山东青州和沂源地区出土彩绘陶器的测试分析

彩绘陶器以其绚丽多彩的彩色装饰为主要特征,对它们的相关研究将不断丰富古代制陶工艺及颜料加工技术的认识。为此,本研究利用EDXRF、XRD、SEM、热膨胀分析等技术手段对山东青州香山汉墓和沂源战国墓葬出土彩绘陶器的组成结构及烧制温度进行了深入分析,首次发现了先以滑石粉打底其上再绘朱砂的彩绘陶品种。沂源战国墓葬中出土了表面用锡层作装饰的陶器,这是在我国北方地区的墓葬中首次发现这种"锡涂陶"。青州香山汉墓出土的陶俑和器物的胎料组成相近,而烧成温度存在明显差异,陶俑的烧成温度要高于器物。这些结果可为研究彩绘陶器的工艺发展提供新资料。     

曹村窑青黄釉陶表面腐蚀物成分及形成原因初步分析

河北临漳县曹村窑出土的青黄釉陶器残片表面覆盖着一层有光晕的层状腐蚀物。为了明确这层腐蚀物的来源,以便为后续的考古修复提供参考,采用了显微观察(OM)、能量色散X射线荧光(EDXRF)、X射线衍射(XRD)、拉曼光谱分析(RAMAN)、傅立叶变换红外光谱(FTIR)等方法对该腐蚀物进行了分析。结果表明腐蚀物可分为三层,最上层土褐色,中间金黄色,最下层银白色,主要成分是白铅矿和石英。曹村窑地下埋藏环境很潮湿,釉中的铅离子和土壤中的碳酸根等可溶性盐类在表面析出。沉积物与釉面的接触并不紧密,故水份仍能进入空隙继续溶蚀。反复进行后层次不断增多。达到一定厚度时,由于光线的干涉作用,就产生银白色光泽,氧化铁含量较高时便呈现金黄色甚至土褐色。目前,器物上的"银釉"作为一种历史的记录,一般不予去除,在保存中要注意防潮,防污染。     

试谈韩国出土钱纹陶器的时代

韩国风纳土城出土了一批大型钱纹陶器,经过参照已有的研究成果,这些钱纹陶器可能与百济王室有关,其输入百济的时期可能在东吴中后期,西晋时期的可能性也存在,东晋时期的可能性几乎不存在,因此风纳土城的始筑年代可追溯至中国东吴时期。     

Umm an‐Nar burial 401 at Bat,Oman: architecture and finds

The archaeological site at Bat has an important status with regard to research on the Umm an‐Nar culture. Investigations began there in 1972 and were revived in 2004, when the excavation of tomb 401 was begun. This paper presents the complete corpus of grave‐goods. Despite all the disturbances within the find layers, when comparing the two chambers it is possible to observe some indications of the different burial cycles and detect distinguishing characteristics. Taking into account the divergent earlier and later ceramic styles, burial use must be proposed between 2400 and 2200 BC. This date accords with observations of the architectural details of tomb 401 and with the sequence of tomb construction types in the Bat region. This paper is dedicated to the memory of professor Gerd Weisgerber.     

Cave occupations in Southeastern Arabia in the second millennium BCE: Excavation at Mugharat al-Kahf,North-Central Oman

This paper reports the results of excavation at Mugharat al-Kahf (WTN01) in Wādī Tanūf, North-central Oman. It also provides information on the nonmortuary and nonsedentary activities in central Oman during the Wādī Sūq period (2000–1600 BCE), as the subsistence and social arrangements of this period are the subject of much debate. Previous surveys had discovered a substantial amount of Wādī Sūq pottery at the site. This project took forward the excavation for further exploration. The excavation at Test Pit 1 identified Layers Ia and Ib, wherein pottery sherds, charred date stones and other samples for radiocarbon dating were discovered. These prove the cave's occupation during the early third millennium BCE, early second millennium BCE and the Islamic period. The analysis of artefacts and floral remains provided insights into the sojourn, storage and consumption of dates in the cave, and the mobile lifestyle in central Oman.     

A Study on the Paleolithic-Neolithic Transition in the Northern Region of Northeast China from the Perspective of Cultural Ecology

Lithic technology, subsistence modes, mobility strategies, and habitation modes in the northern part of Northeast China co-evolved during the Paleolithic-Neolithic transitional period, from the end of the Pleistocene through the beginning of the Holocene, exhibiting notable continuity and the phases of development. The investigation of climate, environment, population, technology, subsistence, and mobility is helpful in understanding environmental adaptation strategies and reconstructing cultural adaptation processes. The study of paleoclimatic records in this region indicates that remarkable climatic turbulence during the late Pleistocene, alongside extreme fluctuations in temperature and humidity, significantly influenced human technological systems and behavior.     

馆藏唐代彩绘人物俑颜料分析与修复保护

为确定深圳博物馆藏唐代彩绘人物俑颜料的矿物成分,利用X射线荧光能谱仪、X-射线衍射仪等对这批俑的颜料成分进行了分析,结果表明:红色颜料为铅丹、朱砂;黑色颜料为无定形碳黑;白色颜料为铅白和高岭土等.同时,将其与陕西省内相关地区的彩绘陶俑或壁画颜料进行了对比,得知其所使用的颜料与后者基本一致.在此基础上,针对这批人物俑的保存现状,遵循最小干预等文物保护的基本原则,对其实施了表面附着物清理、拼对、粘接、修复补全等保护修复技术措施,使其恢复了原有面貌,取得了较为理想的保护效果.     

O. Elusa 2: Another Enigmatic Ostracon from the Pottery Workshop at Elusa in Byzantine Palestine

Abstract

A rather enigmatic Greek ostracon (O. Elusa 2) was recovered during the 1997 excavation season at Elusa in the Negev Desert. This ostracon is analysed in light of its archaeological setting, namely, a Byzantine pottery workshop, and the associated finds from the workshop, including a previously published ostracon (O. Elusa 1). Such an integrative approach underscores the importance of combining papyrological and archaeo- logical information for the interpretation of excavated texts.     

释“昊”

本文根据对大汶口文化陶文的研究,认为大汶口文化陶文中的就是后代的“昊”字及“皞”字,并认为这个符号是一个族徽标志,代表的就是历史上的太昊族。     

三门峡三里桥村11号唐墓

三门峡三里桥村11号唐墓经过发掘,出土器物较为丰富,包括各式人物俑和动物俑以及陶器、铁器等,其中贴金武士俑、陶牛车、乐舞俑、骆驼俑、陶琵琶等在豫西地区已发掘的同类墓葬中为首次发现。该墓的发掘为研究豫西地区唐墓提供了新的实物资料,据其形制与出土陶俑的形态特点,其年代当为唐代早期。