Mortars in context: An integrated study of mortars and plasters from the so-called Ginnasio in Solunto (Sicily,Italy)

This paper presents a multipronged scientific study of mortars and plasters of the so-called Ginnasio in the Hellenistic–Roman city of Solunto (Sicily, Italy). A selection of 16 well-contextualized samples was collected to represent different functions and building phases of this private house. The results show that a variety of locally available raw materials was used as aggregates and to produce binders. The diversity of raw materials’ sources and production techniques identified in this study reveals the advanced technological knowledge of the builders of Solunto, indicating a complex relationship between the settlement's cityscape and its surrounding landscape.     

First evidence of the production of Ginalski E5 button spurs from copper alloy in Central Europe

Ginalski-type E5 button spurs made from a Cu alloy are a characteristic attribute of the Middle Roman period in barbarian Europe. The find of part of a mould made of non-ferrous metal at the Luleč site in the district of Vyškov, Czech Republic, provided key evidence for explaining the issue of their production. The discovery of this unique artefact showed that based on current knowledge, the spurs made from a Cu alloy were also produced in the Middle Danube region and not only in Northeast Europe as had previously been thought.     

故宫博物院旧藏漆器文物中漆灰材质的科学研究

漆灰的修复是漆器文物修复工作的重要组成部分。为揭示故宫博物院旧藏漆器3种典型漆灰的材料构成及特点,以及为漆器修复工作提供科技支持,研究结合X射线荧光光谱、微区X射线衍射、红外光谱、纤维显微镜观测、热裂解-气相色谱/质谱联用等技术,综合分析了3种典型漆灰所含无机及有机原材料。研究结果表明：明代古梅花蕉叶式琴漆灰所用无机材料是动物角灰或骨灰及少量黏土,胶结材料则由中国大漆及少量植物油组成;清代黑漆描金大宝座漆灰的无机材料为含有方解石的黏土,胶结材料为熟桐油、猪血的混合物,此外,样品中还含有麻类纤维,为宝座木胎与漆灰层之间所裱麻布,宝座漆灰不但能提供平整髹漆表面,而且还对麻布有加固定型作用;清代黑漆地填金字张廷玉书圣训天伦对联漆灰的无机材料为黏土,胶结材料则为熟桐油、猪血的混合物。研究所用分析方法体系可实现漆灰原材料,特别是有机胶结材料的准确识别。3种典型漆灰的选材特点与中国古代漆器,特别是明清时期家具、器物制作用料传统相吻合,研究结果可直接应用于漆器文物修复方案的制定。     

What Do Objects Want?

This paper develops an argument for the agency of objects, looking at the effects objects have on people. Groups of related objects, such as pots or metal ornaments, create stylistic universes which affect producers and users of new objects, bound by the canons of style. For an object to be socially powerful in a recognized manner, the form of the object lays down certain rules of use which influence the sensory and emotional impacts of the object. Formal properties of artifacts are influenced by the genealogy of the object class, including historical continuities and changes, and also its perceived source. The forms of objects, the historical trajectories of the class of objects and their perceived sources combine to have social effects on people, shaping people as socially effective entities. Britain’s incorporation into the Roman Empire between 150 BC and AD 200 provides an excellent case study through which to look at the changing corpora of objects, which had continuities and changes in form, a set of subtle attributions of sources and a complex range of social effects.     

Notice to contributors

In 1400 Guillaume l’Archevêque, the lord of Parthenay, commissioned the Roman de Parthenay (RP), a poetic ancestral romance affirming his family’s descent from Mélusine, the mythic fairy-serpentine matriarch of the Poitevin Lusignan dynasty. Prevailing scholarship holds that Guillaume’s commission was a political response to the earlier patronage of a prose Mélusine romance by Jean, duke of Berry, c. 1392. According to this view, Guillaume was an English partisan who sought to counter the French claims to Poitevin territories embedded in Berry’s romance with a text that proclaimed his own (and therefore English) rights to lands in central France. After exploring textual and historical evidence for this conventional view, the paper argues that clues to understanding Guillaume’s patronage lie in an analytical comparison of passages in the RP with the specific dynastic circumstances confronting l’Archevêque at the end of the fourteenth century. Examination of the romance in conjunction with evidence provided by feudal, financial, and legal sources suggests that Guillaume’s literary patronage was motivated not by contemporary affairs of state but by his anxieties about the imminent extinction of the Parthenay dynasty.     

From Romanus to Graecus. The identity and perceptions of the Byzantines in the Frankish West

Estrangement between the Byzantine and Frankish worlds was a long-term process, perceptible in a gradual change in the designations used to refer to the respective other. The Franks came more often to label the Eastern Romans as ‘Greeks’, a term with increasingly pejorative connotations that was used to distinguish the Byzantines from the ancient Roman past, and thereby to reconnect Western identities with both ancient and papal Rome. This paper examines the Frankish terminology and analyses this gradual shift in order to assess what it tells us about Frankish perceptions and their relationship with the Byzantine world. This analysis helps not only in a reassessment of early medieval identity and the use of the notions included in these appellations, but also to understand how these designations might have been used to create a modified Frankish identity and alterity.     

Materials Characteristics of Roman and Arabic Mortars and Stuccoes from the Patio De Banderas in the Real Alcazar of Seville (Spain)

This study discusses the materials and traditional knowledge used in the manufacture and application of lime mortars and stuccoes by Romans and Arabs in Seville (southern Iberian Peninsula). All of the samples studied contain calcite as a binder, combined with aggregates based on river sand from the filling materials of the Guadalquivir River's depression, located in the vicinity of the Real Alcazar Palace in Seville, Spain, where the artefacts were discovered. The Romans used high‐quality production technology, as evidenced by the careful selection of raw materials as well as by the adequate binder‐to‐aggregate ratio and the elevated homogeneity of the mortars and stuccoes. The suitable distribution of aggregates resulted in higher density values for Roman fragments than for Arabic ones. Results derived from Arabic samples suggest a decline in technology manufacture over time. This work provides useful information, particularly regarding the Roman and Arabic periods in the Iberian Peninsula. The analytical techniques employed in this study were X‐ray diffraction (XRD), X‐ray fluorescence (XRF)—using conventional and portable systems, scanning electron microscopy (SEM), petrographic microscopy, differential thermal analysis/thermogravimetry (DTA/TG), particle‐size analysis and mercury intrusion porosimetry.     

The Enigma of the Great Thapsus Harbour Mole

On the East coast of Tunisia, between Sousse and Sfax, lie the scant remains of the ancient city of Thapsus, notable mainly for a battle fought in the civil war in 46 BC. Visits by the authors resulted in the discovery of one of the longest‐known harbour moles in the entire Roman Empire. No ancient sources make reference to any work of such magnitude and the paper suggests that the harbour was never completed, but might have been started by the local emperors Gordianus, none of whom survived long enough to have executed such a project.     

The Roman Harbour of Alexandria Troas,Turkey

This article summarizes the results of a survey conducted in the area of the ancient harbour of Alexandria Troas. It presents an outline reconstruction of the harbour and explains its significance for our understanding of the region. The harbour is located at the point where two important sea‐routes met and where ships waited for favourable winds to travel through the Dardanelles. It was built in the reign of Augustus and consisted of an outer basin protected by two breakwaters and an inner basin. The area was occupied until the beginning of the 7th century. © 2010 The Author