Looking at Interethnic Relations in the Southern Border Through Glass Remains: The NineteenthCentury Pampa Region,Argentina

Arroyo Nieves 2 is an open-air site located in a ravine of a small stream in the Pampa region. Its stratigraphy and archaeological remains assigned it to an aboriginal occupation dated in the third quarter of the nineteenth century. At the time, some indigenous groups were settled in strategic borderline areas by the government, on the basis of reciprocal rights and duties. Food and other supplies were given to the Indians to avoid cattle and women raids, thereby keeping the peace. The findings at Arroyo Nieves 2 include bones, from both domestic and wild species, lithic instruments and debris, fragments of stoneware bottles, refined earthenware sherds, buttons, small pieces of metal and numerous glass remains from wine, beer, bitter, and gin bottles, flasks, glasses, and food containers. This paper presents a study of the glass remains, data that have proven to provide evidence on a wide range of themes, including chronology, trade networks and activities, consumption behaviors, and discard patterns.     

玻璃胎画珐琅考析

玻璃胎画珐琅为我国首创的工艺品种。几十年来,对于它的创始时间、历史发展、官造与民造的界限、工艺名称等众说纷纭。本文依据多种文献和清宫造办处的“活计档”结合作者多年来对实物的观察研究,论述了它在宫廷内创始、发展和终止的概况,并对官造的数量、品种、艺术特色等作了较为全面的考析。同时,对“古月轩”款的作品也作了一定的探讨。     

Material Culture from the Al Hallaniyah Island Early 16th‐Century Portuguese Indiaman Wreck‐site

Excavation of an underwater site on Al Hallaniyah Island, Oman, conducted from 2013 to 2015, confirmed the presence of at least one early 16th‐century shipwreck. The location is believed to be where Vincente and Brás de Sodré’s Esmeralda and the São Pedro, both part of Vasco de Gama's second voyage to India, were wrecked in 1503. This article describes the ceramic and other domestic material assemblage. It is a study of the objects used by sailors on board in their daily lives. The non‐European ceramics also give indications of supplies, cargoes, and plunder acquired during the voyage. These aspects of the assemblage provide two different perspectives on the new era of maritime global trade.     

Lisht as a New Kingdom Glass‐Making Site with Its Own Chemical Signature

Lisht is one of a few New Kingdom sites with known glass‐working debris. Here, we present evidence for the primary production of glass at Lisht, including crucible fragments and semi‐finished glass. We also provide 12 new chemical analyses of glass from Lisht, including trace elements. We argue that the glass made at Lisht has a specific chemical signature within the broader range of Late Bronze Age glass compositions from Egypt, further underlining the former existence of primary glass production there and offering the possibility of identifying Lisht‐made glass elsewhere in Egypt and beyond.     

The So‐called Venetian Enamelled Copper Artworks of the Italian Renaissance: the Technology and Provenance of the Enamels—an Analytical Approach

The so‐called Venetian enamelled coppers are a group of objects produced in Italy during the 15th century. Up to now, about 300 objects have been recognized in private collections and in European and US museums. At the end of 19th century, a Venetian origin was suggested, but their provenance is still debated. In this study, the enamel compositions from 22 enamelled copper products from Italian and French collections have been analysed by invasive and non‐invasive techniques. A comparison of the results with Tuscan and Venetian glass databases reinforces the suggestion of a Tuscan (most probably Florentine) origin for these works of art.     

The Great East Window of Gloucester Cathedral and its Heraldic Glass

Although the coats of arms in the great east window of Gloucester Cathedral are often associated with Edward III’s 1346–47 military campaign in France, the window’s function as a commemorative monument has never been thoroughly studied. The aim of this paper is to provide a political and social contextualisation to the heraldry of the east window, while considering its symbolic meaning (and possible intention) in the framework of the window’s iconography and spatial setting. In regarding the heraldry as thematically connected to the window’s overall theme, and by examining the window in correlation to contemporary discourse on England’s military victories, this paper demonstrates how the window’s composition evokes the exalted social position of Edward III’s military companions after the victories in the first phase of the Hundred Years War. Additionally, this paper argues that the window coincides with Edward III’s kingly ideals by celebrating his rule and lineage as divinely blessed, while affirming his right to the French throne.     

