Rethinking the role of the arts in politics: lessons from the Négritude movement

The arts can be a powerful tool for emancipation, community building and political expression. This article makes the argument that artistic and cultural expression should be viewed by politicians and policy makers as an effective form of political engagement and an important feedback loop for understanding the political dissatisfaction of the electorate. It draws on one particular historical example, the Négritude movement, to highlight the value and strength of cultural movements in responding to questions of politics and to draw out lessons for current policy makers in recognising the value of culture in effecting political change. Against a contemporary political and scholarly narrative of disaffected citizenship, this article demonstrates that a lack of trust in a political model does not necessarily demonstrate a disinterested citizenry; rather it can suggest a citizenry who have found new and innovative ways to engage. The Négritude movement provides one such historical example.     

Add shamans and stir? A critical review of the shamanism model of forager rock art production

The “shamanism” or “neurpsychological” model proposed by Lewis-Williams and colleagues has had a powerful impact on rock art research, and has significantly added to our knowledge of past foragers lifeways in southern Africa and elsewhere in the world. However, this model is primarily based on the view of shamanism as a universal and unvarying characteristic of foragers over space and time. This paper raises both theoretical and empirical problems with this view. The paper examines the relationship between the specific social roles and practices of shamanism and the overarching cosmological structures on which they are based in both southern Africa and Northern Eurasia. In both cases, the paper argues that many cosmological beliefs are highly persistent and durable, extending into prehistory, while the specific practices and roles of shamans are variable, changing to meet the immediate and local needs of their communities. This suggests that rock art is easier to relate to the overarching cosmological dispositions of the people that produced it and the paper closes by suggesting some theoretical and methodological alternatives recognizing this fact.     

The in situ preservation of archaeological remains: using lysimeters to assess the impacts of saturation and seasonality

Recent research has studied the effects of seasonal variability on waterlogged burial environments. In a new approach to the study of archaeological contexts, the use of controlled laboratory conditions via lysimeters has enabled new insights into the nature of short term fluctuations in saturation, and the impact that these can have on burial contexts. In addition, the protocols used have facilitated interesting insights into burial environments and the way in which fluctuations in saturation and seasonality can impact on the contained organic components within them.     

Iktomi in the Land of the Maymaygwayshi: Understanding Lived Experience in the Practice of Archaeology Among American Indians/First Nations

In discussions concerning American Indians/First Nations and the practice of archaeology in North America, the issues are typically presented in a polarized fashion with American Indians/First Nations on one side and archaeologists on the other. Frequently the literature discusses how archaeologists should modify their practice in response to the needs of American Indian communities. Very little of the literature looks at the roles and challenges faced by American Indians who choose to pursue archaeology. This paper addresses this latter issue by examining my own work among First Nations communities in Ontario, Canada. Through the lens of ‘lived experience’, I will examine the interplay of identity, personal and communal histories, and the contemporary situation of my self and the First Nations communities I worked with, looking at how having ‘insider’ knowledge can be both useful and a handicap in fieldwork.     

An Archaeological Survey of El Camino Real de Tierra Adentro,Las Cruces—El Paso

Archaeologists from New Mexico State University surveyed El Camino Real, the earliest long-distance trail established by European colonists in North America, from Las Cruces, New Mexico, to El Paso, Texas. Our goal was to determine the location and condition of this historic trail within a strip of land that has witnessed significant agricultural, suburban, and urban development in recent years. Due to this development, many scholars have assumed that all physical traces of the Camino Real have been destroyed. Results of our research, however, suggest that not all remnants of the trail and related campsites have been lost.     

Time, Space, and Image Making: Rock Art from the Dhar Tichitt (Mauritania)

Prehistoric images are particularly versatile and difficult to grasp. In a few cases of historical continuity, local cultural glosses provide researchers with a rich corpus of data and help in the interpretation of the imagery. Such approaches contribute to the interpretation of the material in a frozen time perspective. Their impact on the development of archaeological methodologies enabling researchers to deal with strictly prehistoric image making traditions without any known descendant communities remains to be felt. This paper is an attempt to develop a subtle and robust archaeological methodology for the study of prehistoric images. The suggested approaches are replicable, and conclusions are falsifiable.Les images préhistoriques sont particulièrement versatiles, et leur sens difficile à cerner en raison de leur polysémie. Dans une poignée de cas, là ou il y a continuité historique, les chercheurs ont reussi à constituer une riche documentation sur les pratiques culturelles liées à l'utilisation des images. Ils/elles parviennent ainsi à des niveaux d'interpretation très detaillée, dans une conception paradoxalement réifiée des sociétés en question, conservant des pratiques culturelles inchangées pendant des millénaires. L'impact de telles approches sur l'élaboration de bonnes méthodes archéologique est négligeable. Dans la plupart des cas, les images et les vestiges matériels sont le uniques témoins des sociétés préhistoriques étudiées. Cet article s'efforce de developper des méthodes, à la fois subtiles et robustes, permettant une analyse systématique des images préhistoriques. Les méthodes proposées sont réplicables, et les conclusions refutables.     

L'art au temps des fractales

Fractals, as a mathematical concept, made their way into many scientific fields, but have also inspired artistic creations, in particular the plastic arts. The art exhibition «Fractal Time» gives us the opportunity to analyze the link between «art under fractalism» and mathematics. Metamorphoses of the concept, as it goes further its original field, provide us information on the relation between its initial theoretical ground and its additional esthetical meaning. We propose to distinguish, according to a criterion of theorical but non esthetical distance, three ways of derivation for «fractalism»: technical derivation, esthetical actualization and ideological actualization. *** DIRECT SUPPORT *** A01KB003 00010     

The History and Composition of the Identified Human Skeletal Collection of the Certosa Cemetery (Bologna,Italy, 19th–20th Century)

The purpose of this paper is to present the identified skeletal collection (by age, sex, cause of death, occupation and preservation state) from the Certosa Cemetery of Bologna (Italy), which was reviewed and checked through a consultation of the cemetery archives. The collection consists of 425 skeletons of individuals (from newborn to 91 years old) who died in Bologna between 1898 and 1944. The personal details associated with the skeletons were cross‐checked with the data contained in the cemetery and municipal archives. For each skeleton, the biological profile was assessed using current anthropological methods in order to confirm its correct identification. Four hundred and eighteen skeletons (98.4%), mostly complete and well preserved, are identified at least for sex, and for 95% of these, the age is known. The distribution of sexes in the various age groups is fairly well balanced. The cause of death is known in 93% of the individuals. Approximately 30% of the individuals died from infectious diseases. The occupation is known for more than 92% of the individuals. Most of the women were housewives, while the men were employed in various jobs. The cross‐check between archival data with the anthropological analysis of the remains enabled a reliable identification of the skeletons. The sexes and various age groups are well represented, and the sample is substantially uniform as far as geographical origin and socio‐economic conditions (lower social classes) are concerned. Thanks to the reliability of the information collected, the Certosa collection is an excellent anthropological tool for the development and validation of osteobiographic methods. Copyright © 2017 John Wiley & Sons, Ltd.     

中古壁画与陶塑再现的挎包女性形象

中国服装史一直以来较为忽视服饰中的挎包装饰,本文利用新出土的中古壁画和唐代各种挎包女性陶塑,对中古艺术中的挎包女性形象进行了初步分析。作者认为,"挎包女人"图像赋予了女性非凡的人性精神。同时,作者还对外国该类形象的出现和流传进行了梳理,依据现存图像资料,指出中国古代女性挎包要比西方早出现几个世纪。挎包、拎包具有时尚和实用美观的意义,折射出古代女性鲜明的超前意识和服装审美。