Body as weapon: the archaeology of a war victim’s narrative

ABSTRACT

The soldier's body is the most important subject of violence and destruction in war. Humans live primarily through their body in the material world, and when the body is destroyed, their whole existence is affected, both physically and non-physically. Therefore, the first locus on which we can observe the effects of war and violence is the human body, mainly soldiers. In modern wars, the soldier’s body is combined with weapons and machines of war, but is also the first target of killing whether in attack or defence. On the one hand it is targeted and killed, but on the other hand the body itself targets and kills. In warfare, bodies are trained to be the mechanism of killing and they are employed on battlefields according to the political objectives of their sovereign power. Thus, the soldier’s body becomes a weapon separated from the individual human body by the political authority.     

Sharing public space across difference: attunement and the contested burdens of choreographing encounter

This paper concerns how claims to public space are negotiated between differently embodied subjects, and how forms of bodily articulation shape capacities for sharing space. Drawing on a study of outdoor access practices, entailing mobile video ethnographies with walkers and cyclists, it explores the corporeal mechanisms through which the entitlements of differently mobile subjects are asserted, resisted, circumscribed or accepted in the time-spaces of bodily encounter. How the signalling of ‘responsible’ and ‘irresponsible’ conduct influences how bodies are allowed to move in relation to other bodies is the focus. Mobilisations of speed, affective and sensory attunement, and techniques of bodily articulation, were found to be a key in the disciplining of cycling and walking bodies. This paper highlights the central role of attunement to, and concession of, hybrid subjectivity in the choreography of encounters, and, moreover, how related burdens of orchestrating coexistence are shared and struggled over amongst different publics. It demonstrates that whilst greater attunement can enable differently mobile subjects to develop a reciprocal choreography, expectations of such attunement can also undermine the ability to share space if not met. This paper thus raises the dilemma of when to accept or extend the limits of attunement in facilitating coexistence in public space.     

Lead concentrations in bones from a Neolithic long barrow

Lead concentrations were determined in ribs obtained from the Neolithic long barrow at Hazelton and compared with those in a series of modern bones. The mean lead concentration in the neolithic material was about two-and-a-half times less than the contemporary mean indicating that human activity has considerably increased the human body burden of lead.     

他者的身体实践与城市公共空间融入研究——以“麦宿者”为例

“身体”是管窥和解读社会文化现象的重要视角。基于身体地理学,探讨他者身体与城市空间之关系,可为理解边缘群体与城市公共空间融入提供有益视角。文章以长期夜宿于麦当劳餐厅的“麦宿者”为例,探讨其身体实践与城市公共空间之相互作用,以剖析边缘群体对城市公共空间融入的过程机制。研究发现：麦宿者身体特征具有鲜明的他者性,并主要通过物质性和非物质性的身体实践来与饮食空间开展协商,通过在特定时空下的弱化他者性,来实现饮食空间的融入。文章建立了他者身体与城市公共空间相互作用的理论框架,在身体实践方面对身体地理学的相关理论进行了补充。     

Glass from the Archaeological Museum of Adria (North-East Italy): new insights into Early Roman production technologies

In the present study, the first archaeometric data on an ample selection of intentionally coloured (or decoloured) Early Roman glass (1st–2nd centuries AD) from the Archaeological Museum of Adria (Rovigo, Italy) are reported. The analysed samples are 61 in total, both transparent and opaque, and were characterised from the textural (SEM-EDS), mineralogical (XRPD) and chemical (XRF, EPMA, LA-ICP-MS) points of view. This combined approach allowed us to identify the raw materials and production technologies employed in the manufacture of glassware. Results for the transparent samples show that they are all silica-soda-lime glasses. Most of them, independently of colour, have compositions close to those of typical Roman glass, produced with natron as flux. No relationships were identified among chemical compositions, types or production techniques, but a dependence on bulk composition was identified for some particular colours, revealing the careful and intentional selection of raw materials. This is the case of Sb-colourless glass, produced with sand of high purity, a group of intensely coloured objects, mainly emerald green and black, produced with soda ash as flux, and some blue examples produced with various sources of sand or soda ash as flux. Two main types of opacifiers were identified for the opaque samples: calcium antimonate for white, mauve and blue glasses, and lead antimonate for the yellow ones; in one case, a yellow lead-tin antimonate was also identified. As regards the opaque glasses, most of the samples opacified with calcium antimonate are silica-soda-lime in composition, similar to the typical Roman glass. Instead, samples opacified with lead and/or lead-tin antimonates are lead glasses, suggesting different production technologies.     

