Dewey’s concept of experience for inquiry-based landscape drawing during field studies

The epistemological and educational philosophy of John Dewey is used as a theoretical basis to analyze processes of knowledge construction during geographical field studies. The experience of landscape drawing as a method of inquiry and a starting point for research-based learning is empirically evaluated. The basic drawing skills are acquired through an online drawing course. The main aim is to foster the self-organized acquisition of relevant skills to explore, describe and reflect on subjective mental and linguistic concepts in relation to scientific landscape models. The results, based on an evaluation of the students’ drawings, their responses to questionnaires and a review of students’ “reflective notes”, indicate that the approach motivated students to learn about the processes which formed the landscape and that the students perceived the method of inquiry after Dewey as a way to overcome cognitive dissonance.     

The Battle of Sha’iba, 1915: Ottomanism,British Imperialism and Shia Religious Activism during the Mesopotamian Campaign

This article analyses relations among the Ottoman Empire, British imperialism and Shia religious proto-nationalism in the period before and after the battle of Sha’iba of 1915, one of the pivotal engagements of the Mesopotamian campaign. It illustrates how the narrow victory of the British at the battle led them to draw a number of over-optimistic conclusions regarding their role in Iraq and their ability to co-opt the Arabs of the province against their ‘Turkish’ overlords. The victory at Sha’iba and in particular the ambivalent role played by a number of the Arab mujahidin volunteers led the British to conclude that there had never been any real enthusiasm for the jihad declared by the Ottomans against the British occupiers. However, this was based on the false perception that lack of commitment to Ottomanism could be equated with sympathy for British imperialism. In particular, the British failed to recognise that the Ottoman summons to jihad had strengthened the developing forms of Shia proto-nationalist consciousness led by various mujtahids influenced by the Iranian Constitutional Revolution.     

Stitching Together the Fabric of Industrial Houses: Investigating the Origins and Development of Cotton Workers’ Accommodation in the Derwent Valley,Derbyshire

At the close of the 18th century, the first purpose-built industrial communities connected to mechanised cotton spinning were created in the Derwent Valley, Derbyshire. Across four sites at Cromford, Belper, Milford and Darley Abbey, three mill-owning families constructed a wide variety of purpose-built accommodation in order to house their growing workforces. This article uses a buildings-led approach to investigate the complex influences acting on the form and design of these houses. Through the analysis of historic building fabric, this research demonstrates that workers’ housing in the Derwent Valley comprised both innovative and traditional influences, reflecting the experimental character of early cotton manufacture. Ultimately, this research suggests that the array of approaches to house-building within the valley were the result of a highly nuanced interaction between the agenda, requirements and expectations of both occupant and patron.     

Losing the Blanket,Building a Fence: Australian Anxiety and the End of Military Colonialism in Malaysia

From 1955 to 1988, the Royal Australian Air Force (RAAF) maintained a large airbase in Northern Malaysia. For the first 15 years of its existence, RAAF Butterworth had a modest and incomplete perimeter fence. With the end of British military colonialism in Malaysia and Singapore following the implementation of the ‘East of Suez’ policy, the Australians became preoccupied with their physical security and the role of the perimeter fence. By exploring the adoption of practices of exclusion via physical barriers in the wake of British withdrawal, this paper argues that the changing psychological outlook of Australian military officials reflected broader Australian anxieties about their own sense of ‘Britishness’ and the nation’s place in a decolonising Asia. As the Australians lost their British ‘blanket’ they built a fence.     

What Can the State Do for You?

It has been suggested that Swedish policy during the early post-war period was strongly directed towards mobility-increasing expenditures – most notably relocation allowances – aimed at moving labour from north to south. While this view has dominated the academic discussion on labour market policy, there is little direct evidence. We make three claims. First, the relocation allowances have to be evaluated against the regional policy. Second, by doing so we show that the mobility-oriented policy was predominant only for a short period of time: in the early 1970s, there was a decisive shift towards a policy directed at stimulating employment in the north. Third, drawing on this, we revaluate the previous view on policy making in Sweden. Our analysis suggests that the Social Democratic government acted in a voter-maximizing way. The relocation allowances were introduced at the behest of the Trade Union Confederation (LO). The regional subsidies were expanded when voter sentiment turned against the perceived depletion of rural regions. However, this strategy interacted with the political and institutional environment. The new election law in 1970 and political competition from the Centre Party pushed the Social Democrats to shift their policies on regional subsidies.     