Late antique glass from Salapia: Tracking production and trading networks

The investigation of 38 late antique vessels from the archaeological excavation of Salapia has been performed using EMPA and LA-ICP-MS. The collection was made using impure sands and mineral soda. Among coloured glass, most vessels were made of ‘fresh’ glass. The use of colouring agents is rare, and most decoloured glass is obtained by Mn addition. Sb-decolouration is limited to one cup, and two colourless vessels show both manganese and antimony. As for provenance, the prevalence of Egyptian-HIMT glass over the Levantine is evident. Among Levantine glass, Jalame glass is represented, whereas Apollonia glass is absent. Among Egyptian (and deemed Egyptian) glass, the prevalence of HIMT glass over the other types has been observed. The high attestation of fresh glass, most notable in the earlier centuries, suggests the importation of glass in the form of finished objects, especially luxury vessels.     

Beads from a mediaeval pilgrim centre: Chemical composition and provenance of glass from Banganarti,Nubia, Sudan

Christian Nubia was a region with intensive transcultural connections that are visible through the understudied overseas glass bead imports found there. This paper presents the results of an analysis of 20 glass beads from Banganarti, a Christian pilgrim site active during the Makuria kingdom (mid-sixth to 14th centuries CE). Compositional analyses using laser ablation–inductively coupled plasma–mass spectrometry (LA-ICP-MS) have identified glass belonging to a number of broad compositional groups. Two beads were made of mineral soda-lime glass, dated before the mid-ninth century CE. Numerous beads were made from plant ash-soda-lime glass associated with “Mesopotamian” production dated between the eighth and 10th centuries CE. Lead-soda-silica glass has parallels in the ninth–10th centuries glass found in Africa and Europe. One plant ash-soda-lime bead was of eastern Mediterranean origin dated after the 10th century CE. Results of this study provide new evidence for provenance and chronology of glass beads available in the mediaeval Northeast Africa as well as contribute new data to the research on the pilgrim and/or trade routes of that time.     

The Reliquary Bust of Saint Lambert from the Liège Cathedral,Belgium: Gemstones and Glass Beads Analysis by pXRF and Raman Spectroscopy

The reliquary bust of Saint Lambert, hosted in the Treasure of the Liège Cathedral, was produced in the early 15^th century. This exceptional goldsmithery piece is covered with gold-coated silver, and decorated by approximately 400 stones, analysed by Raman and pXRF techniques to determine their mineralogical and chemical composition. The results confirm the identification of one hundred pearls, twenty-six rock crystals, ten amethysts, two diamonds, and numerous glass beads with a green, blue, colourless, turquoise, orange or red colour. The glass beads show a soda-lime composition, confirming that they are contemporary of the bust and imported from Venice, as reported by historical sources. Orange beads show a lead composition and the red stone a triplet with quartz, indicating that they were added to the bust later. The cutting of gems and beads shows also a significant evolution. The metal contains approximately 60% of Au and 40% of Ag. The origin of gemstones was difficult to establish, due to the absence of characteristic trace elements, but the chemical elements used for the manufacture and colouring of the beads were determined. This study confirms the trade of stones between Liège and Venice during medieval times.     

On technology and production techniques of early medieval glass rings from Silesia

Glass rings used to be one of the most common jewellery types in the 10th–13th centuries in Central Europe, especially Silesia. The popularity of this type of decoration in this area could indicate its local origin. The chemical composition of the glass seems to confirm this theory. The Silesian glass rings analysed in this paper were made of high‐lead alkaline and non‐alkaline glass or of lead‐ash glass. There was also a close relationship between the colour of the finished products and the chemical composition of the glass. This provides new data for the study of the problem of production and distribution of glass jewellery in Central Europe.