La resignificación de los márgenes del teatro independiente: Oratorio,del Teatro Estudio Lebrijano

Abstract

Oratorio, by Alfonso Jiménez Romero and Teatro Estudio Lebrijano, is arguably among the most representative plays of 1970s Spain’s independent theater. This play experienced many changes and adjustments before it was staged in the Festival Mondial de Théâtre de Nancy in 1971. These changes were tested in performances in Andalusia before audiences with little exposure to theater but sympathizing with the play. By studying a production that developed for three years, this article challenges the claims that support a history of theater as a catalogue of finished products. This article aims at considering the creative process that emerges from the direct contact with audiences in performing spaces. Independent theater archives have limitations, but they are made up with oral histories from troupe members. This article studies both the incorporation of theatrical devices associated with ritual participation of the audience and the use of flamenco reassessed as protest music. The latter included in the play as an artistic device since the tour in Andalusia. This play made explicit references to the Spanish Civil War, which prompted physical reactions from the audience in towns where the repression was fierce.     

Molecular evidence of changing foodways across the Mississippian transition at the George Reeves site (11S650)

ABSTRACT

The George Reeves site (11S650) is a multicomponent village on the bluffs in the central American Bottom, Illinois. The site was occupied from the Late Woodland Rosewood phase through the Mississippian Lohmann phase. Pottery use and dietary variation between the Late Woodland and Emergent Mississippian occupations at the site were explored through stylistic analysis, pottery residue analysis, and compound-specific carbon isotopic analysis of pottery residues. Although more samples should be analyzed, diet and pottery use at George Reeves seems to have been varied, with maize present by cal AD 900–1000, but comprising a relatively small portion of lipid residues in pottery. Residue analysis indicates a C₄ presence in 5 of 16 sampled pots from the early Emergent Mississippian deriving from either maize or from meat from animals consuming maize. Pottery residues were mixed, showing C₃ and C₄ plants as well as meat and fish or shellfish. One residue showed a high incidence of C₄ contribution, most likely from Portulaca oleracea (common purslane), as well as large amounts of fish or shellfish and another C₃ plant. Residue from a ceramic pipestem indicates that maize may have been smoked, probably in the form of maize silk mixed with other nontobacco plants.     

Jacobite Politics in the Age of Anne

Every political movement has watershed moments when decisions are taken with very long-term consequences. This article explores one such moment with respect to the jacobite movement during the reign of Queen Anne. Implicitly building on Geoffrey Holmes's model of the workings of the whig and tory parties in the age of Anne, the article analyses the turn to the Scots that took place within jacobite politics between 1702 and 1710. Throughout the 1690s the English jacobites had dominated the politics of the jacobite movement. Cementing their hold on the jacobite court's outlook and policies there was, too, an intrinsic anglocentrism at royal and ministerial level. Yet by 1715 the Scots jacobites were clearly equal partners with the English within the movement, and this parity was to shape the entire subsequent history of the jacobite cause. This shift within the politics of the movement was, moreover, not simply a corollary of the union. This article argues that the shift to the Scots was far more fundamental in terms of the outlook and policies of the movement, and ultimately did not depend on the immediate military utility of the Scots jacobites, but on a new perception of them as a uniquely important resource.     

Moreno y Escandón’s Plan geográphico del Virreinato de Santafé de Bogotá, 1772

The extent to which Francisco Antonio Moreno y Escandón’s plan of the Viceroyalty of Santafé sparked a revival of cartographical activity has hitherto been overlooked. The Viceroyalty of Santafé was created as a major unit in the Spanish Empire in 1739 and included the present-day countries of Colombia, Ecuador, Venezuela and Panama. Moreno, a high-standing Creole functionary, mapped the region in 1772 in the context of its administrative organization. By drawing attention to Moreno’s official map, I hope to encourage the study of late-colonial and early-republican cartography of the northwestern part of the former Spanish-American dominion and the present-day constituent republics.     

Spinoza's counter-aesthetics

ABSTRACT

Spinoza says very little about art or literature in his work; a fact which partly explains the absence of references to him by the German initiators of aesthetics in the eighteenth century, including Baumgarten, Kant and Hegel. Spinoza's resolute opposition to teleology, however, provides an even more compelling reason for his absence, given the teleological conception of literary and artistic form common to the notion of aesthetics at the time of its emergence. Is it possible to fashion a counter-aesthetics from the materials provided by Spinoza's philosophy? I argue that his reading of the great Spanish Baroque writers, especially Luis de Góngora and Baltasar Gracián (whose works were found in his library), provided him with an alternative conception of literary form based on a rejection of formal coherence and closure in favor of constitutive incompleteness and an opening to the infinite.     