Villagers’ agency in the Intangible Cultural Heritage designation of a Korean village ritual

This paper examines how the villagers of Pams?m village in Seoul acted as agents in configuring their own cultural identity which explores issues concerning Korea’s Intangible Cultural Heritage (ICH) designation system. It delves in detail how villagers practice their ritual of Pams?m Pugundang kut ? amidst the complex process of continuity and change as a way of sustaining and promoting collective village identity. By examining the implications of this cultural practices in contemporary society, this paper ultimately raises the question of who constitutes the true legatee of traditional culture of Pams?m village. The cultural practice of the Pams?m Pugundang kut carried out by the villagers of Pams?m can be interpreted not merely as a critique of the dynamics of political and cultural heritage, but the reconstruction of villager’s identity through the creation and continuation of their long village history. This study provides a useful case in examining a village community which describes in detail how the subject of this study constructs their cultural identity and faces the complex issues concerning Korea’s ICH designation system.     

A Decadence Baedeker: D’Annunzio’s The Triumph of Death

This article investigates how Gabriele D’Annunzio’s The Triumph of Death brings together Nietzsche’s ideas and Wagner’s music and interweaves them with the motifs of literary Decadence and the author’s own particular sexual politics. The novel is an experimental text striving to be a Gesemtkunstswerk, an integrated work that incorporates music, painting, poetry, regional folklore, and private thoughts about personal and national power. I discuss the novel’s themes of violent sexuality and the anxiety of powerlessness and explore their implications for the fascist political aesthetics in which D’Annunzio played a pioneering role.     

Intersectional solidarity? The Armagh women,the British left and women’s liberation

In 1980, three Republican women prisoners held in Armagh prison in Northern Ireland joined the hunger strike being conducted by male Republican prisoners in Maze Prison. Overshadowed by the fatal 1981 strike, the 1980 strike involved these women in Armagh, who challenged the traditional nationalist notion of the strong male warrior, while generating sympathy and solidarity across the globe, including with the far left and the women’s liberation movement in Britain. This article will look at how the left and the women’s liberation movement in both Britain and Ireland looked to portray these women within their competing narratives.     

Nostalgia or das Heimweh: Homesickness and the Press-ganged Soldier in Sylvia’s Lovers (1863)

This article argues that Elizabeth Gaskell’s historical novel Sylvia’s Lovers (1863) uses nostalgia as a literary aesthetic and historical context to articulate a narrative of disorientating epochal change. Gaskell’s novel draws on nostalgia’s roots as a psychosomatic disease afflicting soldiers displaced by international conflicts to reassert the traumatic roots of a familiar feeling often understood as superficial and insignificant. Nostalgia began as a disease brought on by migration and only later came to be thought of as a type of sentimental memory; first home was far away and then it was long ago. Gaskell’s novel incorporates both, mingling longing for a place with longing for a past. This double distancing articulates an experience of transition within her historical novel. She draws on an eighteenth-century trope used by figures such as Jean-Jacques Rousseau and William Wordsworth, repurposed for the demands of prose fiction. The homesick soldier who was the first sufferer with pathological nostalgia is cast as the central protagonist of historical transformation and an emblem of uneasy transitions. Sylvia’s Lovers has received scant critical notice to date and, perhaps for this reason, its explicit allusions to nostalgia, and the role they play in Gaskell’s historical imagination, have been left entirely unremarked.     

The evolution of Chinese film policy: how to adapt an instrument for hegemonic rule to commercialisation

Since the 1990s, the Chinese political leadership has gradually embraced the commercialisation of the film sector and has turned the liberalisation of entertainment content production into a strategy for generating legitimacy. This article traces the evolution of Chinese film policy from its Communist origins to the present day, and reveals that the Chinese Communist Party (CCP), at the same time, has never desisted from using film production to establish hegemony in a Gramscian sense, and that these efforts have even been intensified over the last decade. The second part of the article scrutinises how the CCP’s mechanisms of control and ideological guidance have been adapted to commercialisation and, based on personal interviews with Beijing film producers in 2006 and 2007, investigates the extent to which the intensified efforts of adaptation since 2003 have been able to persuade the private sector of film production to participate in maintaining CCP hegemony.