A Risk Assessment for Cultural Heritage in Southern Iraq: Framing Drivers,Threats and Actions Affecting Archaeological Sites

ABSTRACT

This paper proposes a classification of the risks threatening archaeological sites in southern Iraq and suggests some possible remediation to better preserve them. This has been possible thanks to a research methodology that combines remote sensing and ground control on a sample of 558 sites documented by the Iraqi-Italian QADIS survey project. A three-tier typological framework has been created illustrating the risks jeopardising the cultural heritage of the region. This research showed that the most impacting risks are the ones caused by agricultural activity, despite current narratives which mainly focus on looting and violent destruction. To get at the root of the problem, current laws protecting cultural heritage in Iraq are analysed, as well as how the cultural authorities are organised on the ground. Improving the organisation of the SBAH, engaging the local communities towards the issue of sites’ protection and introducing preventive archaeology are among the solutions proposed.     

‘The land and its people’: reflections on artistic identification in an age of nations and nationalism

From the late eighteenth century onwards, increasing numbers of visual artists came to identify with their nations and with the homeland and its people. This development was strongly influenced by growing national cultural support and regulation of the arts by academies, art schools, museums and art markets in Western Europe. On a subjective level, the Rousseauan movement of a ‘return to Nature’, Herder's espousal of vernacular cultural self‐expression and, above all, the widespread Romantic cult of authenticity, were potent influences on the inner self‐identification of visual artists after 1800, and were manifested in the novel importance accorded to landscape and rural genre painting in Western Europe. Here I consider the role of national sentiment, the ‘return to Nature’ and the cult of authenticity, first in landscape paintings by Paul Sandby, J. M. W. Turner and John Constable in early nineteenth‐century Britain, and then in the rural genre paintings of Jean‐Francois Millet and Jules Breton in nineteenth‐century France and Josef Israels, Anton Mauve and Vincent Van Gogh in the later nineteenth‐century Netherlands. Their work reveals how nineteenth‐century visual artists became inwardly identified with the ‘land and its people’, and how they in turn contributed, especially through prints and engravings, to the dissemination of national imagery and a cultural nationalism.     

Fascist Italy and German Jews in south‐eastern France in July 1943

Abstract

In the summer of 1943, a few days before the political crisis of 25 July, Italy decided to hand over to Germany German Jews (including those from the former Austria) in the French territory occupied by the Italians. The hand‐over never took place because the crisis of 25 July intervened. But the decision taken by the Italian Minister of the Interior on 15 July is nonetheless a historical fact that provides evidence of the progressive radicalization of Fascist anti‐Semitism before the establishment of the RSI (Salò republic).     

南宋官窑探源

南宋官窑源于越窑,其制品特点、工艺技术、窑炉设备与同期的越窑系窑场一脉相承。     

The Middle Pleistocene argali (Ovis ammon antiqua) assemblages at the Caune de l'Arago (Tautavel,Pyrénées‐Orientales,France): were prehistoric hunters or carnivores responsible for their accumulation?

The argali (Ovis ammon antiqua) assemblages from the Middle Pleistocene site of the Caune de l'Arago (Tautavel, southern France) were studied in terms of zooarchaeology and taphonomy. It is possible to discern palaeobiological information lost during fossilisation, as well as the palaeoethology of the bone collector, by the observation of taphonomic details preserved on the bone assemblages. The observations leave no doubt that both humans and carnivores were involved in the accumulation of argali carcasses in the cave. In some assemblages, the type of bones found in articulation and the gnawing marks observed are characteristic of carnivores. In other levels, the intense fracturing of the major limb bones in relation to their marrow content and mineral density, and butchering marks found on specimens in the earlier levels, are in favour of human accumulation, the modalities of which are discussed. The results suggest that the degree of carnivore activity seems to have been higher in levels M, N and O than in level F. Copyright © 2006 John Wiley & Sons, Ltd.     

