Burial of an early 19th century suicide in the crypt of St Bride's church,fleet street

A skull from the St Bride's collection showing evidence of gunshot wounds is described. The position of the wounds suggests that they were self-inflicted. Examination of historical records confirms that the individual committed suicide by shooting himself in the mouth. The fact that this individual was buried in the crypt of St Bride's church in 1821 is discussed in relation to early 19th century attitudes to suicide.     

The Sound of Debate in Georgian England: Auralising the House of Commons

St Stephen's Chapel, Westminster became the first permanent home of the house of commons in 1548. The building had to be adapted to conform to its new use. Visual and architectural adaptations to the space have been discussed in detail, but the building's new role also required improvements to the working use of the space as a forum for public debate. In this essay, acoustic techniques are used to explore how speeches and debate would have sounded during the Georgian period and consider how St Stephen's was adapted for this new use. The results demonstrate that, despite these alterations, the 18th‐century house of commons was not ideally suited to speaking or listening to debate. The listening experience was not uniform across the chamber, and its former use as a medieval chapel may have influenced how well certain positions in the chamber would have experienced speech.     

Liminality Wanted. Liminal landscapes and literary spaces: The Way of St. James

Abstract

The term limen was introduced to anthropological studies following Van Gennep’s theories (1960) about liminality. Among them, Victor and Edith Turner (1978) defined pilgrimage as a liminal experience, as it implies being between two existential levels that, through rituality, favours reflection. In this sense, the case of The Way of St. James (Spain) is an interesting field or research as it is loaded with contemporary meanings. Its landscapes assume the nature of spiritual and therapeutic ones; here, the physical and built environment, social conditions and human perceptions produce an atmosphere favourable to spiritual healing. On the basis of these emotions, liminality is the essence of this pilgrimage experience, not only during the same, but especially afterwards. As a matter of fact, this spiritual journey involves the search for one’s self once back home, thus acting in the process of formation of the individual. Drawing on the need for improving researches on landscape perception approach in tourism studies, we pretend to singularise the pilgrimage landscape from a liminal perspective in order to point out the need for liminality before, during and after the pilgrimage. This is achieved by exploring perceptions and emotions expressed in a corpus of travel literary production. These narrative works are not limited to describe the pilgrimage experiences; rather they make liminality a literary theme to magnify their experiences. As a result, the concept of liminal literary landscape is used to refer to pilgrims’ desire to revive liminality through the pages of travel narratives, in order to continue enjoying these emotions and feelings. These travel narratives are producing new literary modes based on the geographical exploration of the landscapes of The Way in relation to human feelings.     

Ventilating the Commons,Heating the Lords, 1701–1834

In 1833, the Commons chamber was described as a ‘noxious vapour‐bath’, while the Lords deemed the insufferable heat and toxic smoke in its House as injurious to health. This situation was not new, as for more than a century both Houses had been battling with officialdom and technology to improve their working conditions. In their continuing quest for effective heating and ventilation they had drawn in many respected men of science and commerce as well as entrepreneurs and showmen of varying abilities, to little avail. Many machines were tried, Desaguliers's ventilating wheel alone achieving modest success. A notable institution arising from all these experiments was the ventilator in the Commons’ roof, enabling ladies, barred from the chamber, to witness debates, albeit in considerable discomfort. After the 1834 fire, parliamentarians renewed their ventilating mission in their temporary chambers, before projecting their cumulative experience and opinions onto the far larger canvas of the new Victorian Palace of Westminster.