Music geography in Russia: non-auratic places and institutionalization “in becoming”

ABSTRACT

This paper focuses on the Tsoi Wall in Moscow, an iconic place on Russia's music map that appeared in Moscow in 1990 in memory of the cult Soviet rock musician Viktor Tsoi, to develop a framework for studying non-auratic music place – that is, places that are not connected with the biographies of musicians or musical events, but emerge directly from the experiences of visitors and fans. These places are constantly negotiated and only lightly formalized, but are nevertheless enduring. To analyze this type of place, we propose a concept of institutionalization “in becoming”. The case of the Tsoi Wall reveals that light formalization (vague and changing positions and rules, and openness to different interpretations of a place and ways of using it) leads to the recognition of the place as a significant one and to its popularity. We put institutionalization “in becoming” in a wider context and juxtapose it with well-studied musical places in Europe and the US.     

The Experiences of a Polish Family from the Eastern Borderlands (1914–1921): The Protassewiczes of Borki

ABSTRACT

This article examines how two generations of a large Polish landed family from the Grodno governorate in the Russian Empire were affected by the political and social upheavals brought about by World War One, the Russian Revolution, the threat of Bolshevism, and the rebirth of a Polish state. The Protassewiczes, like other landed noble families in the region, despite their Polish- Lithuanian identity, enjoyed a privileged social status in tsarist Russia. Marriage and work took many of the family’s members to Wilno (Vilnius) and Siberia, while a younger member studied in Austrian Galicia where he joined Pi?sudski’s organisation. The article describes the evacuation to Taganrog in 1915 of the senior Protassewicz and his subsequent return to Borki in 1918 to face the ensuing Polish-Soviet War. Two members of the family who were engaged in railway building in Siberia met a tragic end. The younger generation participated in Polish military efforts in the east in 1919–21 and adapted successfully to life in restored Poland. Attention is paid to issues of national identity raised by rival Polish and Lithuanian claims to Wilno in the context of the fall of empires and the emergence of new national states.     

Alice Munro’s Narrative Historicism: “Too Much Happiness”

Alice Munro’s “Too Much Happiness” relates the final years of its subject Sophia Kovalevsky (1850–1891), a nineteenth-century Russian mathematician, writer, and subsequent feminist icon. Munro’s narrative here does not always fit with her earlier fictional practice. By examining Munro’s earlier work, and glancing at a later sequence of narratives with regard to her uses of historical matters, this discussion outlines the generic implications of “Too Much Happiness” and their effect upon our estimation of the remainder of Munro’s fiction.     

Ukraine’s national integration before and after 2014. Shifting ‘East–West’ polarization line and strengthening political community

ABSTRACT

This article addresses the question of Ukraine’s societal polarization along the East-West line and the state of cohesion and endurance of its political community. In both political and academic discourses, Ukraine is often characterized as a country split between Western and Eastern regional and societal parts belonging to some wider geopolitical and cultural entities. Moreover, the recent upheavals in the life of the country – Euromaidan Revolution, illegal annexation of Crimea and Russian-Ukrainian war in Donbas – have actualized the allegations about Ukraine as a feeble state structure on the brink of disintegration and collapse. The findings in this study challenge both of these claims and it is argued that Ukraine is not a deeply divided or failed state. In practice, the East-West political polarization line is not clearly defined, but to the extent that it does surface in the political and electoral contests, this line has been moving from west to east since the early 1990s. The shifting of the polarization line implies that political and cultural identities in Ukraine are not fixed and, at the same time, reflects a strengthening cohesion of Ukraine’s political and cultural space. These findings are confirmed by the improved and ever-increasing convergence of Ukrainian society following the Euromaidan and Russian military aggression.