苏南土墩墓的初步研究

一、前言 长江下游地区的江苏南部,无论是丘陵、山地还是平原地区,常能见到象馒头状凸出地面的大小土墩,且这些土墩又常成群连片地集中出现。这些土墩大多数是人工堆筑而成的古代墓葬,也就是目前人们通常所说的“土墩墓”①。这类土墩墓可以分为两种类型：一种是用石块垒砌墓室的土墩墓,称之为“石室土墩”②,主要分布在环太湖地区的山巅及浙江北部太湖之滨;另一种是无石室结构的土墩墓,称之为“土墩墓”,遍布于苏南地区。本文所要讨论的是无石室结构的土墩墓,其年代约当中原地区西周前期到春秋战国之际③。这些土墩墓是商周时期…     

忆周恩来关心留学生的一些往事

20世纪 60年代 ,我国出现了第二次外交高潮 ,1 965年我国政府向以法国为代表的西欧地区派出了第二批留学生。作者以亲身经历回忆了这批留学生的人员组成情况、在法国的生活学习状况以及“文化大革命”开始后留学生的思想变化。这批留学生回国后 ,周总理在繁忙的工作中 ,对他们进行了周到细致地安排 ,并着手培养外交干部。本文从一个侧面展现了当时一段鲜为人知的历史     

Origin of deep saline groundwaters in the Vienne granitic rocks (France): constraints inferred from boron and strontium isotopes

As part of a preliminary geological characterization programme to assess the feasibility of an underground laboratory in granitic rock, a series of 17 deep boreholes (maximum depth, 900 m) was drilled by ANDRA in the Vienne district, France. A salinity gradient was demonstrated in the granitic waters with concentrations varying from approximately 1 g L^?1 at 150 m depth at the top of the basement (beneath the sedimentary cover) to 10 g L^?1 in the deeper part (from 400 to 600 m depth). Sr and B isotope ratios were measured in order to better understand the origin of the salinity and to evaluate the degree of water–rock interaction in the system. The results obtained were compared to those of mineral spring waters emerging from the granitic basement in the Massif Central. Evidence in support of a significant marine contribution include: (i) the Cl–Br investigations agree with a marine origin for the saline groundwaters without evolution from seawater; (ii) the ⁸⁷Sr/⁸⁶Sr ratio of the Vienne deep groundwaters (0.7078–0.7084) is in agreement with a palaeo‐seawater isotopic signature; (iii) measured δ¹¹B values for the deepest brine samples are enriched in ¹¹B (up to 36.1‰) relative to the granitic springs. The combined use of δ¹¹B, Cl, B, Br, Sr contents and ⁸⁷Sr/⁸⁶Sr ratios makes it possible to define and quantify a mixing model between marine and crustal end‐members in order to explain the origin of the deep saline groundwaters in the Vienne granitic rocks.     

Description,significance and frequency of the acetabular crease of the hip bone

The acetabular crease is a linear indentation located in the antero‐superior quadrant of the surface of the acetabulum at the level of the Byers Feature 17. Considered by palaeoanthropologists as a discrete trait, it has received scarce attention and the mechanisms underlying its formation and variations according to sex and age remain largely unclear. The purpose of this study, carried out on a large sample from a historic population in France, was to (i) analyse variations according to side, sex and estimated age at death; (ii) assess diachronic variations; and (iii) compare prevalence in various prehistoric and historic populations. Hip bones from a total of 425 subjects of both sexes and all ages were studied. Specimens were from two French historic samples dating from the 11th to 13th centuries and 16th to 17th centuries. The proportion of subjects that died young was higher in the 11th to 13th century group, but the prevalence of the acetabular crease was comparable between the two groups regardless of site or laterality (unilateral or bilateral). No sexual dimorphism or correlation with age was noted at either period. The acetabular crease appears to be a stable anatomical trait throughout adult life, with no predominant side and no correlation with sex. The significantly higher prevalence of the acetabular crease in some historic French samples and in prehistoric native Canadian populations could be linked to greater biomechanical stress during childhood in rural medieval populations and in the prehistoric period. Copyright © 2005 John Wiley & Sons, Ltd.     

六朝石刻辟邪艺术图像的释读

六朝石刻辟邪是六朝时期文化和艺术的载体。六朝石刻辟邪的艺术图像的构型要素以狮形头、张口露舌、体侧刻划羽翼等为主要特色。通过对这些艺术要素源头的追溯,笔者认为:六朝石刻辟邪是中西经济文化交流及中国传统丧葬礼俗的产物。