中国文化自然遗产管理评价的指标体系初探

化和自然遗产管理的研究引起学术界重视。目前献集中于研究转型期遗产管理的组织结构的调整,但缺少在管理机制的设计和操作层面上开展研究。本试图从遗产管理绩效评估入手开始对遗产管理激励机制的探索。初步构建了以遗产保护为基本目标和以社区发展、游客管理和经营开发为贡献目标的遗产管理评价指标体系,并对评价的原则和关键指标确定等进行思考。     

“二里头五期”遗存分析及其相关问题

所谓“二里头五期”遗存,实质上是包含了不同年代、不同时期遗存的混合体,化性质与二里头化—至四期不同,属早商化。二里头二号宫殿的废弃、偃师商城小城之始建以及郑州商城开始进入最繁盛期的时间大体同步,均是在二里头四期(或先商第一段第Ⅱ组)与早商第二段第Ⅲ组之际,表明夏商分界当在此时。     

良渚文化经济形态与社会形态试说

良渚文化发现６０年来，诸多学者对其作了富有成效的探讨，其研究至今方兴未艾。本文试对其经济形态与社会形态作一分析，并就良渚社会存在的一些现象作尝试性的解说。一良渚文化的手工业非常发达，制陶、纺织和编织较以往有了很大进步，特别是制玉和祭坛建筑更是反映了良...     

China and the “culture and trade” debate: a holistic approach

ABSTRACT

Over the past century, the ‘culture and trade’ debate has constantly evolved, particularly in the wake of rapid and still accelerating technological and scientific advances. These changes, manifest in an increasing convergence of many new technologies and industries, meant that the strict separation of culture from trade by means, for instance, of general or special exceptions in international trade agreements, such as the 1947 General Agreement on Tariffs and Trade (GATT) or the 1988 Canada–United States Free Trade Agreement (CUSFTA), can no longer be sustained. It means that in light of the emergence of oxymoronic concepts like ‘the cultural and creative industries’, the debate can no longer be framed along binary modes of thinking that oppose the liberalization of international trade and the protection and promotion of the diversity of cultures. Instead a more holistic approach seems to be needed, which appears to coincide with the approach taken by the People’s Republic of China (PRC), which joined the WTO in 2001. The present paper examines the holistic approach by the PRC, which seeks to combine rather than separate culture and trade in its domestic, regional and global law and policymaking.     

Social change and sexual mores: a comparison between pre‐20th‐century Norway and 20th‐century Botswana

This article compares pre‐20th‐century Norway and 20th‐century Botswana—two settings separated by time and space but sharing a sharp rise in non‐nuptial births. The comparison seeks to create a synergetic analytical effect by combining firsthand, experience‐near field data from Botswana with solid historical analyses of bastardy in Europe. This radical comparison provides a perspective that highlights the importance of treating “culture” not as a residual category, but as an integral part of everything social. This implies that there is a need not only for a proper sociocultural contextualization of localities, but also for an analysis of extra‐local power structures as fundamentally cultural, reflecting not only bureaucratic and political concerns but also values and existential perspectives.     

Multi/Interdisciplinary investigations into Italy and World War I: An introduction

This introductory article details some of the main points that characterized Italian politics and culture in the period leading up to World War I and during the war itself, and then surveys the contributions of each article in this series that further investigates the period. The authors note the febrile nature of Italian domestic politics before the war which challenged traditional liberal parliamentarism. This political challenge was accompanied by a challenge to traditional art, and no movement epitomized these twin challenges to the old order like Futurism. Yet, though the Futurists and other nationalist groups glorified war and helped push Italy into the conflict, the country was hardly united. In fact, the hope was that war would finally unify the nation and erase the shame of Italy’s lackluster military performances since unification. As such, Italy’s cultural experience of the war was somewhat unique, in that the desire to prove its martial valor did not lead to the level of denunciations that other nations’ artists and writers produced – though there were some critics. Ialongo’s article traces the Futurist contribution to this pro-war ethic. Reich shows how the popularity of the Maciste alpino film during the war built upon this desire to unify the nation behind the war. And Palanti’s analysis of the post-war film Umanità notes that there were critics in Italy willing to challenge the cult of war.     

妈祖文化与地理环境

妈祖(又称天妃、天后)及其妈祖文化,自诞生至今已千余年了,它作为中华民族文化的组成部分,源远流长,蕴含丰富。它涉及到中国的政治、经济、文化、航海、宗教、民俗、建筑等诸多方面,已有不少学者在上述方面对其进行研究。但从地理学角度来研究这个问题甚少。本文拟从地理学角度来研究妈祖文化,探讨她的形成、发展与地理环境的关系。     

汉文化为中心的唐代文化大融合

唐文化是我国传统文化发展的高峰,也是居于当时世界的领先地位。它有着其独特的色彩和先进性。本文着重从地理环境的高度来分析唐代文化生态及文化融合,分析文化与地理环境内在的机制和规律。从而在面对现代外来文化冲击的情况下,更理性地安排人类文化活动空间,并用以改造环境,丰富本土文化,为文化发展创造一个良好的环境。     

文化传播的空间基础及模式分析

本文从广义的文化背景出发,探讨了文化传播(扩散)的物质基础-信息-语言文化系统,以及文化传播与地理环境的相互关系,在此基础上,笔者对文化传播的空间模式进行了系统的分析。     

文化力与综合国力关系研究

本文从系统论角度分析界定了综合国力的概念,指出文化力是综合国力的动力源,并阐明了大力发展文化力是综合国力可持续发展的关键所在。