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51.
叶晓和  陈福荣 《神州》2011,(3X):102-103
把学校的图书室开辟为重要阵地加以利用,并改变写作方向,让小学生们用自己的童心去感受生活,用自己的眼睛去认识生活,用自己的耳朵去倾听生活,用自己的方式去表达生活。惟有如此,他们才能写出富有童情童真、童言童趣的原汁原味的好文章。  相似文献   
52.
李贺文 《神州》2011,(3X):1-2,4
从对兰州理工大学技术工程学院大学生人文素质现状的抽样调查来看,由于专业教育的偏向和较低的高考成绩,使得理工科独立学院学生的人文素质普遍偏低。因此加强理工科独立学院大学生的人文素质教育就显得尤为重要,而这可以试着从理工科学生的培养模式、考核方式及教师队伍建设、政策鼓励等方面做出一定的改进,以提高理工科大学生学习人文知识的兴趣和机会,以保障人文素质教育在理工科学生中的顺利开展,使其成为一个和谐发展的人。  相似文献   
53.
胡桂春 《神州》2011,(3X):125-125,129
数学教学的核心是学生的再创造,让学生经历知识的再创造过程,培养了学生的创造性思维。学生从教师的教转向主动地学,在教师的指导下去建构数学知识,为学生能够顺利地用数学知识解决实际问题奠定了良好的知识基础。  相似文献   
54.
采用便携式拉曼光谱仪对广西合浦出土的新莽(8—23年)和东汉(25—220年)晚期的宝石珠饰进行了原位无损分析,新发现了一批在外观上极易被误认为各色水晶的绿柱石族矿物(如海蓝宝石和透绿柱石)制作而成的浅蓝色和无色透明珠饰。利用手持式显微镜对绿柱石宝石珠饰的穿孔形状、孔径大小及其内部微痕特征进行了观察分析,参考南亚和东南亚同时期石质珠饰的钻孔工艺及钻具研究成果,认为这批绿柱石珠饰采用了钻石钻头双面对钻钻孔工艺。结合南亚地区宝石资源、出土绿柱石宝石珠饰及其钻孔工艺和加工作坊等情况,认为这批绿柱石宝石珠饰是由南亚经海上丝绸之路输入的舶来品。研究结果为探讨汉代中国南方与南亚和东南亚的经济和文化交流提供了有益信息,有助于提高对古代海上丝绸之路这一贸易网络在传播珍贵物品的认识。  相似文献   
55.
Based on Danish experiences the article discusses the increasing role that the discourse of “quality” is playing in cultural policy. Throughout the 1990s, from the general cultural debate, this discourse has spread to more instrumental considerations and practices in the field of cultural policy. The article presents this process in a historical perspective and characterises the present tendency towards a technocratisation of the discourse of quality under the auspices of New Public Management and the general trend in modern state policy towards instrumentalising all societal resources in the global economic competition. Opposing this line of development, it is argued that “quality” could serve as a progressive, non‐instrumentalist discourse if it is defined in relation to a modernised understanding of the “rational core” of the cultural policy tradition of the Nordic countries. In this perspective, the article suggests a contextualisation of the concept of quality and possible ways of implementing the discourse in practical cultural policy.  相似文献   
56.
Reference groups serve as markers for citizen-consumers to determine tastes and preferences about work and material and cultural consumption. These groups have evolved slowly in socialist Cuba, mostly during the post-Soviet era. This paper examines the symbolism, roles, and meanings of three such groups: the Cuban Diaspora, Cuban Gen-Yers or Millennials (survivors), and entrepreneurs. A combination of these groups is changing values about a new consumption taking hold across the island and offers insight into material and cultural consumption.  相似文献   
57.
Abstract

Albania spent much of the 20th century under one of Europe’s most ideologically repressive regimes. In order to justify and ostensibly protect this system, the Albanian Communist regime (1944–1992) constructed a massive array of defensive works, which formed a major piece of the Hoxhaist (after Enver Hoxha) aesthetic. Twenty years after the fall of Communism, Albanians have gained the freedom to travel abroad, but have largely avoided addressing the legacy of this difficult past within their own society. Based on the theory that some aspects of traumatic memory can be addressed through confronting and re-signifying material heritage, we explore some localized cases in order to comprehend the roots of this concrete legacy, combining theoretical analysis with field experiences in collaboration with the Gjirokastra Foundation. We suggest one possible approach to the difficult process of creating open community dialogue to deal with the scars of a traumatic past and thus begin the healing process.  相似文献   
58.
Abstract

In recent years systematic archeochemical investigations in the medieval town of Trondheim have provided the heritage management authorities with a rich and complex set of data concerning the status and condition of the cultural deposits in the anthropogenic material. The collected data raises important questions for the long-time management of in situ preservation for archaeological material in non-saturated zones. In this paper we present the standardized scientific methods used in these archeochemical investiga- tions. We examine the results from several sites in the town and discuss the challenges facing modern heritage management in its efforts to protect a complex body of archaeological material in the non-saturated zone. We show that sediments with a thickness of 1–2 m have low levels of moisture and organic matter, and most of the inorganic parameters analysed are found in oxidized form with low preservations. The 2–3 m thick anthropogenic sediments showed better preservation conditions.  相似文献   
59.
Abstract

The recent installation of land drains at Star Carr, Yorkshire, UK, has been linked with loss of preservation quality in this important Mesolithic buried landscape, challenging the PARIS principle. Historically captured organic carbon, including organic artefacts, is being converted to soluble organic compounds and less soluble carbon gases. At the same time sulphur and nitrogen compounds are oxidized to species that are chemically destructive of artefacts and ecofacts. Two of the carbon products, CO2 and methane, are ‘greenhouse gases’ whose environmental impact can be costed in terms of carbon equivalents, which can be set against an assessment of the gain in agricultural productivity of the land arising from drainage, at Star Carr being the improved cereal crop. Wetland studies elsewhere suggest that such decay processes could be slowed by restoring the historic soil environment, and even reversed to create carbon capture, enabling the farmer to claim carbon credits.  相似文献   
60.
Viking Metal, Pagan Metal and their relatives represent subgenres of Black and Folk Metal characterised by their historical and mythological references, their incorporation of folk melodies alongside traditional music and instruments, and the use of contemporary material culture and dress. Like earlier folk-rock traditions, these subgenres have often steered an interesting course between the hedonistic tendencies which can accompany rock music (the ‘rock “n” roll lifestyle’) and an educational role: metal as heritage and specifically as heritage interpretation. In this paper, the authors explore these various connections through conversations with members of two prominent bands (Týr and Heidevolk) who gave research seminars at the University of York in 2012 and 2013. The connections between music making, landscape, performativity and narration are prominent in both cases, and form the basis of this study.  相似文献   
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