The Past under the Shadow of the Present: The Case of the National Museum of Korean Contemporary History

The National Museum of Korean Contemporary History, which opened in 2012, has been the focus of a heated controversy between the progressive and conservative camps over the “proper” ways to represent South Korea’s turbulent history. I build on the relationship between heritage, collective memory and national identity, and argue that the division that typifies South Korean society has implications that extend beyond socio-political issues. Anchored within a broader discursive context, the museum became an important memory carrier involved in the process of debating the issue of national identity. Although no agreement has been reached regarding the “proper” historical narrative the site should exhibit, the museum has nevertheless offered an opportunity to shape a form of national identity that can embrace a more complex perspective on the country’s contemporary history. At present, though, this contentious site has demonstrated the extent to which the legacy of the conservative–progressive divide remains deep. I offer a discursive context that is useful for the study of current debates over heritage sites in South Korea, while the overall analysis illuminates the idea that the “present-centred” management of heritage in national museums can, potentially, play a part in the process of forming more intricate notions of national identity.     

THE TRUTH HURTS: VERA SCHWARCZ'S HEARTFELT QUEST

Vera Schwarcz offers a penetrating examination of the concept and meaning of “truth” in China (antiquity to contemporary) and elsewhere (primarily in the Jewish tradition, from the Hebrew Bible to contemporary thinkers). Highly critical of the sharp turn toward cultural relativism which abandons the search for truth in the name of everyone having his or her own situated truths, she examines in particular how scholars, philosophers, and writers living in dark times have sought to cut through the enforced amnesia of oppressive regimes, especially that of post‐1949 China. This broad‐ranging search brings numerous great minds into a kind of transtemporal, transcultural conversation, voices rarely, if ever, discussed between the covers of the same book.     

1500 Years of Pottery: Neutron Activation Analysis of Northern Chilean Domestic Ceramics from Caleta Vitor and Clay Samples from Nearby Valley,Coast and Highland Contexts

This paper presents the findings arising from neutron activation analysis (NAA) of northern Chilean domestic ceramic samples from Caleta Vitor (n = 38) and clay samples (n = 15) from nearby valley, coast and highland contexts. This study presents the first NAA data set of ceramics spanning a temporal period of 1500 years (c.2000 to c.476 bp ) from the Vitor Valley as well as the first attempt to use NAA to characterize potential clay sources in the region. On the basis of this study, we argue that the majority of domestic ceramics from Caleta Vitor share compositional similarities with clay samples collected from nearby valleys, allowing us to infer that the Caleta Vitor populations primarily procured their clay for domestic ceramics from local sources throughout a 1500‐year period. Thus, despite the fact that there were inter‐regional interactions during this period that included the influence of powerful Andean polities, it would appear that domestic ceramics continued to be produced locally, and by implication it can be argued that such interactions did not substantially affect this sphere of material culture production. Further, the apparent continuities in domestic ceramic production allow us to reflect on local decision‐making processes throughout the cultural phases considered in this research.     

First Evidence Of The Use Of Freshwater Pearls As A Cosmetic In Ancient China: Analysis Of White Makeup Powder From A Northern Song Dynasty Lv Tomb (Lantian,Shaanxi Province,China)

The Lv family tombs in Lantian, Shaanxi Province are one of the most important archaeological sites of China in recent years, providing numerous objects and a wealth of information for the study of the history of the Northern Song dynasty. There were a large number of exquisite cultural relics unearthed from the tombs, including one porcelain box containing white powder, which was identified as women's makeup. The phase composition, microstructure, thermal properties and characteristics of the trace elements in the unearthed white cosmetic powder were comprehensively analysed by X‐ray diffraction (XRD), scanning electron microscopy (SEM), differential scanning calorimetry – thermogravimetry (DSC–TG), Fourier transform infrared (FT–IR) microscopy and inductively coupled plasma atomic emission spectroscopy (ICP–AES). The white makeup powder was determined to be a product made from high‐quality freshwater pearls. These results, for the first time, showed evidence that freshwater pearl powder was used as a cosmetic in ancient China using archaeological objects, providing scientific evidence and new clues to enrich and expand research into the ancient Chinese cosmetic materials.     

Chinese Independent Documentary Films: Alternative Media,Public Spheres and the Emergence of the Citizen Activist

This article argues that contemporary independent documentary filmmaking in China has been used as a tool by Chinese citizens to intervene in the public sphere and to provoke social change. I therefore propose to look at the phenomenon of Chinese video activism under the umbrella of alternative media. In particular, I take into consideration the “rhizomatic” media approach, which focuses on the interaction of alternative media with authority, the market and civil society. The case studies I present consist of several documentary projects completed between 2004 and 2010 that opened up spaces of dialogue between filmmakers and local authority, mass media and civil society. The paper claims that documentary films have an impact on audiences, whose members are consequently motivated to engage in discussion and action. I argue that activist video-making in China is reshaping the identity of urban citizens: through filmmaking, urban citizens claim their right to access information and demonstrate their will to participate and intervene in social issues.     

