广西左江岩画的艺术特征及其价值

左江沿岸保存着许多古代壮族先民骆越人的珍贵化遗产——岩画,左江岩画有她自己的模式、风格、特征,当把这些共同的特征结合起来后,可以形成一个整体的概念。     

Neolithic rock art in context: Landscape history and the transition to agriculture in Mediterranean Spain

Rock art is one of the most salient features of Neolithic societies in eastern Spain and an explicit form of landscape history. This paper summarizes current debates of Mediterranean rock art chronology and interpretation and explores the contextual differences in two areas of Neolithic settlement with rock art: the Canyoles Valley (Valencia) and the Alcoi Basin (Alicante). Large-scale survey of the Canyoles Valley resulted in a clearer understanding of agricultural land use during the Neolithic that contrasts with evidence from the Alcoi Basin. By analyzing Neolithic rock art in its archaeological context, we discuss the significance and limitations of rock art analysis for understanding and characterizing landscape histories and the transition to agriculture in the region.     

柯九思墨竹艺术论

本文介绍了元代中期墨竹画家柯九思的绘画艺术，并就其艺术师承、绘画风格以及与同期画家墨竹风格的比较进行了分析，对柯氏的艺术风貌作了较为全面系统的评介。     

南京堂子街太平天国山水画考辨

南京堂子街太平天国壁画中有四幅重要的山水画已经相关专家考释并命名。但根据壁画内容及对画中地点的考证,现有命名方式的合理性遭到质疑。对金陵图咏进行脉络梳理之后可发现这四幅山水画的原形应为清乾隆至同治间《金陵四十八景》中的四幅。太平天国壁画历来有为政治、军事服务的传统,故军事因素应是对金陵四十八景中四景的选取原则。     

Avorio d'ogni ragione: the supply of elephant ivory to northern Europe in the Gothic era

This article accounts for the hitherto unexplained increase in the availability of ivory in mid-thirteenth-century France through an alteration in the medieval trade routes that brought elephant tusks from Africa to northern Europe. A newly-opened passage through the Straits of Gibraltar allowed a small amount of luxury goods to be shipped together with bulk materials necessary to the flourishing textile industries of northern Europe.     

传统书画装裱艺术的形成发展与革新

文章全面总结了传统书画装裱艺术的成就,并就传统的装裱形式如何适应新时代的需要进行了深入的探讨,指出继承与革新将使这一传统艺术充满新的活力。     

Limited yet informative: pathological alterations observed on human skeletal remains from third and second millennia bc collective burials in the United Arab Emirates

While syntheses of palaeopathological studies have been undertaken in many parts of the world, until recently little was known about human health in the past in the United Arab Emirates (UAE). Focusing on skeletal pathologies, this paper documents the results of the first synthetic palaeopathologlcal study for this country. The collections of archaeological human skeletal remains come from three sites dating to the third and two sites dating to the second millennia bc and consist predominantly of disarticulated, partially fragmented and often cremated remains. The paper initially discusses potential explanations for the neglected study of human skeletal remains from the UAE. This discussion is followed by an outline of the types of burial practices employed in the past in this region and their effects on preservation. The nature of the collections and the methodology employed in their study are described. Using specific headings, the pathological findings are then documented, followed by a discussion of the results of the skeletal analysis in light of the available archaeological evidence. Finally, it is shown that although limited by preservation, analyses of human skeletal remains provide valuable details about the types of diseases that affected people in the past in the UAE. While less detailed than some palaeopathological syntheses, the results presented in this paper lay the foundations for further work on humans in the past in eastern Arabia. Copyright © 2001 John Wiley & Sons, Ltd.     

现代艺术运动发展演变的地理学研究

现代艺术是目前唯一在国际上占统治地位的艺术现象。本文从地理学角度出发研究现代艺术的发展演变。首先回顾了现代艺术的发展过程,重点分析了现代艺术的地域性特征,指出国际现代艺术体系有"中心-边缘"性的分布格局,从流派数量和艺术主题的变化方面总结了其发展演变特点,并且总结了历史上三次重要的艺术扩散过程。其次分析了我国现代艺术发展的时空分布和地理格局,指出我国现代艺术的中心位于东部沿海大城市,具有分布不均、在国际体系中地位不高的特征。最后指出我国城市积极参与国际现代艺术体系、提升文化艺术地位的重要性和途径。     

We Finished the Plan,So Now What? Impacts of Collaborative Stakeholder Participation on Land Use Policy

There is a growing movement toward collaborative stakeholder participation in environmental policy. Rather than calling for a reliance on government officials to solve environmental problems, this approach calls for empowering a community of stakeholders to contribute meaningfully. Scholars examining citizen participation have investigated the performance of such efforts. This study examines one important aspect of performance, the impact of stakeholder participation on policymaking at the local level. A multiple‐case analysis of county‐level, community‐based task forces working on farmland preservation planning in Ohio, U.S., reveals patterns of policymaking processes and the near‐term impacts of collaborative planning. These patterns are linked to scholarship using prior empirical studies as well as the Institutional Analysis and Development framework, which integrates physical, social, and institutional variables to examine collective decision‐making related to natural resources. Results indicate that the degree of policy change is associated closely with local contextual factors, rather than internal group factors often emphasized in studies of citizen advisory committees and collaborative groups.     

岩画断代研究——科技考古学领域中一个亟待解决的问题

探索和研究表明,岩画断代问题仍然是困扰岩画研究的难题之一,其主要原因是岩画本身不能够提供可供断代的直接依据。本文综述了目前岩画断代研究中经常使用的自然科学和考古学方法及其存在的问题,提出应用AMS14C是今后研究我国岩绘画断代问题的首选方法,解决岩刻画的断代问题则主要有赖于微腐蚀方法。