A Ticking Clock? Preservation and Management of Greenland’s Archaeological Heritage in the Twenty-First Century

ABSTRACT

Evaluating the rate of deterioration at archaeological sites in the Arctic presents several challenges. In West Greenland, for example, increasing soil temperatures, perennial thaws, coastal erosion, storm surges, changing microbial communities, and pioneer plant species are observed as increasingly detrimental to the survival of organic archaeological deposits found scattered along the country’s littoral zones and extensive inner fjord systems. This article discusses recent efforts by the REMAINS of Greenland project for developing a standardised protocol that defines the archaeological state of preservation, the preservation conditions, and asset value of organic deposits. Special emphasis is given to the degradation of materials such as bone and wood that are historically observed to be well-preserved in Greenland but now currently at risk. The protocol provides a baseline for monitoring future changes and will assist archaeologists in Greenland with a procedure for documenting and predicting areas of increasing vulnerability due to a warming climate.     

Socialist architecture as today’s dissonant heritage: administrative buildings of collective farms in Estonia

The heritage studies of the socialist built legacy of the former Soviet Socialist Republics have mainly concentrated on the buildings and monuments representing the political ideology of the socialist era due to their evidently controversial character, while the more mundane and ordinary legacy has seldom been the focus. The administrative buildings of collective farms represent a particular socialist architecture of the 1960s–1980s in Estonian rural areas and small towns. These prosaic buildings, which used to play important role in the Soviet-time rural life, have become a dissonant heritage today, although their controversial nature lies in the complicated contemporary environment they fell into after the collapse of the socialist regime, rather than in the fact that they were constructed for ideological purposes. This paper examines the dissonant processes and the present contexts that affect the re-use and preservation of the administrative buildings of collective farms, as well as the acceptance of them as a meaningful part of Estonian history that should not be ignored or forgotten.     

Preservation between empire,nation and nationalisms: the problem of history and heritage in India

This article looks at the problematic questions of heritage and history in a postcolonial nation‐state such as India. It looks at the colonial past of the preservation of historical buildings and relates this to the postcolonial history of the use of heritage and history for both nation‐building and also to assert the claims and counterclaims of postcolonial identity politics. The article shows how the state and its bureaucracy historically acquired the right to be the custodian of culture, history and heritage, and it also argues that the state nevertheless was and remains circumscribed by subnational and communitarian claims to heritage and the past.     

Advances in the archaeology of the Pampa and Patagonia

Archaeological data reveal two distinctive cultural adaptations on the Pampa and Patagonia of Argentina: terrestrial hunter-gatherers in the former and most of the latter region and maritime hunter-gatherers along the southern extreme. Both adaptations were achieved by the end of the fifth millennium B.C. Thereafter, a stable equilibrium was maintained, with a slow drift toward greater emphasis on resources providing the maximum return for the least effort. The high productivity of the Fuegian environment sustained a population 30 times greater than occupied the Pampa and continental Patagonia prior to Araucanian penetration in the sixteenth century A.D. The long-term stability is attributable to the absence of environmental or demographic pressures or encroachments by neighboring groups, which might have made more intensive exploitation of the environment necessary.     

晚明文艺思潮对绘画的影响─—徐渭、董其昌比较研究

本文以徐渭和董其昌作为个例分析，讨论了晚明文艺思潮对当时绘画风格、形式变化的影响。     

The Impact of Climate Change on an Archaeological Site in the Arctic

Climate change may accelerate the degradation of archaeological sites in the Arctic and lead to a loss of important historical information. This study assesses the current preservation conditions and the processes controlling the physical and chemical stability of the Qajaa kitchen midden in western Greenland. Currently, the site is well protected by low ground temperatures, permafrost and a high water/ice content, keeping the deposits anoxic. Based on 5 years of monitoring data, degradation experiments and model simulation, our results suggest that the combined effects of permafrost thaw, thermal and hydrological erosion and oxygen exposure may lead to substantial loss of archaeological evidence before the end of the 21st century.     

Reading back from Experimental Painting

ABSTRACT

My book, Experimental Painting (1970), was the product of a decade of coming to terms with the history of modern art and with contemporary manifestations of the avantgarde. While at Cambridge from 1960 to 1967, I published art criticism, initially in locally published magazines, and then went on to review art exhibitions both nationally and internationally. This led to being co-editor of Form, which produced further opportunities. The term ‘experimental’ that I adopted in 1970 was intended to suggest the paradigm of scientific discovery which suited some, if not all, of the artists I studied. This article considers concepts directly imported from contemporary scientific enquiry that seemed relevant to me at the time, notably those from experimental psychology, psychoanalysis and structural linguistics. I relate them to the character of intellectual life at Cambridge in a period which saw much debate about the relationship between Sciences and Humanities as ‘Two Cultures’.     

Gustav Metzger: iconoclasm and interdisciplinarity

ABSTRACT

Gustav Metzger (1926–2017) has been described as ‘the conscience of the art world’ for the consistently political content of his art and his commitment to political activism on the subject of nuclear weapons, capitalism and environmentalism. Metzger’s artistic output from the late 1950s onwards reflects a theory of art as both aesthetic form and social action and identifies him as a key precursor of activist art. This article considers the inherent interdisciplinarity of Metzger’s practice as it evolved during this early period between the late 1950s and early 1970s in relation to his agenda of social engagement.     

Provenance Analyses of the Volcanic Rock Grinding Stones from the Greek Colony of Selinunte,Sicily (Italy)—Constraints and Possibilities

The petrography as well as the major and trace element compositions of the Selinunte grinding stones, made of grey vesicular lava, were analysed. By comparison with geochemical data from volcanic rocks in the Mediterranean, we were able to determine that only a minor number of the tools were extracted from the nearest volcanics of Mount Etna and the Hyblean Mountains, while the majority of the grinding stones were most probably imported from the Aeolian Islands, although an origin from the Aegean cannot be excluded entirely. The results are important in order to scrutinize trading connections, especially for the earlier times of settlement during the sixth century bc .