow us to address questions concerning their techno-economic implications.     

Beneath and before: continuums of publicness in public art

Public monuments traditionally appear in high contrast to their landscapes, an effect that sets aesthetic, ideological and social distances. However, Manmale, counter-monuments, and counter-hegemonic monuments (eg the AIDS quilt, Rachael Whiteread's House, Melbourne's Another View Walking Trail, Tiananmen's Goddess of Democracy, or Maya Lin's Vietnam Memorial), challenge the norms of monuments in visuality, fixedness, and permanence, and suggest intricacies which mediate the interactivity of art, site and passers-by. In this paper, I consider three counter-hegemonic monuments in Vancouver, British Columbia – all installed in 1997/98 and all dealing with the issue of violence – sited within one neighbourhood. Via archival research, interviews, and extensive participant observations investigating how the monuments actually function in social memory rituals, I discovered that the characteristics of publicness in the landscapes that lay ‘beneath and before’ the monuments deeply affected their origins, designs, and current uses.     

The colour of the facades in Siena’s historical centre: I. Glazings (calcium oxalate films s.s.) and other finishes on the stone materials of the Cathedral’s main facade

This paper focuses on the long-debated topic of the so-called calcium oxalate films: their origin and meaning but also their age and original appearance. The restoration of the main facade of the Siena Cathedral provided a unique opportunity to this end, thanks to the possibility of an extensive and detailed sampling and (as rarely happens) a sufficiently accurate historical knowledge of the construction vicissitudes. This work, mainly based on a polarising microscopy study (coupled with X-ray diffraction and SEM-EDS analyses) of over a thousand thin and ultra-thin sections of 400 microsamples, demonstrates that the current relicts of films are the result of alteration and decay of ancient treatments. In most cases, these were linseed oil-based glazings (the use of this substance is confirmed by historical documents) and pigments. Their role was essentially aesthetic; their use dates the beginning of the fourteenth century and continued at least until the eighteenth century.