A Study of the Techniques Used to Make Laohudong Guan Ware in China in the Southern Song Dynasty

Through a combination of analysis and synthesis of Laohudong Guan ware shards from Hangzhou City in southern China, some new hypotheses concerning Guan ware manufacture can be proposed. These suggest that the complex microstructures seen in Guan ware glazes, and which contribute significantly to their jade‐like qualities, may owe much to layers of fine bubbles trapped during the glazing process. It is also proposed that the multi‐layer glazing methods used at the Guan ware kilns at Hangzhou may have helped initially to disguise the relatively coarse and ferruginous clays used for Guan ware manufacture. Once established, the layered glazing technique was used for its own sake—eventually yielding wares that could comprise more glaze than clay. Raw materials and firing temperatures were also explored for this study, and these suggest the use of porcelain‐stone/wood ash mixtures for glaze‐making, with 20–30% calcareous wood ash being the usual amounts. The average heat‐work for the glaze firing seems to have been equivalent to Orton Cone 7, giving a typical finishing temperature of ～1215°C. A single biscuit firing and a single glaze firing seem likely for most Laohudong Guan wares. Studies of the losses that occur in the preparation of calcareous wood ashes suggest that very large quantities of botanic material must have been burned to provide ash for glaze‐making at the Laohudong kiln. From the environmental perspective, a combination of thick glazes and heavy wood‐ash usage would have placed great demands on local fuel supplies.     

Emerging geographies of disciplining the ageing body: practising cosmetic technologies in the aesthetic clinic

Despite attention to the body over the last two decades, there has been a lack of geographical consideration of the emotional and embodied contexts of ageing. In this article I argue that examination of the multiple ways in which the ageing body is experienced and modified offers productive insights into geographical perspectives on gender, health and technology. This article introduces cosmetic anti-ageing practices as a form of ‘management’ and ‘modification’ of the ageing body. Anti-ageing practices have become increasingly ubiquitous in the last decade and are a significant driver of growth and innovation in the cosmetic industry. Despite their prevalence, however, there has been a lack of geographical attention to the knowledges, practices and spaces associated with cosmetic modification of the ageing body. This article draws on ethnographic and interview data from extensive fieldwork conducted in a range of aesthetic clinics in South-West England, exploring the emotional, embodied and spatial encounters of anti-ageing practices and the intertwining, and explicitly gendered, discourses of health and well-being in which they are situated.     

Medicalising menstruation: a feminist critique of the political economy of menstrual hygiene management in South Asia

Women's use of water differs from men in essentially one aspect: in cleansing the body of menstrual blood. The pledge of the water, sanitation and hygiene (WASH) sector to place ‘women at the centre’ of development has in recent years, therefore, come to focus on menstruation. International development agencies have begun to push the agenda of menstrual hygiene management (MHM), but their use of a medical approach requires critical rethinking. This article argues that through MHM lessons, menstruation is medicalised to construct new and repressive expectations of normality for the female body. A medical construction also poorly accommodates the natural biological process of menstruation within the gamut of existing sociocultural practices. Consequently, menstruation becomes associated with the perceived need for not only sanitisation of the female body of the rural poor, but also to turn it into a working body that is able to ceaselessly and ‘normally’ perform its productive and reproductive chores. I note that the success of medicalisation relies upon the separation of the body from its purported waste, the menstrual blood. Once menstruation is confined to a pathological condition, treatable only by public agents such as doctors and commercially produced goods such as sanitary napkins, a defining essence of womanhood is thereby dissociated from the female body.