从生命体验结构涌出的诗歌创作——《人傍山斋残稿》序

《人傍山斋残稿》所收之诗,皆能吐属心声,抒发性灵,触景感发,多为佳句,不期而至之中,似有神助,实则仍来源于诗人之生命体验结构,离不开对生活物态之细腻微妙观察。足证真诗者,皆精神之所为;而诗歌之语言,实即生命体验之艺术升华。     

英年早逝的清代宫廷画家张若澄

清代宫廷绘画艺术影响极大。宫廷画家张若澄画风工整细致,笔墨丰润绝俗,深受乾隆皇帝赏识。对其画作进行研究,有助于认识和了解清代宫廷绘画艺术。     

我国文化遗产保护科技成果转化对策研究——基于文化遗产保护科技成果供求分析

进入"十二五"后,文物保护领域面临着新的发展形势。其中,科学和技术成果转化问题受到了高度关注,成为当前文化遗产保护领域的一大热点问题。目前,由于我国文化遗产保护科技成果转化的特殊性和相关领域科技事业发展的阶段性,文化遗产保护科技供给与需求脱节,科技成果转化率不高。针对这种状况,国家应建立激励评价体制,促进文博系统内外的合作,保证科技成果的有效供给和有效需求。     

Preparation for Deep Learning:

ABSTRACT

Norman H. Hardy is not a well-known historical character, so an element of salvage exists in bringing his art and book illustration to a wider audience. His short career as an artist with the Sydney Mail and the 68 paintings in The Savage South Seas in 1907 open up a wider discourse concerning the links between art and photography, between visitation and recording in the field, between art and journalism, and between popular imagination and the publishing practices for illustrated travelogues. Hardy's paintings of Papua, Solomon Islands and New Hebrides reached a wide audience and provide a close-up, intimate record of Indigenous life in the islands, as well as hinting at complex encounters between Islanders and traders. The visual evidence in The Savage South Seas also contributes to debates about the motivations of early 20th-century Euro-American travellers, authors and purchasers of books on the Pacific and provides yet another citation of notions of faraway lands and people in the Pacific as perceived by distant readers and audiences.     

Uranium-series age estimates for rock art in southwest China

We report the first uranium-series age estimates for rock art in China. Calcite bracketing a paint layer was used to constrain the age of a naturalistic outline hunter-gatherer painting in the Jinsha River area of northwest Yunnan Province (southwest China). The rock paintings in this region are unique in style and content compared with other bodies of rock art in China, which are dominated by Neolithic subject matter. The minimum and maximum ages were determined using isochron techniques on multiple samples of calcite from above and beneath the paint layer. A large painted deer head was dated to between 5738 and 2050 years. This painting and underlying flowstone are superimposed on older paintings that suggest the older paintings are at least 3400 years old, if not older than 5738 years. The results indicate for the first time that Jinsha River rock art is older than other forms of rock art in the region and show that rock art likely extends back to at least the transition from the Palaeolithic to Neolithic in this part of China.     

Acoustics and Levantine rock art: auditory perceptions in La Valltorta Gorge (Spain)

This article explores the relevance of acoustics as a factor for in the production and active use of Levantine rock art in Spain. The renowned rock art area of La Valltorta Gorge serves as a case study. Two experiments are described; the first assessed whether the sites with the most painted motifs had better acoustics than those with fewer motifs. The second tested which areas in La Valltorta Gorge had better acoustics and whether there was a difference between the acoustics of the decorated area and the contiguous sectors of the Gorge where no paintings have been found. In both experiments different sounds and pitches were used. The results suggest a strong relationship between the painted areas and the sonority of the place, with the major sites generally having provided the best results, with the exception of the sonority when facing the rock art panels. It is suggested that La Valltorta Gorge was chosen to be decorated with a view to increasing the perceptual impact of the rituals that may have been held at rock art sites due to the amplification caused by the echoing and resonance.     

一个展览和一个时代——“明永乐宣德文物特展”设计综述

"明永乐宣德文物特展"是一个全面展现明早期艺术的综合性文物大展。展览的最终目的是要激发大众对传统艺术的兴趣,令其得到文化的熏陶与艺术的启迪,因此,展览陈列设计所要考虑的是一个多层次的体系。首先提炼装饰元素作为视觉主题,将艺术品的美感尽可能展现给观众,同时还要向观者传递时代背景、皇帝的思想境界等信息。此外,设计者还精心挑选不同的装饰材料以营造新颖的展示环境,达到衬托文物高超工艺水平的目的。     

城墙命运变迁与遗产保护思考

近五六十年来,人们对古城墙的态度发生了巨大的变化,与之密切相关的城墙命运也是如此,经历了一个从拆除到日渐重视保存、从趋于保护到热衷于修复和重建的历史过程。本文对这一过程及其重要人事进行了梳理,并分析了相关重要影响因素。同时,基于城墙命运巨大变化的历史考察,对快速城市化过程中的城市文化遗产保护进行了多方面的思考。     

The Study of Local Public Economies: Multi‐organizational,Multi‐level Institutional Analysis and Development

One important extension of the IAD framework has been to the study of local public economies. These are multi‐organizational, multi‐level arrangements defined as the set of governmental jurisdictions, public and nonprofit agencies, and private firms that interact in various patterns to provide and produce public goods and services within a specific locality or region. Commonly, the localities or regions studied from this perspective have been U.S. metropolitan areas, often defined as a central city and its surrounding or adjoining county. Localities can be delineated, however, on various terms, and in the IAD framework, it is the geo‐physical nature of a locality that, in substantial part, drives the analysis. One of the strengths of the approach is its capacity to explain local variations in public organization as a function of the geo‐physical diversity of localities, while at the same time developing empirical generalizations and normative principles that apply across diverse regions. What, for example, might the organization and governance of a complex metropolitan area have in common with the organization and governance of a complex protected area, such as the greater Yellowstone eco‐region or the Adirondack Park? Construing both sorts of regions as local public economies can enhance our overall understanding of public organization at the same time that it permits a more nuanced understanding of diverse localities. Such work contributes to the ongoing IAD project of “understanding institutional diversity.”     

刘知自先生书法初析

刘知白先生为中国当代绘画大家,其书法艺术也有相当的造诣,却少为人所论及。本文从书法用笔的角度,将刘知白先生之书法用笔与绘画用笔加以比较,从中分析书法线质和绘画线质在其作品中的一致性,呈现刘知白书法艺术中以画法参书法,笔法互用,心象自出的典型特征。