“Northern Girls”: Cultural Politics of Agency and South China’s Migrant Literature

Abstract:

This paper is concerned with the cultural politics of agency, and explores the relationship between cultural form, migrant experience and social change. It traces the emergence of a range of literary forms in south China and how these new cultural forms provide hitherto unavailable space to contest the state- and market-driven narratives, which tend to link dagongmei’s (rural migrant women’s) sexuality with inexperience and vulnerability on the one hand, and criminality, immorality and incivility on the other. The paper suggests that these newly emerging cultural forms present alternative perspectives on the practical circumstances, moral rationalities and emotional consequences that condition and shape migrant women’s sexual experience, and for this reason, they constitute important points of intervention.     

Red Aesthetics,Intermediality and the Use of Posters in Chinese Cinema after 1949

Abstract

This article focuses on the aesthetic and affective techniques of saturation through which posters legitimated the Party-State in Mao’s China by closing the gap between everyday experience and political ideology. Propaganda posters were designed to put into practice the principle of unity, as conceptualised by Mao Zedong. The argument posits that while the “poster” is normally a printed edition of a painting or design intended for mass distribution in this way, the term may fairly be deployed to capture other cultural objects that function as “posters”, in that they provide public, political information that expresses or constructs a political self in aesthetic form. This approach requires a metonymic understanding of a visual field in which cultural objects are interrelated and mutually reinforcing. The essay draws on recent in-depth interviews with poster artists of the 1960s and 1970s.     

Cultural impact of modernization and tourism on Dai villages in Xishuangbanna,China

The development of tourism can have a considerable sociocultural impact on ethnic communities, but few studies have attempted to separate the unique impact of ethnic tourism from the overall impact of modernization and describe its mechanism clearly. This paper describes a quasi-natural experiment performed in three typical Dai villages in different stages of tourism development. A crosswise and longitudinal comparative study was performed on Dai village culture. The study indicates the following: (1) spiritual culture has been transmitted relatively unchanged across generations in three Dai villages, but material culture has undergone various degrees of change. (2) The changes in material culture and some parts of institutional culture have been caused primarily by the pressure of overall social modernization. (3) Currently, the overall thrust of modernization in mainstream Chinese society has driven some ethnic cultural practices out of use, while the endogenous driving force of tourism development in ethnic communities has pulled them back into use. (4) Under the influence of modernization, the issue of whether ethnic tourism communities can be developed in a sustainable way depends on both bottom-up and top-down factors: the leading role played by community elites internally, developing useful parts of ethnic culture and discarding useless parts during repeated games in the tourism field, and government policy and guidance facilitating planning.     

Eco‐urbanism and the Eco‐city,or, Denying the Right to the City?

This paper critically analyses the construction of eco‐cities as technological fixes to concerns over climate change, Peak Oil, and other scenarios in the transition towards “green capitalism”. It argues for a critical engagement with new‐build eco‐city projects, first by highlighting the inequalities which mean that eco‐cities will not benefit those who will be most impacted by climate change: the citizens of the world's least wealthy states. Second, the paper investigates the foundation of eco‐city projects on notions of crisis and scarcity. Third, there is a need to critically interrogate the mechanisms through which new eco‐cities are built, including the land market, reclamation, dispossession and “green grabbing”. Lastly, a sustained focus is needed on the multiplication of workers’ geographies in and around these “emerald cities”, especially the ordinary urban spaces and lives of the temporary settlements housing the millions of workers who move from one new project to another.     

Agamben,Postcoloniality, and Sovereignty in South Korea

This paper examines modern Korean politics through the framework of Giorgio Agamben's theories of sovereign power, bare life, and the state of exception. Though his political analysis draws from the European history, we contend that the nature of his method attests to the possibility of analogical examples in non‐Western places. Thus, we argue that a postcolonial encounter with Agamben may enrich our understanding of sovereignty and political geography. In the Korean context, such an analysis needs to consider that sovereign power has been shaped by the itineraries of colonialism and empire. Korea's political space is deeply marked by the legacy of Japanese colonialism, the imperial interventions by the U.S., and the division of the peninsula. Thus, Korea offers a valuable lens through which to read Agamben's critique of sovereignty. Our paper offers such a reading to argue that a state of exception functions as the underlying nomos for postcolonial Korea.