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31.
根据陶器质地、火候的差异使用不同的粘接剂是陶器修复的关键;补配材料及作色材料的应用得当,将使出土陶器再现当年风采。 相似文献
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汉至西晋时期的墓葬中经常发现一些盛于朱书陶瓶内的物品,按其质地可以分为天然矿物类、金属制品类、植物类、五谷类。本文对已发现的材料进行了初步考察,认为这些物品就是道士们做法事的遗痕,分别起着压镇、代形、充当贡赋的作用。这些物品和巫医术士使用的物品大致相同,反映出早期道教和巫医方术之间密不可分的关系。 相似文献
33.
河南省文物考古研究所 《华夏考古》2007,(2):30-38
为配合南水北调工程建设,河南省文物考古研究所对安阳固岸墓地进行了考古发掘,清理出大批战国至隋代的墓葬,其中M2是一座保存较为完整的北齐时期的墓葬,出土器物60余件,尤其是出土的陶俑和镇墓兽十分精美,为研究北齐时期葬俗、葬制提供了珍贵的实物资料。 相似文献
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Scanning electron microscopy/energy dispersive X-ray analysis has earlier shown that the white background layer (slip) on painted pottery sherds (Yangshao culture, Henan, China, 4200 BC) is composed of kaolinitic clay containing titanium in the assumed form of TiO2 at just 1 wt%. The same samples of white slip have now been studied by Raman microscopy, revealing bands characteristic of anatase, but none from the majority species, the matrix of kaolinitic clay. These results highlight the extraordinarily intense Raman scattering from even trace amounts of anatase and thus the need to recognise that, although the colours of archaeological artefacts are almost always determined by the nature of the matrix, the Raman spectrum may be determined by a highly scattering trace component such as anatase. The significance of anatase as a potential date-marker pigment on works of art and archaeological artefacts is discussed. 相似文献
36.
庐江大神墩遗址发掘简报 总被引:1,自引:0,他引:1
大神墩遗址是在修建合安高速公路时发现的,属安徽江淮一带典型的台形遗址,总共发掘面积 330平方米。大神墩遗址文化层堆积薄,遗迹遗物相对简单。出土陶器以鬲为大宗,其次有豆、盆、三足盘和盉等,尤其是盉,特征明显,可能是江淮之间群舒文化因素的来源。 相似文献
37.
渭水流域的史前陶窑可分为老官台文化、仰韶文化半坡期、庙底沟期、西王村期和龙山时代五个时期.从形制上来看,渭水上游地区的陶窑均为横穴式,接近于渭水中下游地区的仰韶文化半坡和庙底沟期陶窑.渭水上游地区始终保持着以红陶为主的文化传统,而渭水中下游地区仰韶文化之后的庙底沟二期文化和客省庄二期文化,却一改红陶作风而大兴灰陶.陶窑结构和技术的改变可能是导致渭水上游和中下游地区自龙山时代开始陶器颜色发生变化的根本原因. 相似文献
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R.A. Carter 《Arabian Archaeology and Epigraphy》2008,19(1):71-108
This article re-examines the ceramics of SBY-9, a church and monastery site on the island of Sir Bani Yas, Abu Dhabi emirate, U.A.E. It then explores other archaeological evidence for Christianity in the Arabian Gulf and compares it to the textual data, resulting in a reconsideration of the history and activities of the Church of the East. The pottery of SBY-9 indicates that the monastery complex was occupied some time between the second half of the seventh century and the mid-eighth century AD and not, as previously believed, the sixth–seventh centuries AD. Other excavated churches and monasteries in the Gulf region should also be redated to the eighth and ninth centuries AD (al-Qusur, Kharg). These findings cast a new light on the history of Christianity in the Arabian Gulf after the Muslim conquest. 相似文献
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Renewed research interest in the origins of pottery has illuminated an array of possible precipitating causes and environmental contexts in which pottery began to be made and used. This article is an attempt at synthesizing some of these data in hopes of stimulating further research into this intriguing topic. Following a review of theories on the origins of pottery, discussion proceeds to a survey of geographic and cultural contexts of low-fired or unfired pottery, highlighting the role(s) of pottery among contemporary hunter-gatherers and summarizing data pertaining to varied uses of pottery containers. It is argued that objects of unfired and low-fired clay were created as part of early prestige technologies of material representations beginning in the Upper Paleolithic and are part of an early software horizon. Clay began to be more widely manipulated by nonsedentary, complex hunter-gatherers in the very Late Pleistocene and early Holocene in areas of resource abundance, especially in tropical/subtropical coastal/riverine zones, as part of more general processes of resource and social intensification (such as competitive feasting or communal ritual). Knowledge of making and using pottery containers spread widely as prestige technology and as practical technology, the kind and timing of its adoption or reinvention varying from location to location depending on specific needs and circumstances. 相似文献