A case for lead-glaze experimentation by late eighteenth-century Catawba using portable X-ray Fluorescence (pXRF)

ABSTRACT

Recent research has demonstrated that Catawba ceramic practices changed abruptly and dramatically after 1759 following a devastating smallpox epidemic and subsequent community relocation. Pottery from the historically documented Catawba town of Old Town and others indicate potters adopted new techniques and styles as they adjusted to new economic and social conditions, including copying European vessel forms, experimenting with new ceramic paste recipes, and utilizing new decorative motifs. The identification of four lead-glazed sherds on otherwise Catawba-looking pale-bodied paste raises the possibility that Catawba potters may have also experimented with lead glazing. This paper presents the results of an elemental analysis of nearly 70 ceramic samples using pXRF and multivariate statistical techniques to identify patterns of production within pale-bodied colonowares. The results indicate that the glazed pottery fragments were made with elementally similar clay used by Catawbas in the Twelvemile Creek locality. I argue that in addition to modifying nearly every aspect of their ceramic repertoire, at least one Catawba potter experimented with lead glazing, providing further insights into the emergent Catawba pottery trade.     

Colonial Emulation,Competition and Opportunism: A Twentieth-Century Spanish Perspective on the British and French ‘Empire Projects’

ABSTRACT

Through the views of Francisco Franco’s major adviser on African Affairs, this paper reveals a hitherto neglected aspect of the long-standing interaction between competing ‘imperial projects’ in the twentieth century. Tomás García Figueras’s (1892–1981) speeches, writings and personal archive provide a long-term and well-informed Spanish perspective on the British and French colonial systems, offering us a model to make sense of three major aspects of inter-imperial relations: emulation, competition, and opportunism. Through this insight into the dynamics of imperial interaction, and the ever-evolving dialogues and exchanges between ‘empire projects’ from around the European peninsula, this article provides some key elements to answer the long-standing question of what motivates empires to expand, adapt, or contract. It illuminates the ways in which officials engaged in the day-to-day running of European empires looked at each other, in search for examples and counter-examples, emulation or, simply, opportunities. Crucially, it illustrates how ‘empire projects’ of varying clout interacted with each other, within the limits of realpolitik but well beyond linguistic obstacles, as the multilingual material assembled in the García Figueras archive clearly attests. It also charts, among national and socio-cultural circles hitherto neglected, the evolution in thinking about colonialism and decolonisation throughout the twentieth century.     

Uses of Gypsum in Spanish architectural heritage: Typologies and some unique construction techniques

ABSTRACT

In Spain, gypsum and its many typologies play an important role as a construction material in Spanish architectural heritage. Its historical use is mainly a direct consequence of the abundance of gypsum deposits and a constructive tradition which began in ancient times. In addition to being a sign of constructive identity, gypsum is a clear example of the strong link between traditional architecture and the natural resources of the territory. The aim of this article is after to identify gypsum deposits and gypsum architectural heritage found in different parts of Spain and to explain the different gypsum typologies—other than powdered gypsum—used. Finally, the most unique construction techniques are described, differentiating between structural elements, partitions, and enclosures, as well as architectural elements and surface finishes.     

Spinoza,radical enlightenment,and the general reform of the arts in the later Dutch Golden Age: the aims of Nil Volentibus Arduum

ABSTRACT

The Amsterdam theater society Nil Volentibus Arduum, which was founded in 1669 and remained active for some years, was not just a circle meeting regularly to discuss theater theory and practice, but was devoted to discussion of all the arts as well as language theory in relation to society. As far as the Amsterdam theater was concerned, its main purpose was to try to raise the level and provide more of a moral and socially improving direction to the stage. Arguably, also, it had a certain impact on discussion and theorizing about late Dutch Golden Age painting. Two of its most active members, Lodewijk Meyer and Johannes Bouwmeester, were among the closest friends and allies of Spinoza. Opponents and detractors of the society took to associating it in the public mind with the “atheist” Spinoza. This article seeks to understand the theoretical concerns of the society and assess its relationship to its broader Dutch context and to Spinoza and Spinozism.     

The landscape of Metztitlan,Mexico: Power and control in a sixteenth century Spanish administrative painting

ABSTRACT

The concept of landscape has been studied mostly as the view of a space with particular interest in its aesthetics, originating at the turn of the sixteenth century. However, I argue that in fourteenth century northern Europe, the concept was focused on polity rather than aesthetics. This article examines this lesser-known tradition by analysing the painting of Metztitlan, a sixteenth century town in Mexico, and arguing, first, that unlike all the other representations in the Relaciones Geográficas to which it belongs, it is the only landscape, and second, that this painting is associated with an administrative procedure common in Spain to gain control over imperial lands. I review European practices regarding the representation of towns under the Spanish Crown. Then, I present the results of the fieldwork carried out to locate several heights which probably served as vantage points to paint the landscape. Based on this research, I analyse the intentions of the painter to argue that it should be considered within the same tradition as the paintings made in Spain by Flemish painter Anton van de Wyngaerde, as part of the Spanish Empire's Germanic tradition of describing places with the intention of exerting control over them.